Londons Ius Honorarium.Expreſt in ſundry Triumphs, pagiants,
and ſhews: At the Initiation or Entrance of the Right Honourable George
Whitmore, into the Maioralty of the famous and farre renouned City of London. All the charge and expence of the
laborious pro iects, and obiects both by Water and Land, being the ſole vndertaking of the Right Worſhipfull, the ſociety of the Habburdaſhers.
❧To the Right Honourable,George Whitmore, Lord Maior of this renowned Metrapolis. London.
Right
Honorable,
IT was the ſpeech of a Learned and graue Philoſopher the Tutor and
Counſeler to the Emperour Gratianus, Pulcrius multo parari, quam creari nobilem.2 More faire and famous it is to be made,
then to be borne Noble, For that Honour is to be moſt
Honored, which is purchaſt
by merrit, not crept
into by deſcent: For you; whoſe goodneſſe,
hath made you
thus great. I make my affectionate
preſentment of this annuall Celebration, concer ning which: (without flattery be it ſpoken) there is
nothing ſo much as mentioned (much leſſe enfor ced) in this your Ius honorarium, which
rather
commeth not ſhort, then any way exceedeth the
hope and expectation which is
now vpon you; and therefore worthily was your ſo free Election,
(without either
emulation, or competitorſhip con
ferd vpon you; ſince of you it may be vndeniably ſpoken:
that none euer in your place was more ſufficient or able, any cauſe whatſoeuer ſhall
be brought before you, more truly to diſcerne; being apprehended more aduisedly
to diſpoſe, being di geſted, more maturely to deſpatch. After
this ſhort tender of my ſeruice vnto you, I humbly take my leaue, with this
ſentence borrowed from Seneca:
Decet timeri Magiſtratum, at plus diligi.3
Printer’s ornament❧ To the Right VVorſhipfull Samuell Cranmer, and Henry Pratt, the
two Sheriffs of the Honourable Citty of London, Lately
Elected.
Right Worſhipfull,
THe cheife Magiſtrats next vnto the Lord
Maior, are the two ſheriffes, the name SheriThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)ffe
imptyeth as much as the Reeue and Governour of a Sheare,
for Reeue: is Graue
Count or Earle (for ſo ſaith
Master Verſtigan:) and theſe, were of like autho rity with the Cenſors, who
were reputed in the prime and
beſt ranke amongſt the Magiſtrates of Rome? They were ſo
cal’d a Ceſſendo, of ceaſing, for they ſet a rate vpon
euery mans eſtate: regiſtring their names, and placing them in a fit
century: A ſecond part of their Office conſiſted in the refor ming of
maners, as hauing power to inquire into euery mans
life and carriage. The Embleame
of which Authority was
their Tirgula cenſoria
borne before them: they are thy others)
reſembled to the Tribunes of the people, and theſe are cal’d Sacro Sancti, whoſe perſons might not be iniured,
nor their names any way ſcandaliz’d, for whoſoeuer was proued to be a de linquent in either, was held to be Homo ſacer; an excommu
nicated perſon, and hee that ſlew him was not liable vnto any
iudgement: their
Houſes ſtand open continually, not onely for
Hoſpitality, but for a Sanctuary to
all ſuch as were diſtreſt:
neither was it lawfull for them to be abſent from the
Colledge
one whole day together, during their Yeare. Thus you ſee
how neere the Dignities of this Citty, come neere to theſe in Rome, when it was moſt flouriſhing. The firſt Sheriffes that bore the name and office in this Citty, were Peter Duke, and Thomas Neale, Anno 1209. The nouiſſimi, now in present Samuell Cranmer and Henry Pratt. Anno 1631. To whom I direct this ſhort Remembrance.
WHen Rome was erected: at the firſt
eſtabliſhing of a common weale, Romulus the
founder of it, inſtituted a prime officer to gouerne the Citty, who was
cald præfThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)ectus vrbis, i. the præ fect of the City, whoſe vncon roulable
authority, had power, not onely to exa mine, but to determie, all
cauſes & controuerſies, & to ſit vpon, and cenſure all delinquents,
whether their offences were capitall or criminall: Intra
cen teſſimum lapidem, within an hundred miles of the
City, in proceſſe of time the Tarquins being
expeld, & the prime ſoueraignty remaining in the conſuls. They (by reaſon of
their forraigne imployments) hauing no leaſure to adminiſter Iuſtice at home,
created two cheife officers, the one they cald prætor vrbanus, or Maior,
the other peregrinus: The firſt had his
iuriſdiction, in and ouer the Citty, the
other exerciſed his authority meerely vpon ſtran gers.
The name Prætor is deriued from Præeſſendo or Præeundo, from priority of place, which as a lear ned Roman Author writs, had abſolute power o uer all publique and priuat affaires, to make new Lawes, and
aboliſh old, without controwle, or contradiction: His authority growing to that
height, that whatſoeuer he decreed or cenſured in publique, was cald Ius Honorarium, the firſt on
whome this dignity was conferd in Rome, was ſpur: furius Camillus, the ſonne of Marcus: And the
firſt Præter or Lord Maior appointed to the Go
uernment of the Honorable Citty of London, was
Henry Fitz Allwin, aduaunced to that Dignity, by King Iohn, Anno.1210. ſo much for the Honor and
Antiquity of the name and place, I proceede to the ſhowes.
Vpon the water.
Are two craggy Rockes, plac’d directly
oppo ſit, of that diſtance that the Barges may paſſe be twixt them: theſe are full of monſters, as Serpents, Snakes,
Dragons, &c. ſome ſpitting Fier, others vomiting water, in the baſes thereof,
nothing to be ſeene, but the ſad relicks of ſhipwracke in broken Barkes and
ſplit Veſſels, &c. The one is cald Silla,
the other Charibdis, which
is ſcituate directly a gainſt Meſſana; Scilla againſt Rhegium: and what
ſoever ſhippe that paſſeth theſe Seas, if it keepe not the middle Channell, it is
either wrackt upon the one, or devoured by the other; Medio tutiſsimus ibit. Vpon theſe Rocks are placed
the Syrens, excellent both in voyce and Inſtru ment: They are three in number, Telſipio, Fligi, Aglaoſi: or as others will have them called, Par thenope, skilfull in muſicke; Leucoſia, upon the winde Inſtrument; Ligni, upon the Harpe. The
morrall intended by the Poets, that whoſoever ſhall lend an attentive eare to their muſicke, is in great
danger to periſh; but he that can wari ly avoyd it by ſtopping
his eares againſt their inchantment, ſhall not onely ſecure themſelves, but bee
their ruine: This was made good in Vliſſes the ſpeaker, who by his wiſedome and
pollicy not onely preſerved himſelfe and his people, but was the cauſe that they from
the rocks caſt themſelves headlong into the Sea. In him is perſonated a wiſe and
diſcreete Magi ſtrate.
But ſhunne th’extreames, to keepe the golden meane.
This glorious City, Europs chiefest minion,
Moſt happy in ſo great a Kings dominion:
Into whoſe charge this day doth you inveſt,
Shall her in you, and you in her make bleſt.
The firſt ſhow by land
THe firſt ſhow by Land, (preſented in Pauls
Church yard, is a greene and pleaſant Hill, a dorned with all the Flowers of the ſpring, up on which is erected a faire and flouriſhing tree, furniſhed
with variety of faire and pleaſant fruite, under which tree, and in the moſt emi nent place of the Hill, ſitteth a woman of beau tifull aſpect, apparrelled like Summer: Her motto, Civitas bene Gubernata,i. a City well go
verned. Her Attendants (or rather Aſſociats) are three
Damſels habited according to their qualitie, and repreſenting the three Theologi call vertues, Faith, Hope, and
Charity: Amongſt the leaves and fruits of this
Tree, are inſcerted diverſe labels with ſeverall ſentences expreſ ſing the cauſes which make Cities to flouriſh and proſper:
As, The feare of God, Religious zeale, a Wise Magiſtrate, Obedience to rulers, Vnity, Plaine and faithfull dealing, with others of the like na ture. At the foot of the Hill ſitteth old Time, and by him his daughter Truth, with this
in ſcription; Veritas eſt Temporis
Filia,i. Truth is the Daughter of Time: which Time ſpeaketh as
followeth.
Non nova ſunt This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source.semper, & This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source.quod fuit An This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source.te relictum This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source.eſt fit que quod This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source.haud fuerat, This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source.&c.4
The ſecond ſhow by
Land, is preſented in the upper part of
Cheapſide, which is a Cha
riot; The two beaſts that are placed before it, are a Lyon paſſant, and a white
Vnicorne in the ſame poſture, on whoſe backs are ſeated two Ladies, the one
repreſenting Juſtice upon the Lyon, the other Mercy upon the Vnicorne. The motto which Juſtice beareth, is Rebelles
protero; the inſcription which Mercy
carrieth, is Imbelles protego: Herein is intimated, that by theſe types
and ſymboles of Honour (repreſented in theſe noble beaſts belonging io his Majeſtie)
all other inferiour magiſtracies and governments either in Common weales, or
private Societies, receive both being and ſupportance.
The prime Lady ſeated in the firſt and
moſt eminent place of the Chariot, repreſenteth Lon don, behinde whom, and
on either ſide, diverſe others of the chiefe Cities of the Kingdome take place:
As Weſtminſter, Yorke, Briſtoll, Oxford, Lincolne, Exeter, &c. All theſe are to be
diſtingui ſhed by their ſeverall Eſcutchons; to them London being Speaker,
directeth the firſt part of her ſpeech as followeth.
one ſtands a Sea Lyon vpon the other a Meare maide or Sea-Nimphe, the Sirens and Monſters,
bee ing in continuall agitation and motion, ſome brea thing fire, others ſpowting water, I ſhall not neede to ſpend
much time in the Deſcription of them, the wThis text is the corrected text. The original is ro (MK)orke being ſufficiently able to
Commend itſelfe.
The third ſhow by Land Preſented neere vnto the great Croſſe in Cheape-ſide, beareth the title of the Palace of Honour: A
faire and Curious ſtru cture archt and Tarreſt aboue, on the Top
of which ſtandeth Honour, a Glorious preſens,
and ritchly habited, ſhee in her ſpeech directed to the right Honorable: the
Lord Maior, diſcouers all the true and direct wayes to attaine vnto her as,
firſt:
A King: Eyther by ſucceſſion or Election. A Souldier, by valour and martiall
Diſcipline A Churchman by Learning and degrees in
ſcooles A Stateſman by Trauell and Language &c. A Lord Maior by Commerce and
Trafficke both By Sea and Land, by the Inriching of the King dome, and Honour of our Nation.
And ſo of the reſt, and according to this Pallace of Honour is facioned not onely the managment of the
whole Citty in generall: but the Houſe and Family
of the Lord Maior
in particuler.
Before in the Front of this pallace is
ſeated Saint Katherin,
the Lady and Patroneſſe of this Worſhip full Society of whom I will giue you this ſhort Character.
the name it ſelfe imports in the Origi nall. Omnis ruina, which (as ſome interpret it) is as much as to
ſay, the fall and ruin of all the workes of the Diuell: Others deriue the word from
Catena, a Chaine wherein all cheife Vertues and
Graces are concatinated and link’t together, ſo much for her name.
that Kingdome, grew Inamored of the Kings Daughter by
whom he had
Iſſue,
this Coſtus who
after ſucceeded his Grand Father.
Conſtantine after the death of his firſt Wife
made an expedition from Roome, and hauing Conquered this Kingdome of Great
Britaine: he tooke to his Second Wife Helena, which Helena was ſhe that
found the Croſſe vpon which the Sauiour of the World was Crucified, &c.
Coſtus Dying whilſt Katherine was yet young, and ſhee being all that
Time liuing in Famogoſta, (a cheife City, becauſe ſhee was there Proclaimed and Crowned
was called Queene of Famogoſta, ſhe liued and dyed a Virgin and a Martyr vnder the Tiranny of Maxentius,
whoſe Empreſſe, with many other great & eminent perſons ſhe had before con uerted to the Faith. So much for her character Her ſpeech to
the Lord Maior as followeth.
my papers to the Maſter, Wardens, & Committies of
this Right Worſhipfull Company of the Haber
daſhers (at whoſe ſole expence and charges all the
publick Triumphes of this dayes Solemnity both by water and land, were Celebrated)
nothing here deuiſed or expreſſed was any way forraigne vnto them, but of all
theſe my conceptions, they were as able to Iudge, as ready to Heare, and to direct
as well as to Cenſure; nether was there aThis text is the corrected text. The original is u (MK)ny dificulty which
needed a comment, but as ſoone known as ſhowne, and apprehended as read: which
makes me now confident of the beſt ranke of the Citti ſens:
That as to the Honour and ſtrength both of the Citty and Kingdome in generall, they
excer ciſe Armes in publicke, ſo to the benefit of their
Iudgements, and inriching of their knowledge, they neglect not the ſtuddy of arts,
and practiſe of literature in priuate, ſo that of them it may be truly ſaid they
are, Tam Mercurio quam Marte periti: I pro ceede now to the laſt Speech at night in which V liſſes at the taking leaue of his Lordſhip at his
Gate, vſeth this ſhort Commemoration, of all that hath bin included in the
former pageants, poynting to them in order, the manner thereof thus.
I haue forborne to ſpend much paper in neede leſſe and Inpertinent deciphering the worke, or
explaining the habits of the perſons, as being free
ly expoſed to the publicke
view of all the Specta tors. The maine ſhow, being performed by
the moſt excellent in that kind, MThis text is the corrected text. The original is ia (MK)aiſter Gerard Chriſt mas hath expreſt hiThis text is the corrected text. The original is a (MK)s
Modals to bee exquiſite (as hauing ſpared nei-ther Coſt nor care, either in the
Figures or ornaments. I ſhall not neede to point vnto them to ſay, this is a Lyon,
and that an Vni corne, &c. For of this Artiſt, I may bouldly
and freely thus much ſpeake, though many about the towne may enuie their worke,
yet with all their in deuor they ſhall not be able to compare
with their worth. I Conclude with Plautusin ſticho: Nam cu rioſus eſt nemo qui non ſit malevolus.5
FINIS.
Notes
Redeunt spectacula means that the spectacles return. (MK)↑
Taken from a
poem entitled Solon of Athens that Heywood seems to attribute to Gratianus. Although it
is located in the Loeb classics volumes for Ausonius’ works, it is located in an
appendix, given that it was formerly attributed to Ausonius but that attribution no
longer has validity. In any case, the Loeb edition translates it as Tis fairer far to
win nobility than to be born to it. (MK)↑
As Richard Rowland notes, the quotation is not from
Seneca, but rather Cicero’s De Officiis. It loosely means that although civil authority
should be fear, it is more important that leaders be loved. (MK)↑
Things are not always new, and what has been before was abandoned, and what now is
has never been before, etc.. (LS)↑
For no one who is a meddler is not malevolent. (LS)↑
Rowland, Richard. Thomas Heywood’s Theatre, 1599–1639:
Locations, Translations, and Conflict. Farnham: Ashgate, 2010. Print. [See especially chapter 1, A London that
yee see hourely: Heywood, Stow, and the Invention of the City
Staged.]
Heywood, Thomas. London’s Jus Honorarium. The Map of Early Modern London, Edition 7.0, edited by Janelle Jenstad, U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/JUSH1.htm. Draft.
Chicago citation
Heywood, Thomas. London’s Jus Honorarium.The Map of Early Modern London, Edition 7.0. Ed. Janelle Jenstad. Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/JUSH1.htm. Draft.
APA citation
Heywood, T. 2022. London’s Jus Honorarium. In J. Jenstad (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/JUSH1.htm. Draft.
RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria
Database: The Map of Early Modern London
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CY - Victoria
PB - University of Victoria
LA - English
UR - https://mapoflondon.uvic.ca/edition/7.0/JUSH1.htm
UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/JUSH1.xml
TY - UNP
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TEI citation
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<title level="m">London’s Jus Honorarium</title>. <title level="m">The Map of Early
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<date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/JUSH1.htm">mapoflondon.uvic.ca/edition/7.0/JUSH1.htm</ref>.
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Research Assistant, 2018-2020. Chris Horne was an honours student in the
Department of English at the University of Victoria. His primary research interests
included
American modernism, affect studies, cultural studies, and digital humanities.
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant,
2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University
of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History
Conference (2020), and the Digital Humanities Summer Institute’s Project Management
in the Humanities Conference (2021). While her primary research focus was sixteenth
and seventeenth century England, she completed her honours thesis on Soviet ballet
during the Russian Cultural Revolution. During her time at MoEML, Kate made significant
contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored
the MoEML’s first Project Management Manual and quickstart guidelines for new employees and helped standardize the Personography and Bibliography.
She is currently a student at the University of British Columbia’s iSchool, working
on her masters in library and information science.
Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD
from the Department of English at the University of Victoria in the field of Science
and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched
Teaching at UVic, where she taught an advanced course on Artificial Intelligence and Everyday Life. Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence
at the Praxis Studio for Comparative Media Studies, where she investigated the relationships
between artificial intelligence, creativity, health, and justice. As of July 2021,
Tracey has moved into the alt-ac world for a term position, while also teaching in
the English Department at the University of Victoria.
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017.
Joey Takeda was a graduate student at the University of British Columbia in the Department
of English (Science and Technology research stream). He completed his BA honours in
English
(with a minor in Women’s Studies) at the University of Victoria in 2016. His primary
research interests included diasporic and indigenous Canadian and American literature,
critical theory, cultural studies, and the digital humanities.
Joey Takeda authored or edited the following items in MoEML’s bibliography:
Jenstad, Janelle and Joseph Takeda. Making the RA Matter: Pedagogy, Interface, and Practices.Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
Research Assistant, 2017-2019. Chase Templet was a graduate student at the University
of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically
focused on early modern repertory studies and non-Shakespearean early modern drama,
particularly the works of Thomas Middleton.
Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015.
Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander
comes
to The Map of Early Modern London from the Cultures of Knowledge
digital humanities project at the University of
Oxford, where she was the editor of Early Modern Letters Online, an open-access union
catalogue and editorial interface for correspondence from the sixteenth to eighteenth
centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the
curator of manuscripts at the Folger Shakespeare
Library, completed a doctorate at Oxford on
paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor.
She has a passion for rare books and manuscripts as social and material artifacts,
and is
interested in the development of digital resources that will improve access to these
materials while ensuring their ongoing preservation and conservation. An avid traveler,
Kim
has always loved both London and maps, and so is particularly delighted to be able
to bring
her early modern scholarly expertise to bear on the MoEML project.
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director,
Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of
Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad
of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include digital
media and humanities; textual editing; game studies; and early modern drama.
Roles played in the project
Assistant Project Director
CSS Editor
Editor
Guest Editor
Markup Editor
Transcriber
Mark Kaethler is a member of the following organizations and/or groups:
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director
of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer
Academy at the Stratford Festival, the University of Windsor, and the University of
Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A
Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If
You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and
Reformation,Journal of Medieval and Early Modern Studies,
Early Modern Literary Studies, Elizabethan
Theatre, Shakespeare Bulletin: A Journal of Performance
Criticism, and The Silver Society Journal. Her book
chapters have appeared (or will appear) in Institutional Culture in Early
Modern Society (Brill, 2004), Shakespeare, Language and the Stage,
The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre
Studies (Arden/Thomson Learning, 2005), Approaches to Teaching
Othello (Modern Language Association, 2005), Performing Maternity
in Early Modern England (Ashgate, 2007), New Directions in the
Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early
Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern
English Literature from the Archives (MLA, 2015), Placing Names:
Enriching and Integrating Gazetteers (Indiana, 2016), Making
Things and Drawing Boundaries (Minnesota, 2017), and Rethinking
Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies
(Routledge, 2018).
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
Jenstad, Janelle and Joseph Takeda. Making the RA Matter: Pedagogy, Interface, and Practices.Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
Jenstad, Janelle. Building a Gazetteer for Early Modern London, 1550-1650.Placing Names. Ed. Merrick Lex Berman, Ruth
Mostern, and Humphrey Southall. Bloomington and
Indianapolis: Indiana UP, 2016. 129-145.
Jenstad, Janelle. The
Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.The
Elizabethan Theatre XV. Ed. C.E. McGee and A.L.
Magnusson. Toronto: P.D. Meany, 2002. 181–202.
Print.
Jenstad, Janelle. The City Cannot Hold You: Social Conversion in the Goldsmith’s
Shop.Early Modern Literary Studies 8.2 (2002): 5.1–26..
Jenstad, Janelle. The Gouldesmythes Storehowse: Early Evidence for
Specialisation.The Silver Society Journal 10 (1998): 40–43.
Jenstad, Janelle. Lying-in Like a Countess: The Lisle Letters, the Cecil
Family, and A Chaste Maid in Cheapside.Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373.
Jenstad, Janelle. Public
Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.Institutional Culture in Early Modern Society. Ed.
Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print.
Jenstad, Janelle. Smock
Secrets: Birth and Women’s Mysteries on the Early Modern Stage.Performing Maternity in Early Modern England. Ed. Katherine
Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print.
Jenstad, Janelle. Using
Early Modern Maps in Literary Studies: Views and Caveats from London.GeoHumanities: Art, History, Text at the Edge of Place. Ed.
Michael Dear, James Ketchum, Sarah
Luria, and Doug Richardson. London: Routledge, 2011. Print.
Stow, John. A SVRVAY OF
LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description
of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an
Apologie (or defence) against the opinion of some men, concerning that Citie, the
greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ &
nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the
second. Ed. Janelle Jenstad and
the MoEML Team. MoEML. Transcribed.
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC).
Martin ported the MOL project from its original PHP incarnation to a pure eXist database
implementation in the fall of 2011. Since then, he has been lead programmer on the
project
and has also been responsible for maintaining the project schemas. He was a co-applicant
on
MoEML’s 2012 SSHRC Insight Grant.
Thomas Heywood authored or edited the following items in MoEML’s bibliography:
Heywood, Thomas. The
Captives; or, The Lost Recovered. Ed. Alexander Corbin
Judson. New Haven: Yale UP, 1921. Print.
Heywood, Thomas. The
First and Second Parts of King Edward IV. Ed. Richard
Rowland. Manchester: Manchester UP, 2005. The Revels
Plays.
Heywood, Thomas. The foure prentises of London VVith the conquest of Ierusalem. As it hath bene diuerse
times acted, at the Red Bull, by the Queenes Maiesties Seruants. London: [Nicholas Okes] for I. W[right], 1615. STC 13321.
Heywood, Thomas. The
Second Part of, If you know not me, you know no bodie. VVith the building of the
Royall Exchange: And the Famous Victorie of Queene Elizabeth, in the Yeare
1588. London: [Thomas Purfoot] for Nathaniell Butter, 1606. STC 13336.
Personification of honour. Appears as an allegorical character in mayoral shows and
Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.
Constantine
This numeral is a Roman numeral. The Arabic equivalent is 1I
the Great
Emperor of the Western Empire
Emperor of the Roman Empire
Flavius Valerius Constantinus
(d. 27 May 337)
Emperor of the Western Empire 312-324. Emperor of the Roman Empire 324–337. First
Roman emperor to profess Christianity.
Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial,
crime, public gathering, and celebration. Before its destruction during the civil
war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and
the delivery of Papal edicts (Thornbury).
St. Paul’s Churchyard is mentioned in the following documents:
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of
Cheapside Street separated the northern wards from the southern wards. It was lined with buildings
three, four, and even five stories tall, whose shopfronts were open to the light and
set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route,
being traced both by the linear east-west route of a royal entry and by the circular
route of the annual mayoral procession.
Cheapside Street is mentioned in the following documents:
Student contributors enrolled in English 300: Survey of
English Literature and English 2210: English Literature
to the Restoration at Medicine Hat College in Fall 2017, working under the
guest editorship of Mark Kaethler.