Britain
¶Paris Garden Bear-Baiting
¶Location
The location of the bear-baiting arena within Paris Garden is unclear, not least because the Paris Garden Stairs labeled on the Agas map merely reference the Thames access to a far larger area that is located outside the mapped illustration. There
is, however, tantalizing though contradictory evidence with the 1627 Survey of Paris Garden map (Survey of Paris Garden). This map shows the outline of a circular building, labeled
Olde Playe house,adjacent to Paris Garden Manor House. Since theaters and bear gardens often shared the same buildings, it is possible that this is the location of bear-baiting arena, which is separate from the two arenas labeled on the Agas map. The image appears, however, like a birdseye view of the shape, and is notably dissimilar from the perspectival views of the surrounding structures. This anomaly may indicate that what remains of the
Olde Playe houseis merely the footprint, or later addition to the original illustration. Similar consideration must be given to William Camden’s 1637 description of buildings in Southwark. Camden references that
among these buildings there [was] a place in manner of a Theater for baiting of Beares and Buls with Dogges: and certaine kenels appointed severally for Band-Dogges or Mastives(Camden sig. 2N5r). Since Camden was writing ten years after the Paris Garden map, and five years before the closure of the playhouses in 1642, he is likely referencing the Hope, developed by Philip Henslowe on the site of the earlier Bear Garden. What is less clear, however, is why Camden should describe the site
in manner of a Theater,rather than mention the dual purpose of the
placeitself.
¶Literary Significance
Paris Garden is particularly famous for its appearance in Robert Crowley’s 1550 epigram
Of Bear Baytynge:
Not only does Crowley’s poem describe the ubiquity, regularity, and popularity of Paris Garden baitings, but it also values this mid-sixteenth century entertainment atAnd to this onelye ende to se them two fyght,Wyth terrible tearynge a full ouglye syght.And yet me thynke those men be mooste foles of allWhose store of money is but verye smale.And yet euerye sondaye they wyll surelye spende,One penye or two the bearwardes liuyng to mende.At Paryse garden eche sondaye a man shall not fayle,To find two or thre hundredes for the bearwardes vaile.One halpenye a piece they vse for to giueWhen some haue no more in their purse I beleue.Well, at the laste daye theyr conscience wyll declareThat the pore ought to haue all that they maye spare.For God hathe commaunded that what we maye spare,Be geuen to the pore that be full of care.If you giue it therefore to se a Beare fyght,Be ye sure goddes curse wyl vpon you lyght.(Crowley sig. B3v-B4v)
One halpenye.
Clergyman John Bradford describes one insicdent in his 1559 Complaint whereby a:
certaine Gentlemen, vpon the Sabboth day, going in a whirry to Paris Garden, to the Bearebayting, were drowned: & that a dog was met at Ludgate, carying a piece of a dead child in his mouth. (Bradford sig. A3r-A3v)A later account by Raphael Holinshed describes how his friend,
beyng of late demurrant in London, and the weather by reason of an hard hoare froste beyng somewhat nippyng, repayred to Paris garden(Holinshed sig. B5r). This account demonstrates how the garden did not suffer a loss in popularity, even after violent accidents like the one appearing in Bradford’s sermon. With regards to bear-baiting in particular, Paris Garden continued to flourish even after another tragedy described by Lewis Bayly:
On the 13, of Ianuary, Anno Dom. 1582. being the Lords day, the Scaffolds fell in Paris Garden, vnder the people at a Beare-baiting, so that 8. were suddenly slaine, innumerable hurt & maimed. (Bayly sig. 2A11v)This architectural failure was due to the large size of the attending crowd. In 1613, thirty-one years after his previous description, Bayly attacked those
who take more pleasure, on the Lords day, to be in a Theatre beholding carnall sportsand enjoined them to remember the 1583 tragedy when the
Scaffolds fell in Paris Garden(Bayly sig. 2A11v). Also in 1613, John Boys complained that
Paris garden in a flourishing estate makes a great noyse still(Boys sig. B4v). While it is unclear whether this
noysecame from bear-baiting or another recreational activity, sufficient instances associating bear-baiting with Paris Garden suggest a public perception of the location as London blood-sports venue for much of the early modern period.
References
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Citation
Bayly, Lewis. The practise of pietie directing a Christian how to walke that he may please God. London: for John Hodgets, 1613. STC 1602.This item is cited in the following documents:
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Citation
Boys, John. An exposition of the last psalme delivered in a sermon preached at Pauls Crosse the fifth of Nouember, 1613. London: Felix Kyngston for William Aspley, 1613. STC 3464.This item is cited in the following documents:
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Citation
This item is cited in the following documents:
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Citation
Camden, William. Britain, or A chorographicall description of the most flourishing kingdomes, England, Scotland, and Ireland, and the ilands adjoyning, out of the depth of antiquitie beautified vvith mappes of the severall shires of England: vvritten first in Latine by William Camden Clarenceux K. of A. Translated newly into English by Philémon Holland Doctour in Physick: finally, revised, amended, and enlarged with sundry additions by the said author. London, 1637. STC 4510.8.This item is cited in the following documents:
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Citation
Crowley, Robert. One and thyrtye epigrammes wherein are brieflye touched so manye abuses. London: Robert Crowley, 1550. STC 6088.3.This item is cited in the following documents:
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Citation
Holinshed, Raphael. The firste [laste] volume of the chronicles of England, Scotlande, and Irelande. London: for John Hunne, 1577. STC 13568b.This item is cited in the following documents:
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Citation
Survey of Paris Garden, 1627.
The Greater London Record Office.
This item is cited in the following documents:
Cite this page
MLA citation
Bearbaiting at Paris Garden.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/BBPM1.htm.
Chicago citation
Bearbaiting at Paris Garden.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/BBPM1.htm.
APA citation
2022. Bearbaiting at Paris Garden. In The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/BBPM1.htm.
(Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
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TEI citation
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Personography
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Molly Rothwell
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Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell was an undergraduate student at the University of Victoria, with a double major in English and History. During her time at MoEML, Molly primarily worked on encoding and transcribing the 1598 and 1633 editions of Stow’s Survey, adding toponyms to MoEML’s Gazetteer, researching England’s early-modern court system, and standardizing MoEML’s Mapography.Roles played in the project
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Kate LeBere
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Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
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Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
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The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
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The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
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Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
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Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
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Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Kevin A. Quarmby
Kevin A. Quarmby is a MoEML Pedagogical Partner and a member of MoEML’s Editorial Board. He is Assistant Professor of English at Oxford College of Emory University. He is author of The Disguised Ruler in Shakespeare and His Contemporaries (Ashgate, 2012), shortlisted for the Globe Theatre Book Award 2014. He has published numerous articles on Shakespeare and performance in scholarly journals, with invited chapters in Women Making Shakespeare (Bloomsbury, 2013), Shakespeare Beyond English (Cambridge, 2013), and Macbeth: The State of Play (Bloomsbury, 2014). Quarmby’s interest in the political, social and cultural impact of the theatrical text is informed by thirty-five years as a professional actor. He is editor of Henry VI, Part 1 for Internet Shakespeare Editions, Davenant’s Cruel Brother for Digital Renaissance Editions and co-editor with Brett Hirsch of the anonymous Fair Em, also for DRE.Roles played in the project
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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William Camden is mentioned in the following documents:
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Camden, William. Britain, or A chorographicall description of the most flourishing kingdomes, England, Scotland, and Ireland, and the ilands adjoyning, out of the depth of antiquitie beautified vvith mappes of the severall shires of England: vvritten first in Latine by William Camden Clarenceux K. of A. Translated newly into English by Philémon Holland Doctour in Physick: finally, revised, amended, and enlarged with sundry additions by the said author. London, 1637. STC 4510.8.
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Philip Henslowe
(b. 1555, d. 1616)Theatre financier. Husband of Agnes Henslowe. Son of Edmund Henslowe and Margaret Henslowe. Brother of Edmund Henslowe and John Henslowe.Philip Henslowe is mentioned in the following documents:
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Raphael Holinshed
(b. 1525, d. 1580)Historian. One author of the Chronicles of England, Scotland, and Ireland.Raphael Holinshed is mentioned in the following documents:
Raphael Holinshed authored or edited the following items in MoEML’s bibliography:
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Holinshed, Raphael and William Harrison. The first and second volumes of Chronicles comprising 1 The description and historie of England, 2 The description and historie of Ireland, 3 The description and historie of Scotland: first collected and published by Raphaell Holinshed, William Harrison, and others: now newlie augmented and continued (with manifold matters of singular note and worthie memorie) to the yeare 1586. London, 1587. STC 13569.
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Holinshed, Raphael. The firste [laste] volume of the chronicles of England, Scotlande, and Irelande. London: for John Hunne, 1577. STC 13568b.
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Holinshed, Raphael. The firste volume of the chronicles of England, Scotlande, and Irelande. London, 1577. The Holinshed Project. http://english.nsms.ox.ac.uk/holinshed/toc.php?edition=1577#vol-1577_1.
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Robert Crowley is mentioned in the following documents:
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Crowley, Robert. One and thyrtye epigrammes wherein are brieflye touched so manye abuses. London: Robert Crowley, 1550. STC 6088.3.
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John Bradford is mentioned in the following documents:
John Bradford authored or edited the following items in MoEML’s bibliography:
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Lewis Bayly is mentioned in the following documents:
Lewis Bayly authored or edited the following items in MoEML’s bibliography:
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Bayly, Lewis. The practise of pietie directing a Christian how to walke that he may please God. London: for John Hodgets, 1613. STC 1602.
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John Boys is mentioned in the following documents:
John Boys authored or edited the following items in MoEML’s bibliography:
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Boys, John. An exposition of the last psalme delivered in a sermon preached at Pauls Crosse the fifth of Nouember, 1613. London: Felix Kyngston for William Aspley, 1613. STC 3464.
Locations
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Paris Garden Manor House is mentioned in the following documents:
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Paris Garden Stairs
Located on the southern bank of the Thames, Paris Garden Stairs provided river access to the Paris Garden Manor House. According to Sugden, a ferry carried passengers between the stairs and Blackfriars (Farringdon Within), which was located across the river (Sugden 391).Paris Garden Stairs is mentioned in the following documents:
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The Thames
Perhaps more than any other geophysical feature, the Thames river has directly affected London’s growth and rise to prominence; historically, the city’s economic, political, and military importance was dependent on its riverine location. As a tidal river, connected to the North Sea, the Thames allowed for transportation to and from the outside world; and, as the longest river in England, bordering on nine counties, it linked London to the country’s interior. Indeed, without the Thames, London would not exist as one of Europe’s most influential cities. The Thames, however, is notable for its dichotomous nature: it is both a natural phenomenon and a cultural construct; it lives in geological time but has been the measure of human history; and the city was built around the river, but the river has been reshaped by the city and its inhabitants.The Thames is mentioned in the following documents:
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Southwark is mentioned in the following documents:
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The Hope
For information about the Hope, a modern map marking the site where the it once stood, and a walking tour that will take you to the site, visit the Shakespearean London Theatres (ShaLT) article on the Hope.The Hope is mentioned in the following documents:
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Bear Garden
The Bear Garden was never a garden, but rather a polygonal bearbaiting arena whose exact locations across time are not known (Mackinder and Blatherwick 18). Labelled on the Agas map asThe Bearebayting,
the Bear Garden would have been one of several permanent structures—wooden arenas, dog kennels, bear pens—dedicated to the popular spectacle of bearbaiting in the sixteenth and seventeenth centuries.Bear Garden is mentioned in the following documents:
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Ludgate
Located in Farringdon Within Ward, Ludgate was a gate built by the Romans (Carlin and Belcher 80). Stow asserts that Ludgate was constructed by King Lud who named the gate after himselffor his owne honor
(Stow 1:1).Ludgate is mentioned in the following documents:
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London is mentioned in the following documents:
Organizations
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Oxford College of Emory University English 311Q Fall 2014 Students
Student contributors enrolled in English 311Q: Shakespeare at Oxford College of Emory University in Fall 2014, working under the guest editorship of Kevin Quarmby.Student Contributors
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