Cheapsides Triumphs, and Chyrones
Crosses Lamentation.
Crosses Lamentation.
To the tune of the Building.
SEe the guilding
Of Cheapsides famous building
the glorious Crosse,
Trimd vp most fairly,
With gold most rarely,
refin’d from drosse:
A pleasing prospect to all beholders,
that shall but view it,
and lately knew it
Defac’d of beauty,
but now a sumptuous thing:
Whose praise and wonder
Fame abroad doth ring.
Tricked most neatly
With cost compleatly
adorn’d most rare,
Whose shining beauty,
Showes the Cities duty
and tender care:
To preserue their rich & sumptuous (buildings,
in stately manner,
such cost vpon her
they bestow with honour,
Such is the loue they beare
which now is seene
By Cheapside glistering faire.
The Crosse there placed,
Is now much graced,
that it may be knowne,
How well the Citie,
With care and pitie,
respects her owne:
Braue Citizens of worthy London,
such loue they owe it,
and now they show it,
freely bestow it
Upon their City faire,
with Cheapside Crosse
There’s none can make compare.
Search England ouer,
From hence to Douer,
and so about,
The like to Cheapside,
Faire Londons chiefe pride,
you’l not find out:
Newly beautifi’d most neat and fairly,
all may admire,
and still desire,
to gaze vp higher,
To see the glorious state
of this rare building,
O sight most blessed,
To sée Cheapside dressed,
in stately manner:
May you perseuer
In loue foreuer,
tis for your honor,
To see your Crosse excell in shining
all CrossThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e2s elsewhere,
to this comes not neere,
now trimmed most rare:
And glorious to behold,
whose shining brauery
Glistereth all of gold.
This golden splendor
Makes all men wonder,
to sée Cheapside:
In sumptuous manner,
For Londons honor,
and This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (JJ)state3 beside:
Put downe fThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a4ire Oxfordshires chiefe (beauty
AbingThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)t5ons faire Crosse
was neuer grac’t thus,
as is bright Cheaps Crosse,
Now shining faire and bright,
whose excellent splendor
Giues the city light.
The second part, To the same tuné.
KInd frThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)i6ends pray turne ye,
With griefe now mourne ye,
to behold and sée
An ancient building
Now downwards yeelding,
ah woe is me:
The prouerb here is verified truly,
old things are worth nought,
but that’s a bad thought,
for to forget ought
Once esteemed deare,
In lamentation,
I make my supplication
to great and small,
That erst haue view’d me,
And now perus’d me,
then iudge withall,
That ancient things in these dayes are
more is the pity
that such a city,
so wise and witty,
Should not regard their fame,
censure This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (JJ)a9right,
Then tell me where’s the blame.
I long haue stood hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e10re,
Mary bad and good yeare,
pining away,
Expecting euer,
But I feare neuer
to see the day
Wherein my state againe shThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a11ll be ad(uanced,
and all things made good,
of stone or else wood,
where I hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)a12ue long stood,
Expecting This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (JJ)e13uery day
I should be once againe
Made neat and gay.
Thou wert a deare one,
Old noble Chyron,
that plac’t me here,
My first supporter
Of stone and morter,
was seated This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (NAP)r14are:
But now you sée my top is downward (bending
my state is reeling,
none hath a féelThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on an external source. (NAP)i15ng
to my appealing,
That now in sad distresse
to court and city
Some honest Courtier
Be my Supporter,
I now intreate,
Some Lord or Barrone,
Pitty old Chyrone,
ere it be tThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (NAP)o17o late,
For now my state you sée is down de(clining
my ancient building,
is downward yeelding,
In wofull manner
I waile my wretched state,
Oh pity soone, for feare it be too late,
In time I craue it,
And faine would haue it,
for mercies sake,
Take thou some pitie,
Faire London Citie,
my foundation make,
Aged Pauls and I may waile together
and pray to heauen
all may be eauen,
and gifts be giuen
By charitable men,
to beautifie
Our buildings faire agen.
FINIS.
Notes
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- Gap in inking: missing letter obvious from context. (JJ)↑
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- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: proofed against EBBA facsimile. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (JJ)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
- Gap in inking: proofed against EBBA facsimile. (NAP)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
- Gap in inking: missing letter obvious from context. (NAP)↑
Cite this page
MLA citation
Cheapside’s Triumphs and Chyron’s Cross’ Lamentation.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/CHEA4.htm.
Chicago citation
Cheapside’s Triumphs and Chyron’s Cross’ Lamentation.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/CHEA4.htm.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/CHEA4.htm.
. 2022. Cheapside’s Triumphs and Chyron’s Cross’ Lamentation. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - , ED - Jenstad, Janelle T1 - Cheapside’s Triumphs and Chyron’s Cross’ Lamentation T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/CHEA4.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/CHEA4.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>.
<title level="a">Cheapside’s Triumphs and Chyron’s Cross’ Lamentation</title>. <title
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<publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>,
<ref target="https://mapoflondon.uvic.ca/edition/7.0/CHEA4.htm">mapoflondon.uvic.ca/edition/7.0/CHEA4.htm</ref>.</bibl>
Personography
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Molly Rothwell
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Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell was an undergraduate student at the University of Victoria, with a double major in English and History. During her time at MoEML, Molly primarily worked on encoding and transcribing the 1598 and 1633 editions of Stow’s Survey, adding toponyms to MoEML’s Gazetteer, researching England’s early-modern court system, and standardizing MoEML’s Mapography.Roles played in the project
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Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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NAP
Research Assistant, 2012-2014. Nathan Phillips completed his MA at the University of Victoria specializing in medieval and early modern studies in April 2014. His research focused on seventeenth-century non-dramatic literature, intellectual history, and the intersection of religion and politics. Additionally, Nathan was interested in textual studies, early-Tudor drama, and the editorial questions one can ask of all sixteenth- and seventeenth-century texts in the twisted mire of 400 years of editorial practice. Nathan is currently a Ph.D. student in the Department of English at Brown University.Roles played in the project
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Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
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The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Locations
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Cheapside Cross (Eleanor Cross)
Cheapside Cross (Eleanor Cross), pictured but not labelled on the Agas map, stood on Cheapside Street between Friday Street and Wood Street. St. Peter, Westcheap lay to its west, on the north side of Cheapside Street. The prestigious shops of Goldsmiths’ Row were located to the east of the Cross, on the south side of Cheapside Street. The Standard in Cheapside (also known as the Cheap Standard), a square pillar/conduit that was also a ceremonial site, lay further to the east (Brissenden xi).Cheapside Cross (Eleanor Cross) is mentioned in the following documents:
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London is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Old Bailey
The Old Bailey ran along the outside of the London Wall near Newgate (Stow 1598, sig. U8v). It is labelled on the Agas map asOlde baily.
Old Bailey is mentioned in the following documents: