Hornbooks
¶Definition
Hornbooks were tools for teaching young boys and girls (age four to eight) how to
read. Hornbooks consisted of a leaf of paper containing the alphabet, the Lord’s Prayer,
syllables, and sometimes the Ten Commandments. In early modern London, the teacher, often a scrivener, cobbler, tailor, or fishmonger who taught part-time
in hopes of making some extra money (Jewell 96), would mount the paper or parchment onto a wooden paddle (a square piece of wood
with a handle) and cover it with a thin sheet of horn for protection. Alternatively,
as Helen Jewell points out in her analysis of hornbooks, the alphabet could be incised
directly into the wood (Jewell 98). Mermaids, birds, and other images were sometimes engraved on the back of the wood
for aesthetic effect. Historian Andrew W. Tuer notes that teachers taught students
how to read by a
pointer, which might be a straw, pin, pen, piece of wire, quill, feather, or pointed piece of wood or bone, [which] was used to direct children(Tuer 24).
¶Origins and Development
When the Normans conquered England in 1066, they wrote and read primarily in Latin, the language imposed by the Church. Consequently,
early English schools, as Nicholas Orme remarks in his study of medieval education,
taught children the Latin alphabet by rote for the purpose of reading religious texts
(Orme 55). By the twelfth century, the alphabet had become Christianized: it was used both
as a pedagogical tool and a form of devotion. Orme explains that when children recited
the alphabet, they began by crossing themselves and ended with an
Amen(Orme 56). When hornbooks first appeared in the thirteenth century, this Christian ritual was deeply entrenched: a cross symbol (+) appeared visually before the letter
Aand
Amenappeared after
Z(Orme 56). In short, the hornbook’s visual structure dictated how the alphabet was taught. By the 1580s, parents, schoolmasters, and the clergy used hornbooks as the principal teaching tool for young children.
¶Hornbooks in Early Modern England
Although hornbooks constituted the second-largest market for early modern printers,
few copies survive today; overuse and dirty fingers caused hornbooks to deteriorate
quickly. The hornbook’s development in sixteenth-century England reflected a desire to
instill a fixed set of ideas and facts into the pupilthat would reaffirm values of order and conformity (Houston 56). Since English society was becoming sharply stratified, schools for the poor were created in order to
curb the turbulence of lower-class youth and turn them into useful members of an ordered society(Houston 14). Consequently, a progressive educational system emerged that consisted of elementary school, grammar school, and university. However, this system of education did not grant complete social mobility. Helen Jewell points out that guild regulations in the sixteenth century required literate apprentices, but only male children of yeomanry or higher could further their education past elementary school after reaching the age of employability (Jewell 93-94). Like lower-class men, women could attend only elementary school (Jewell 17). Thus, elementary schools reserved Latin for advanced scholars in grammar school. Instead, elementary schoolmasters used hornbooks to teach the English alphabet. Children learned how to read through memorization, a convention that stressed knowledge as an ordered system. After children had learned their letters, they would progress to primers (small books of prayers) and classical texts. Hornbooks remained a popular teaching tool until the late nineteenth century, when they were replaced by ABC storybooks and textbooks.
¶Thomas Dekker’s The Gull’s Hornbook
First published as a quarto in 1609, The Gull’s Hornbook emerged from Dekker’s dissatisfaction with his translation of Frederick Dedekind’s ever-popular Grobianus (first published in 1549 and enlarged into three books in 1552). According to R.B. McKerrow, an early editor of The Gull’s Hornbook, Dekker not only recast Dedekind’s boorish Dutch Saint Grobian, but he also repositioned the
ignoramusas a source of wit (McKerrow iv). Despite Dekker’s efforts to transform Grobianus into an English tale, his book fell far short of achieving the popularity of Grobianus: the publisher never entered The Gull’s Hornbook into the Stationers’ Register and no other edition was published during Dekker’s lifetime. While Dekker’s use of hornbook in the title invokes the hornbook as an educational tool, he does not follow the traditional paddle form of a hornbook. Rather, his pamphlet parodies a young gallant’s initial behaviour in London and suggests that London life, as a unique urban culture, must be learned. Dekker’s use of gull in the title also implies that newcomers are impressionable and easily fooled. Thus, just as hornbooks teach children through an ordered methodology, The Gull’s Hornbook teaches young men (gallants) and newcomers about London culture by guiding them through the city on a set course.
In 1674, Samuel Vincent re-issued Dekker’s book under the title The Young Gallant’s Academy, or, Directions how he should Behave himself in all Places
and Company. Vincent updated Dekker’s now outmoded descriptions by revising the descriptions of London’s fashions and theatrical arrangements.
References
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Citation
A.B.C. London, 1620. STC 21.4.This item is cited in the following documents:
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A.B.C. with Pasternoster, Ave, Crede, and X Commandments. London: Richard Lant, 1536. STC 19.6.This item is cited in the following documents:
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A right godly and Christian A.B.C. shewing the duty of every degree To the tune of Rogero. London, 1625. STC 22.This item is cited in the following documents:
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Aabc. London, 1625. STC 21.6.This item is cited in the following documents:
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Aabc. London, 1630. STC 21.7.This item is cited in the following documents:
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An A.B.C. for Chyldren. London: John King, 1561. STC 19.4.This item is cited in the following documents:
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Browne, David. Calligraphia: Or the Arte of Faire Writing. Saint Andrew’s University: Edward Raban, 1622. STC 3905.This item is cited in the following documents:
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This item is cited in the following documents:
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Hornby, William. Hornbyes Hornbook. London: Aug. Mathewes, 1622. STC 13814.This item is cited in the following documents:
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Houston, R.A. Literacy in Early Modern Europe: Culture and Education 1500-1800. New York: Longman, 1988. Print.This item is cited in the following documents:
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Jewell, Helen M. Education in Early Modern England. Ed. Jeremy Black. Hampshire: MacMillan, 1998. Print.This item is cited in the following documents:
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McKerrow, Ronald B.Introduction.
The Gull’s Hornbook. By Thomas Dekker. London: De La More, 1904. i-viii. Print.This item is cited in the following documents:
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Orme, Nicholas. Medieval Schools: From Roman Britain to Renaissance England. New Haven: Yale UP, 2006. Print.This item is cited in the following documents:
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The A. B. C set forthe by the Kynges maiestie and his clergye. London: William Powell, 1547. STC 20.This item is cited in the following documents:
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The A.B.C. with the catechisme. London, 1620. STC 21.5.This item is cited in the following documents:
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The A B C with the catechism that is to saie, the instruction. London: Thomas Purfoot, 1601. STC 20.7.This item is cited in the following documents:
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The virgins A.B.C. or, An alphabet of vertuous admonitions for a chaste, modest, and well governed maid. To the tune of, The young-mans A.B.C. London: M.P., 1638. STC 24830.This item is cited in the following documents:
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Tuer, Andrew W. History of the Horn Book. New York: Benjamin Blom, 1968. Print.This item is cited in the following documents:
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Citation
Vincent, Samuel. The Young Gallant’s Academy, or, Directions how he should Behave himself in all Places and Company. London: J.C., 1674. Wing V426.This item is cited in the following documents:
Cite this page
MLA citation
Hornbooks.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/HORN10.htm.
Chicago citation
Hornbooks.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/HORN10.htm.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/HORN10.htm.
2022. Hornbooks. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
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TEI citation
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Personography
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Amogha Lakshmi Halepuram Sridhar
ALHS
Research Assistant, 2020-present. Amogha Lakshmi Halepuram Sridhar is a fourth year student at University of Victoria, studying English and History. Her research interests include Early Modern Theatre and adaptations, decolonialist writing, and Modernist poetry.Roles played in the project
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Kate LeBere
KL
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Serina Patterson
SP
Serina Patterson was an MA student in English at the University of Victoria and PhD student at the University of British Columbia with research interests in late medieval literature, game studies, and digital humanities. She was also the recipient of the Social Science and Humanities Research Council of Canada CGS Joseph-Bombardier Scholarship and a four-year fellowship at UBC for her work in Middle English and Middle French game poems. She has published articles in New Knowledge Environments and LIBER Quarterly-The Journal of European Research Libraries on implementing an online library system for digital-age youth. She also published an article on the Studies in Philology and a chapter on casual games and medievalism in a contributed volume published by Routledge. Serina edited a volume titled Games and Gaming in Medieval Literature for the Palgrave series, The New Middle Ages.Roles played in the project
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Thomas Dekker is mentioned in the following documents:
Thomas Dekker authored or edited the following items in MoEML’s bibliography:
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Bevington, David. Introduction.
The Shoemaker’s Holiday.
By Thomas Dekker. English Renaissance Drama: A Norton Anthology. Ed. David Bevington, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen. New York: Norton, 2002. 483–487. Print. -
Dekker, Thomas, and John Webster. Vvest-vvard hoe As it hath been diuers times acted by the Children of Paules. London: [William Jaggard] for Iohn Hodgets, 1607. STC 6540.
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Dekker, Thomas. Britannia’s Honor.
The Dramatic Works of Thomas Dekker.
Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1961. Print. -
Dekker, Thomas. The Dead Tearme. Or Westminsters Complaint for long Vacations and short Termes. Written in Manner of a Dialogue betweene the two Cityes London and Westminster. 1608. The Non-Dramatic Works of Thomas Dekker. Ed. Rev. Alexander B. Grosart. 5 vols. 1885. Reprinted by New York: Russell and Russell, 1963. 1–84. Print.
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Dekker, Thomas. The Gull’s Horn-Book: Or, Fashions to Please All Sorts of Gulls. Thomas Dekker: The Wonderful Year, The Gull’s Horn-Book, Penny-Wise, Pound-Foolish, English Villainies Discovered by Lantern and Candelight, and Selected Writings. Ed. E.D. Pendry. London: Edward Arnold, 1967. 64–109. The Stratford-upon-Avon Library 4.
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Dekker, Thomas. If it be not good, the Diuel is in it A nevv play, as it hath bin lately acted, vvith great applause, by the Queenes Maiesties Seruants: at the Red Bull. London: Printed by Thomas Creede for John Trundle, 1612. STC 6507.
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Dekker, Thomas. Lantern and Candlelight. 1608. Ed. Viviana Comensoli. Toronto: Centre for Reformation and Renaissance Studies, 2007. Publications of the Barnabe Riche Society.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
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Dekker, Thomas. London’s Tempe. The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge UP, 1961. Print.
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Dekker, Thomas. The magnificent entertainment giuen to King Iames, Queene Anne his wife, and Henry Frederick the Prince, vpon the day of his Maiesties tryumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: vvith the speeches and songes, deliuered in the seuerall pageants. London: T[homas] C[reede, Humphrey Lownes, Edward Allde and others] for Tho. Man the yonger, 1604. STC 6510
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Dekker, Thomas. The Magnificent Entertainment: Giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, ypon the day of his Majesties Triumphant Passage (from the Tower) through his Honourable Citie (and Chamber) of London being the 15. Of March. 1603. London: T. Man, 1604. Treasures in full: Renaissance Festival Books. British Library.
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Dekker, Thomas. The owles almanacke Prognosticating many strange accidents which shall happen to this kingdome of Great Britaine this yeare, 1618. Calculated as well for the meridian mirth of London as any other part of Great Britaine. Found in an iuy-bush written in old characters, and now published in English by the painefull labours of Mr. Iocundary Merrie-braines. London: E[dward] G[riffin] for Laurence Lisle, 1618. STC 6515.
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Dekker, Thomas. Penny-vvis[e] pound foolish or, a Bristovv diamond, set in t[wo] rings, and both crack’d Profitable for married men, pleasant for young men, a[nd a] rare example for all good women. London: A[ugustine] M[athewes] for Edward Blackmore, 1631. STC 6516.
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Dekker, Thomas. The Second Part of the Honest Whore, with the Humors of the Patient Man, the Impatient Wife: the Honest Whore, perswaded by strong Arguments to turne Curtizan againe: her braue refuting those Arguments. London: Printed by Elizabeth All-de for Nathaniel Butter, 1630. STC 6506.
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Dekker, Thomas. The seuen deadly sinnes of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. Opus septem dierum. London: E[dward] A[llde and S. Stafford] for Nathaniel Butter, 1606. STC 6522.
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Dekker, Thomas. The Shoemaker’s Holiday. Ed. R.L. Smallwood and Stanley Wells. Manchester: Manchester UP, 1979. The Revels Plays.
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Dekker, Thomas. The shomakers holiday. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Maior of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: Valentine Sims, 1600. STC 6523.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Dekker, Thomas. Troia-Noua Triumphans. London: Nicholas Okes, 1612. STC 6530. DEEP 578. Greg 302a. Copy: Chapin Library; Shelfmark: 01WIL_ALMA.
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Dekker, Thomas. TThe shoomakers holy-day. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Mayor of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: G. Eld for I. Wright, 1610. STC 6524.
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Dekker, Thomas. Westward Ho! The Dramatic Works of Thomas Dekker. Vol. 2. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1964. Print.
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Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Smith, Peter J.
Glossary.
The Shoemakers’ Holiday. By Thomas Dekker. London: Nick Hern, 2004. 108–110. Print.
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Friedrich Dedekind is mentioned in the following documents:
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Samuel Vincent
Printer.Samuel Vincent is mentioned in the following documents:
Samuel Vincent authored or edited the following items in MoEML’s bibliography:
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Vincent, Samuel. The Young Gallant’s Academy, or, Directions how he should Behave himself in all Places and Company. London: J.C., 1674. Wing V426.
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St. Grobain is mentioned in the following documents:
Locations
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London is mentioned in the following documents: