520 Class 6
¶URBS AND SUBURBS
Learning Outcomes:
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Understand the relationship between the City, the Liberties, and the Suburbs (JJ will discuss).
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Take stock (again) of the genres we have seen thus far.
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Consider the impact of the plague upon London and locate its source.
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Consider the impact of the legal terms upon the communitas.
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Ask if talking buildings and monuments represent the urbs. Would the people posing discussion questions please point us to relevant passages that might help us answer this question?
Primary Reading:
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By the major [mayor] whereas the infection of the plague is daily dispersed more & more in diuers parts of this city and the liberties thereof
(read at EEBO) -
The Dolefull lamentation (read at EEBO; read only the title page, Sig. A4r, and Sig. A4v, i.e., the first, fourth, and fifth of the five images). See transcription with light annotations on MoEML.
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Cheapsides Triumphs
(read at EBBA); -
Quotations about the plague (.doc file; I have photocopies for you, so no need to print out this one)
Secondary Reading: None for this class.
Other References: Munro; Sokol and Sokol. Note! These references are for information only. I may
draw upon them in my discussion, but do not expect you to read them.
Discussion Questions:
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According to the Oxford English Dictionary, a paradox is defined as either
a statement or tenet contrary to received opinion or belief,
ora proposition that is (taken to be) actually self-contradictory, absurd, or intrinsically unreasonable.
How does the praise of vacations described by the personified city of London in Dekker’s Dead Term embody these definitions? (KTY) -
In Dekker’s Dead Term, London reminds Westminster
how [she] came to be called a Citty
(72), describing her founding, previous names, historical rulers, rapid growth, and civic organization. Since this history is well known and is recorded by many other authors and chroniclers, including Stow, why does Dekker choose to recite it once again in this particular work? How does his version of the city’s founding and growth differ in tone and style from Stow’s account? (KTY) -
Language of anatomy, personification, and anthropomorphism strongly pervades Dekker’s The Dead Tearme, perhaps to the point of becoming awkward, but with such a consistency and intentionality that it cannot be overlooked. The leaves of trees are taken away by the cool Autumn’s breath
as the French Razor shaves off the haire
(28) and, at one point, the city of Westminster rhetorically asks,for what are Citties if they be not peopled[?]
(27). Is Dekker’s work as far to the side of civitas as one can reasonably lie, to the point that other perspectives (e.g., urbs) are completely eclipsed? Or does Dekker’s anthropomorphism achieve the opposite effect, focusing entirely upon the behaviours of buildings,forgetting that I am a Citty
(36), in the words of Westminster? If you were to select a previously read text to stand in opposition to The Dead Tearme, which would you choose? (Note that these questions can also readily apply toThe Dolefull lamentation.
) (KK) -
From what we have seen in
Polemical Passages
andBy the major,
the typical explanation for the plague is of quite a different character when it is issued by a preacher than by the mayor. Adding further diversity to this, Dekker makes the claim in Lantern and Candlelight thatthe plague that a whore-house lays upon a city is worse
(137), and almost goes as far as to blame suburbs themselves for the problem—How happy, therefore, were cities if they had no suburbs Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…]
(138). Is there some way to make coherent sense of this variety of explanations? Do they manifest themselves along consistent borders? Are there any commonalities shared by the parties in these explanations, or is everyone hurling targeted, exclusive blame, championing their own personal causes? (KK)
References
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Citation
Dekker, Thomas. The Dead Tearme. Or Westminsters Complaint for long Vacations and short Termes. Written in Manner of a Dialogue betweene the two Cityes London and Westminster. 1608. The Non-Dramatic Works of Thomas Dekker. Ed. Rev. Alexander B. Grosart. 5 vols. 1885. Reprinted by New York: Russell and Russell, 1963. 1–84. Print.This item is cited in the following documents:
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Citation
Dekker, Thomas. Lantern and Candlelight. 1608. Ed. Viviana Comensoli. Toronto: Centre for Reformation and Renaissance Studies, 2007. Publications of the Barnabe Riche Society.This item is cited in the following documents:
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Citation
Munro, Ian.The City and Its Double: Plague Time in Early Modern London.
English Literary Renaissance 30.2 (2000): 241–261. doi:10.1111/j.1475–6757.2000.tb01171.x.This item is cited in the following documents:
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Citation
Oxford English Dictionary. Oxford UP. https://www.oed.com/.This item is cited in the following documents:
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Citation
Sokol, B.J., and Mary Sokol. Shakespeare’s Legal Language: A Dictionary. London: Athlone: 2000. Print.This item is cited in the following documents:
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Citation
The Dolefull lamentation of Cheap-side crosse, or, Old England sick of the staggers the dissenting and disagreeing in matters of opinion, together with the sundry sorts of sects now raving and reigning, being the maine causes of the disturbance and hinderance of the common-wealth. London: F.C. and T.B., 1641. Wing D1837.This item is cited in the following documents:
Cite this page
MLA citation
520 Class 6.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/SIX1.htm.
Chicago citation
520 Class 6.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/SIX1.htm.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/SIX1.htm.
, , & 2022. 520 Class 6. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
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TEI citation
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Personography
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Vetter
Contributions by this author
Janelle Jenstad is a member of the following organizations and/or groups:
Janelle Jenstad is mentioned in the following documents:
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Encoder
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Martin D. Holmes is a member of the following organizations and/or groups:
Martin D. Holmes is mentioned in the following documents:
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Katherine Young
KY
Student contributor enrolled in English 520: Representations of London at the University of Victoria in Summer 2011. MA student, English.Roles played in the project
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Author
Contributions by this author
Katherine Young is mentioned in the following documents:
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Kane Klemic
KK
Student contributor enrolled in English 520: Representations of London at the University of Victoria in Summer 2011. MA student, English.Roles played in the project
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Author
Contributions by this author
Kane Klemic is mentioned in the following documents:
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