Excerpts from Sir Thomas More
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Doll. Heere he comes him selfe, tell him so if thou darste.
Caue. ffollowe me no further, I say thou shalt not haue them.
Wil. I bought them in Cheapeside, and paide my monie for them.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Wil. Indeed my Lord Maior, on the Ambassadours complainte, sent me to Newgate one day, because (against my will) I tooke the wall of a straunger. you may doo any
thing, the Goldsmith’s wife, and mine now must be at your cōmaundment.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Lin. you knowe the Spittle Sermons begin the next weeke, I haue drawne (a This text has been supplied. Reason: Omitted from the original text due to a printing
or typesetting error. Evidence: The text has been supplied based on an external source. (KL)bill of our wrongs, and the straungers insolencies.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Shrew. My Lord, our Catours shall not vse the markett,
for our prouision, but some straunger LOMBARD now:
will take the vittailes from him he hath bought.
A Carpenter, as I was late enformde,
who hauing bought a paire of dooues in Cheape,
immediatly a ffrencheman LOMBARD tooke them from him,
and beat the poore man for resisting him.
And when the fellowe did complaine his wrongs:
he was seuerely punish’de for his labour.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Mess.1 Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] The Cittie is in an vproare and the Maior,
is threatned if he come out of his house Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
This text has been supplied. Reason: Omitted from the original text due to a printing
or typesetting error. Evidence: The text has been supplied based on an external source. (KL)CHOLMLEY. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] This text has been supplied. Reason: Omitted from the original text due to a printing
or typesetting error. Evidence: The text has been supplied based on an external source. (KL)we fearde what this would come vnto.
this followes on the doctours publishing
the bill of wrongs in publique at the Spittle.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Lin. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] This is St. Martins
and yonder dwelles Mewtas a wealthie Piccarde, at the greene gate,
with many more outlandish fugitiues. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Will. Now Lads, how shall we labour in our safetie?
I heare the Maior hath gathered men in Armes
and that Sheriffe Moore an houre agoe receiu’de
some of the priuie Councell in at Ludgate,
fforce now must make our peace or else we fall
twill soone be knowne we are the principall
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Kit. why, I am a Prentise as thou art, seest thou now: Ile play with thee at blunt heere
in Cheapeside, and when thou hast doone, if thou beest angrie, Ile fight with thee at This text has been supplied. Reason: Omitted from the original text due to a printing
or typesetting error. Evidence: The text has been supplied based on an external source. (KL)sharp in Moore feildes. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. the Captaines of this Insurection
have tane them selves to armes. and cam but now
to both the counters2 wher they have releast
sundrie Indetted prisoners, and from thence
I heere yt they are gonn Into St martins
wher they Intend to offer violence
to the amazed Lombards3 therfore my lord
If we expect the saftie of the Cittie
twere tis time that force or parley doe encownter
wth thes displeased men.
L. maior. how now what newes
Mess. my Lord the rebells have broaken open newegate
from whence they have deliverd manie prisoners
both fellons and notorious murderers
that desperatlie cleave to ther Lawles traine
L Maior. vpp wth the draw bridge gathr som forces
If dilligence be vsde one every side
A quiet Ebb will follow this rough tide
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Shrew. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] My Lord of Surrie, please you to take horsse,
and ride to Cheape side, where the Aldermen,
are with their seuerall companies in Armes. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
doll no nor I nether so maie mine owne howse be burnd for companye ile tell ye what wele
drag the strangers into more feldes & theare bumbaste them till they stinke a gaine
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
L. Maior. Maister Shreeue Moore, you haue preseru’de the Cittie,
from a moste daungerous fierce cōmotion.
ffor if this limbe of riot heere in St Martins,
had ioynd with other braunches of the cittie,
that did begin to kindle, twould haue bred,
great rage, that rage, much murder would haue fed.
not Steele but eloquence hath wrought this good,
you haue redeemde vs from much threatned blood.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] I thinke twere best my Lord, some two houres hence,
we meete at the Guilde hall, and there determine,
that thorow euery warde, the watche be clad
in Armour, but especially prouide
that at the Cittie gates, selected men,
substantiall Cittizens doo warde to night,
for feare of further mischeife.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Croftes. My Lord, his highnesse sends expresse commaunde,
that a record be entred of this riott,
And that the cheefe and capitall offendours
be theron straite arraignde, for him selfe intends
to sit in person on the rest to morrowe
at westminster.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Mess. Is execution yet performde?
Sheriff. Not yet, the Cartes stand readie at the stayres,
and they shall presently away to Tibourne.
Messe. Stay Mr. Shreeue, it is the Councelles pleasure,
for more example in so bad a case,
a Iibbit be erected in Cheapside,
hard by the Standerd, whether you must bring
Lincolne, and those that were the cheefe with him,
to suffer death, and that immediatly.
Sheriff. It shalbe doone Sir. Officers, be speedie
call for a Iibbit, see it be erected,
others make haste to Newgate, bid them bring,
the prisoners hether, for they heere must dye,
Away I say, and see no time be slackt.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Off. Thers such a preasse and multitude at Newgate,
they cannot bring the Cartes vnto the stayres
to bring take the prisoners in.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Doll. Sir, your free bountie much contents my minde,
Commend me to that good Shreeue Mr. Moore,
and tell him had’t not bin for his perswasion,
Iohn Lincolne had not hung heere as he does.
we would first haue lockt vp in Leaden hall,
and there bin burnt to ashes with the roofe.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Faulk. Tugg me not Ime noe beare. sbloud If all the doggs in paris garden. hung at my tale. Ide shake em of wth this. that Ile
appeere. before noe king Cirstned but my good Lord Chauncelor
appeere. before noe king Cirstned but my good Lord Chauncelor
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Shre. ther was a fray in paternoster row. and because they would not be pted. the street was choakt vpp wth carts.
fauk. my noble Lord paniar Allies throat was open.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. no eare to choose for every triviall noice
but mine, and in so full a time. away
you wronge me mr shreve. dispose of him
at yor owne plesure. send the knave to newgate
Fauk. to newgate sbloud Sr Thomas moore. I appeale I appeale? from newgate to any of the two worshippfull counters5
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. vowes are recorded in the court of heaven.
for they are holly acts. yong man I charge thee
and doe advize thee start not from yt vow
and for I will be sure thou shalt not shreve
besids because It is an odious sight
to see a man thus hairie. thou shalt lie
In Newgate till thy vow and thy three years
be full expired. Away wth him
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
in all that Body wher thers a foule head, away wth him.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. god sent thee Into the world as thou art now wth a short haire. how quickly are three years ronñ out in Newgate
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moor. Because I see som grace in thee goe free
Discharge him fellowes farewell mr moris
thy head is for thy shoulders now more fitt
thou hast less haire vppon it but more witt
Moris. Did not I tell thee allwaies of thes Locks
Fauk. And the locks were on againe all the goldsmiths in cheapside should not
pick them open. Gap in transcription. Reason: The text has been abridged or truncated by an editor for some reason. (KL)[…]
pick them open. Gap in transcription. Reason: The text has been abridged or truncated by an editor for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Faulk. mad now? nayles yf losse of hayre Cannot mad a man—what Can? I am deposde: my Crowne
is taken from mee Moore had bin better a Scowrd More ditch, than a notcht mee thus, does hee begin sheepe sharing wth Iack Faulkner?
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] why this is cheerfull newes frends goe and Come
Reverend Erasmus whose delitious words
express the very soule and lif of witt
newlie toke sad leave of me wth teares
trubled the sillver channell of the Themes
wth glad of such a burden prowdlie sweld
And one her bosom bore him toward the sea
hees gon to roterdam̃. peace goe wth him Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Incli. we would desire your honor but to stay a little, one of my fellowes is but run to
Oagles, for a long beard for young witt, and heele be heere presently.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
clo and many such Rewards wold make vs all ride and horsse vs wth the best nags in smith felde Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Lady. Because to night, I had the straungest dreame,
that ere my sleep was troubled with.
Me thought twas night,
And that the King and Queene went on the Themes,
in Bardges to heare musique: My Lord and I
were in a little boate me thought, Lord, Lord,
what straunge things liue in slumbers? And beeing neere,
we grapled to the Bardge that bare the King.
But after many pleasing voyces spent,
in that still moouing musique house: me thought,
the violence of the streame did seuer vs
quite from the golden fleet, and hurried vs,
vnto the bridge, which with vnused horror,
we entred at full tide, thence some flight shoote,
beeing caried by the waues: our boate stood still
iust opposite the Tower, and there it turnde,
and turnde about, as when a whirle-poole sucks
the circkled waters: me thought that we bothe cryed,
till that we sunck, where arme in arme we dyed.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Rochest. ffor that, as pleaseth God, in my restrainte
from worldly causes, I shall better see
into my selfe, then at proude libertie.
The Tower and I will priuately conferre,
of things, wherin at freedome, I may erre. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Sur. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] be well aduisde,
ffor on mine honor Lord, graue doctor ffisher
Bishop of Rochester, at the selfe same instant,
attachte with you, is sent vnto the Tower,
for the like obstinacie, his Maiestie,
hath only sent you prisoner to your house.
But if you now refuse for to subscribe,
a stricter course will followe.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. See my Lordes,
this partner, and these subiects to my fleshe:
prooue rebelles to my conscience: But my good Lordes
if I refuse, must I vnto the Tower?
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. Oh pardon me,
I will subscribe to goe vnto the Tower,
with all submissiue willingnes, and therto add
my bones to strengthen the foundation
of Iulius Cæsars pallace. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
1. ward. Hoe, make a guarde there.
2. Mr. Lieutenant giues a straite cōmaund,
the people be auoyded from the bridge.
3. ffrom whence is he cōmitted, who can tell?
1. ffrom durham house I heare.
2. The Guarde were waitting there an houre agoe.
3. If he stay long, heele not get neere the wharffe,
ther’s such a croude of Boates vppon the Themes.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
2. woman stand back, you must auoyde this place,
the Lords must passe this way into the Tower.
Gent. Por. Before you enter through the Tower gate,
your vpper garment Sir belongs to me.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
willes ye repaire to the limits of the Tower
there to receiue your prisoner.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. yet God be thanked, heer’s a faire day toward,
to take our iourney in: Mr. Lieutenant,
It were faire walking on the Tower leades.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…] Ah Mr. Sheriffe, you and I haue bin of olde acquaintaunce,
you were a pacient Auditor of mine,
2. Sher. Sr. Thomas Moore, I haue heard you oft, as many other did,
to our great comforte.
Moore. Pray God you may so now, with all my hart.
And as I call to minde,
when I studyed the lawe in Lincolnes Inne,
I was of Councell with ye in a cause.
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Moore. One thing more, take heed thou cutst not off my beard: Oh, I forgot, execution past
vppon that last night, and the bodie of it lies buried in the Tower. Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)[…]
Gap in transcription. Reason: The text has been abridged or truncated by an editor
for some reason. (KL)⁂
Notes
- I.e., Messenger. (KL)↑
- I.e., Wood Street Counter and Southwark Counter. (KL)↑
- I.e., Francis de Barde and Cavaler. (KL)↑
- I.e., Wood Street Counter and Southwark Counter. (KL)↑
- I.e., Wood Street Counter and Southwark Counter. (KL)↑
- I.e., St. Laurence, Jewry or St. Laurence Poultney. (KL)↑
References
-
.
Executions.
The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/EXEC1.htm.
Cite this page
MLA citation
Excerpts from Sir Thomas More.The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/SIRT1.htm.
Chicago citation
Excerpts from Sir Thomas More.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/SIRT1.htm.
APA citation
Sir Thomas More. In (Ed), The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/SIRT1.htm.
, , , , & 2021. Excerpts from RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Munday, Anthony A1 - Chettle, Henry A1 - Dekker, Thomas A1 - Heywood, Thomas A1 - Shakespeare, William ED - Jenstad, Janelle T1 - Excerpts from Sir Thomas More T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/SIRT1.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/SIRT1.xml ER -
TEI citation
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Personography
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Kate LeBere
KL
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, old-spelling library texts,quickstart
documentation for new research assistants, and worked to standardize both the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project
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Tracey El Hajj
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Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course onArtificial Intelligence and Everyday Life.
Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.Roles played in the project
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Joey Takeda is a member of the following organizations and/or groups:
Joey Takeda is mentioned in the following documents:
Joey Takeda authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Tye Landels-Gruenewald
TLG
Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.Roles played in the project
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Tye Landels-Gruenewald is a member of the following organizations and/or groups:
Tye Landels-Gruenewald is mentioned in the following documents:
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Melanie Chernyk
MJC
Research Assistant, 2004–2008. BA honours, 2006. MA English, University of Victoria, 2007. Melanie Chernyk went on to work at the Electronic Textual Cultures Lab at the University of Victoria and now manages Talisman Books and Gallery on Pender Island, BC. She also has her own editing business at http://26letters.ca.Roles played in the project
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Melanie Chernyk is a member of the following organizations and/or groups:
Melanie Chernyk is mentioned in the following documents:
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Associate Project Director
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Kim McLean-Fiander is a member of the following organizations and/or groups:
Kim McLean-Fiander is mentioned in the following documents:
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Contributions by this author
Janelle Jenstad is a member of the following organizations and/or groups:
Janelle Jenstad is mentioned in the following documents:
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Martin D. Holmes is a member of the following organizations and/or groups:
Martin D. Holmes is mentioned in the following documents:
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Henry Chettle is mentioned in the following documents:
Henry Chettle authored or edited the following items in MoEML’s bibliography:
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Day, John [and Henry Chettle]. The Blind-beggar of Bednal Green. London: R. Pollard and Tho. Dring, 1659.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Thomas Dekker is mentioned in the following documents:
Thomas Dekker authored or edited the following items in MoEML’s bibliography:
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Bevington, David. Introduction.
The Shoemaker’s Holiday.
By Thomas Dekker. English Renaissance Drama: A Norton Anthology. Ed. David Bevington, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen. New York: Norton, 2002. 483–487. Print. -
Dekker, Thomas, and John Webster. Vvest-vvard hoe As it hath been diuers times acted by the Children of Paules. London: [William Jaggard] for Iohn Hodgets, 1607. STC 6540.
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Dekker, Thomas. Britannia’s Honor.
The Dramatic Works of Thomas Dekker.
Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1961. Print. -
Dekker, Thomas. The Dead Tearme. Or Westminsters Complaint for long Vacations and short Termes. Written in Manner of a Dialogue betweene the two Cityes London and Westminster. 1608. The Non-Dramatic Works of Thomas Dekker. Ed. Rev. Alexander B. Grosart. 5 vols. 1885. Reprinted by New York: Russell and Russell, 1963. 1–84. Print.
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Dekker, Thomas. The Gull’s Horn-Book: Or, Fashions to Please All Sorts of Gulls. Thomas Dekker: The Wonderful Year, The Gull’s Horn-Book, Penny-Wise, Pound-Foolish, English Villainies Discovered by Lantern and Candelight, and Selected Writings. Ed. E.D. Pendry. London: Edward Arnold, 1967. 64–109. The Stratford-upon-Avon Library 4.
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Dekker, Thomas. If it be not good, the Diuel is in it A nevv play, as it hath bin lately acted, vvith great applause, by the Queenes Maiesties Seruants: at the Red Bull. London: Printed by Thomas Creede for John Trundle, 1612. STC 6507.
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Dekker, Thomas. Lantern and Candlelight. 1608. Ed. Viviana Comensoli. Toronto: Centre for Reformation and Renaissance Studies, 2007. Publications of the Barnabe Riche Society.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
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Dekker, Thomas. London’s Tempe. The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge UP, 1961. Print.
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Dekker, Thomas. The magnificent entertainment giuen to King Iames, Queene Anne his wife, and Henry Frederick the Prince, vpon the day of his Maiesties tryumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: vvith the speeches and songes, deliuered in the seuerall pageants. London: T[homas] C[reede, Humphrey Lownes, Edward Allde and others] for Tho. Man the yonger, 1604. STC 6510
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Dekker, Thomas. The Magnificent Entertainment: Giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, ypon the day of his Majesties Triumphant Passage (from the Tower) through his Honourable Citie (and Chamber) of London being the 15. Of March. 1603. London: T. Man, 1604. Treasures in full: Renaissance Festival Books. British Library.
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Dekker, Thomas. The owles almanacke Prognosticating many strange accidents which shall happen to this kingdome of Great Britaine this yeare, 1618. Calculated as well for the meridian mirth of London as any other part of Great Britaine. Found in an iuy-bush written in old characters, and now published in English by the painefull labours of Mr. Iocundary Merrie-braines. London: E[dward] G[riffin] for Laurence Lisle, 1618. STC 6515.
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Dekker, Thomas. Penny-vvis[e] pound foolish or, a Bristovv diamond, set in t[wo] rings, and both crack’d Profitable for married men, pleasant for young men, a[nd a] rare example for all good women. London: A[ugustine] M[athewes] for Edward Blackmore, 1631. STC 6516.
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Dekker, Thomas. The Second Part of the Honest Whore, with the Humors of the Patient Man, the Impatient Wife: the Honest Whore, perswaded by strong Arguments to turne Curtizan againe: her braue refuting those Arguments. London: Printed by Elizabeth All-de for Nathaniel Butter, 1630. STC 6506.
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Dekker, Thomas. The seuen deadly sinnes of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. Opus septem dierum. London: E[dward] A[llde and S. Stafford] for Nathaniel Butter, 1606. STC 6522.
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Dekker, Thomas. The Shoemaker’s Holiday. Ed. R.L. Smallwood and Stanley Wells. Manchester: Manchester UP, 1979. The Revels Plays.
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Dekker, Thomas. The shomakers holiday. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Maior of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: Valentine Sims, 1600. STC 6523.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Dekker, Thomas. Troia-Noua Triumphans. London: Nicholas Okes, 1612. STC 6530. DEEP 578. Greg 302a. Copy: Chapin Library; Shelfmark: 01WIL_ALMA.
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Dekker, Thomas. TThe shoomakers holy-day. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Mayor of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: G. Eld for I. Wright, 1610. STC 6524.
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Dekker, Thomas. Westward Ho! The Dramatic Works of Thomas Dekker. Vol. 2. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1964. Print.
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Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Smith, Peter J.
Glossary.
The Shoemakers’ Holiday. By Thomas Dekker. London: Nick Hern, 2004. 108–110. Print.
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Desiderius Erasmus is mentioned in the following documents:
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Thomas Heywood is mentioned in the following documents:
Thomas Heywood authored or edited the following items in MoEML’s bibliography:
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Heywood, Thomas. The Captives; or, The Lost Recovered. Ed. Alexander Corbin Judson. New Haven: Yale UP, 1921. Print.
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Heywood, Thomas. The First and Second Parts of King Edward IV. Ed. Richard Rowland. Manchester: Manchester UP, 2005. The Revels Plays.
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Heywood, Thomas. The foure prentises of London VVith the conquest of Ierusalem. As it hath bene diuerse times acted, at the Red Bull, by the Queenes Maiesties Seruants. London: [Nicholas Okes] for I. W[right], 1615. STC 13321.
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Heywood, Thomas. The Second Part of, If you know not me, you know no bodie. VVith the building of the Royall Exchange: And the Famous Victorie of Queene Elizabeth, in the Yeare 1588. London: [Thomas Purfoot] for Nathaniell Butter, 1606. STC 13336.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Thomas Heywood Heywood’s Dramatic Works. 6 vols. Ed. W.J. Alexander. London: John Pearson, 1874. Print.
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Henry Howard
(b. between 1516 and 1517, d. 1547)Earl of Surrey. Poet and soldier. Monument at All Hallows Barking.Henry Howard is mentioned in the following documents:
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Sir Thomas More is mentioned in the following documents:
Sir Thomas More authored or edited the following items in MoEML’s bibliography:
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More, Thomas. The co[n]futacyon of Tyndales answere made by syr Thomas More knyght lorde chau[n]cellour of Englonde. London, 1532. STC 18079.
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Dame Alice More (née Harpur) is mentioned in the following documents:
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Anthony Munday
(bap. 1560, d. 1633)Playwright, actor, pageant poet, translator, and writer. Possible member of the Drapers’ Company or Merchant Taylors’ Company.Anthony Munday is mentioned in the following documents:
Anthony Munday authored or edited the following items in MoEML’s bibliography:
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Anthony Munday. The Triumphs of Re-United Britannia. Arthur F. Kinney. Renaissance Drama: An Anthology of Plays and Entertainments. 2nd ed. Toronto: Wiley, 2005.
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Munday, Anthony. Camp-Bell: or the Ironmongers Faire Feild. London: Edward Allde, 1609. DEEP406. STC 18279.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Munday, Anthony. Metropolis Coronata, The Trivmphes of Ancient Drapery. London: George Purslowe, 1615. DEEP 630. STC 18275.
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Stow, John, Anthony Munday, and Henry Holland. THE SVRVAY of LONDON: Containing, The Originall, Antiquitie, Encrease, and more Moderne Estate of the sayd Famous Citie. As also, the Rule and Gouernment thereof (both Ecclesiasticall and Temporall) from time to time. With a briefe Relation of all the memorable Monuments, and other especiall Obseruations, both in and about the same CITIE. Written in the yeere 1598. by Iohn Stow, Citizen of London. Since then, continued, corrected and much enlarged, with many rare and worthy Notes, both of Venerable Antiquity, and later memorie; such, as were neuer published before this present yeere 1618. London: George Purslowe, 1618. STC 23344. Yale University Library copy.
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Stow, John, Anthony Munday, and Humphrey Dyson. THE SURVEY OF LONDON: CONTAINING The Original, Increase, Modern Estate and Government of that City, Methodically set down. With a Memorial of those famouser Acts of Charity, which for publick and Pious Vses have been bestowed by many Worshipfull Citizens and Benefactors. As also all the Ancient and Modern Monuments erected in the Churches, not only of those two famous Cities, LONDON and WESTMINSTER, but (now newly added) Four miles compass. Begun first by the pains and industry of John Stow, in the year 1598. Afterwards inlarged by the care and diligence of A.M. in the year 1618. And now compleatly finished by the study &labour of A.M., H.D. and others, this present year 1633. Whereunto, besides many Additions (as appears by the Contents) are annexed divers Alphabetical Tables, especially two, The first, an index of Things. The second, a Concordance of Names. London: Printed for Nicholas Bourne, 1633. STC 23345.5.
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Strype, John, John Stow, Anthony Munday, and Humphrey Dyson. A Survey of the Cities of London and Westminster. Vol. 2. London, 1720. Remediated by The Making of the Modern World.
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William Shakespeare is mentioned in the following documents:
William Shakespeare authored or edited the following items in MoEML’s bibliography:
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Shakespeare, William. All’s Well That Ends Well. Ed. Helen Ostovich. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/AWW/.
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Shakespeare, William. Antony and Cleopatra. Ed. Randall Martin. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ant/.
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Shakespeare, William. As You Like It. Ed. David Bevington. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/AYL/.
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Shakespeare, William. The Comedy of Errors. Ed. Matthew Steggle. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Err/.
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Shakespeare, William. Coriolanus. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Cor/.
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Shakespeare, William. Cymbeline. Ed. Jennifer Forsyth. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Cym/.
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Shakespeare, William. Edward III. Ed. Jennifer Massai. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Edw/.
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Shakespeare, William. The first part of the contention betwixt the two famous houses of Yorke and Lancaster with the death of the good Duke Humphrey: and the banishment and death of the Duke of Suffolke, and the tragicall end of the proud Cardinall of VVinchester, vvith the notable rebellion of Iacke Cade: and the Duke of Yorkes first claime vnto the crowne. London, 1594. STC 26099.
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Shakespeare, William. Hamlet. Ed. David Bevington. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ham/.
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Shakespeare, William. Henry IV, Part 1. Ed. Rosemary Gaby. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/1H4/.
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Shakespeare, William. Henry IV, Part 2. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/2H4/.
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Shakespeare, William. Henry V. Ed. James D. Mardock. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/H5/.
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Shakespeare, William. Henry VIII. Ed. Diane Jakacki. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/H8/.
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Shakespeare, William. Henry VI, Part 1. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/1H6/.
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Shakespeare, William. Henry VI, Part 2. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/2H6/.
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Shakespeare, William. Henry VI, Part 3. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/3H6/.
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Shakespeare, William. Julius Caesar. Ed. John D. Cox. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/JC/.
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Shakespeare, William. King John. Ed. Michael Best. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Jn/.
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Shakespeare, William. King Lear. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 1201–54.
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Shakespeare, William. King Lear. Ed. Michael Best. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Lr/.
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Shakespeare, William. King Richard III. Ed. James R. Siemon. London: Methuen, 2009. The Arden Shakespeare.
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Shakespeare, William. The Life of King Henry the Eighth. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 919–64.
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Shakespeare, William. A Lover’s Complaint. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/lC/.
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Shakespeare, William. Love’s Labor’s Lost. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/LLL/.
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Shakespeare, William. Macbeth. Ed. Anthony Dawson. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Mac/.
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Shakespeare, William. Measure for Measure. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 414–54.
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Shakespeare, William. Measure for Measure. Ed. Herbert Weil. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MM/.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Shakespeare, William. The Merry Wives of Windsor. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Wiv/.
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Shakespeare, William. A Midsummer Night’s Dream. Ed. Suzanne Westfall. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MND/.
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Shakespeare, William. Mr. VVilliam Shakespeares comedies, histories, & tragedies Published according to the true originall copies. London, 1623. STC 22273.
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Shakespeare, William. Much Ado About Nothing. Ed. Grechen Minton. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ado/.
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Shakespeare, William. Othello. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Oth/.
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Shakespeare, William. The Passionate Pilgrim. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/PP/.
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Shakespeare, William. Pericles. Ed. Tom Bishop. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Per/.
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Shakespeare, William. The Phoenix and the Turtle. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/PhT/.
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Shakespeare, William. The Rape of Lucrece. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Luc/.
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Shakespeare, William. Richard II. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 740–83.
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Shakespeare, William. Richard II. Ed. Catherine Lisak. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/R2/.
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Shakespeare, William. Richard the Third (Modern). Ed. Adrian Kiernander. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/R3/.
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Shakespeare, William. Romeo and Juliet. Ed. Erin Sadlack. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Rom/.
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Shakespeare, William. The Second Part of King Henry the Sixth. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 552–984.
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Shakespeare, William. The Sonnets. Ed. Michael Best. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Son/.
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Shakespeare, William. The Taming of the Shrew. Ed. Erin Kelly. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Shr/.
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Shakespeare, William. The Tempest. Ed. Brent Whitted and Paul Yachnin. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tmp/.
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Shakespeare, William. Timon of Athens. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tim/.
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Shakespeare, William. Titus Andronicus. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 966–1004.
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Shakespeare, William. Titus Andronicus. Ed. Trey Jansen. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tit/.
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Shakespeare, William. Troilus and Cressida. Ed. W. L. Godshalk. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Tro/.
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Shakespeare, William. Twelfth Night. Ed. David Carnegie and Mark Houlahan. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/TN/.
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Shakespeare, William. Two Gentlemen of Verona. Ed. Melissa Walter. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/TGV/.
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Shakespeare, William. Two Noble Kinsmen. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/TNK/.
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Shakespeare, William. Venus and Adonis. Ed. Hardy M. Cook. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/Ven/.
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Shakespeare, William. The Winter’s Tale. Ed. Hardin Aasand. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/WT/.
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George Talbot is mentioned in the following documents:
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Julius Caesar is mentioned in the following documents:
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John Fisher
John Fisher Bishop of Rochester
(b. 1469, d. 1535)Bishop of Rochester 1504–1535. Martryed during the reign of Henry VIII for refusing to accept the king as the head of the church.John Fisher is mentioned in the following documents:
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Sir Roger Cholmeley
(b. 1485, d. 1565)Lord Chief Justice of the Court of the King’s Bench. Recorder of London.Sir Roger Cholmeley is mentioned in the following documents:
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Doll
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Doll is mentioned in the following documents:
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Inclination
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Inclination is mentioned in the following documents:
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Jack Falkner
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Jack Falkner is mentioned in the following documents:
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Wit
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Wit is mentioned in the following documents:
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Ogle is mentioned in the following documents:
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Morris
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Morris is mentioned in the following documents:
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Crofts
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Crofts is mentioned in the following documents:
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Kit
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Kit is mentioned in the following documents:
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Francis de Barde
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Francis de Barde is mentioned in the following documents:
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Sherwin
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Sherwin is mentioned in the following documents:
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Cavaler
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Cavaler is mentioned in the following documents:
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Meautis is mentioned in the following documents:
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De Bard is mentioned in the following documents:
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Adrian Martin is mentioned in the following documents:
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Peter van Hollock is mentioned in the following documents:
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John Lincoln
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.John Lincoln is mentioned in the following documents:
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Williamson
Dramatic character in Anthony Munday, Henry Chettle, Thomas Dekker, Thomas Heywood’s Sir Thomas More.Williamson is mentioned in the following documents:
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William Roper is mentioned in the following documents:
Locations
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Newgate is mentioned in the following documents:
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St. Mary Spital
St. Mary Spital was an Augustinian Priory and Hospital on the east side of Bishopsgate Street. The Priory dates from 1197. The old precinct of St. Mary Spital is visible on the Agas map. The church itself was demolished after the Dissolution of the Monasteries in 1539. By the time the Agas map was drawn, many of the priory buildings had been removed and the area appears sparse.St. Mary Spital is mentioned in the following documents:
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Cheap Ward
Cheap Ward is west of Bassinghall Ward and Coleman Street Ward. Both the ward and its main street, Cheapside, are named after West Cheap (the market).Cheap Ward is mentioned in the following documents:
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St. Martin’s Lane (Bridge Within Ward)
St Martin’s Lane (Bridge Within Ward) ran north-south from the boundary between Candlewick Street and Eastcheap to Thames Street and was located at the western edge of Bridge Within Ward at its boundary with Candlewick Street Ward. The street takes its name from St. Martin Orgar, located on its eastern side. It is labelledS. Martines la.
on the Agas map.St. Martin’s Lane (Bridge Within Ward) is mentioned in the following documents:
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Ludgate
Located in Farringdon Within Ward, Ludgate was a gate built by the Romans (Carlin and Belcher 80). Stow asserts that Ludgate was constructed by King Lud who named the gate after himselffor his owne honor
(Stow 1:1).Ludgate is mentioned in the following documents:
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Moorfields
A low-lying marshy area just northeast of Moorgate and on the way to the Curtain, Moorfields was home to a surprising range of activities and accompanying cultural associations in early modern London. Beggars and the mentally ill patients of neighbouring Bethlehem Hospital often frequented the area. Some used the public space to bleach and dry linen, and the Honorable Artillery Company also used it as an official training ground. Moorfields was even a popular suburban destination for ice skating when its water froze during the winter. Moorfields was generallyfull of noysome waters
(Stow 2:77) until 1605–1607, when it was successfully drained, levelled, and beautified with tree-lined pedestrian pathways. At this point, it transformed into a fashionable place for the genteel to see and to be seen. The history of Moorfields provides insight into social, political, environmental, and medical issues in early modern London.Moorfields is mentioned in the following documents:
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Wood Street Counter is mentioned in the following documents:
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Southwark Counter is mentioned in the following documents:
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Cornhill
Cornhill was a significant thoroughfare and was part of the cityʼs main major east-west thoroughfare that divided the northern half of London from the southern half. The part of this thoroughfare named Cornhill extended from St. Andrew Undershaft to the three-way intersection of Threadneedle, Poultry, and Cornhill where the Royal Exchange was built. The nameCornhill
preserves a memory both of the cornmarket that took place in this street, and of the topography of the site upon which the Roman city of Londinium was built.Note: Cornhill and Cornhill Ward are nearly synonymous in terms of location and nomenclature - thus, it can be a challenge to tell one from the other. Topographical decisions have been made to the best of our knowledge and ability.Cornhill is mentioned in the following documents:
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Guildhall is mentioned in the following documents:
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Westminster Hall
Westminster Hall isthe only surviving part of the original Palace of Westminster
(Weinreb and Hibbert 1011) and is located on the west side of the Thames. It is located on the bottom left-hand corner of the Agas map, and is labelled asWeſtmynſter hall.
Originally built as an extension to Edward the Confessor’s palace in 1097, the hall served as the setting for banquets through the reigns of many kings.Westminster Hall is mentioned in the following documents:
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Tyburn
Tyburn is best known as the location of the principal gallows where public executions were carried out from the late 12th century until the 18th (Drouillard, Wikipedia). It was a village to the west of the city, near the present-day location of Marble Arch (beyond the boundary of the Agas Map). Its name derives from a stream, and its significance to Stow was primarily as one of the sources of piped water for the city; he describes howIn the yeare 1401. this priſon houſe called the Tunne was made a Ceſterne for ſweete water conueyed by pipes of Leade frõ the towne of Tyborne, and was from thence forth called the conduite vpon Cornhill Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] (Stow 1598, sig. L3r)
.Tyburn is mentioned in the following documents:
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The Standard (Cheapside) is mentioned in the following documents:
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Leadenhall is mentioned in the following documents:
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Paris Garden Manor House is mentioned in the following documents:
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Paternoster Row is mentioned in the following documents:
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Panier Alley is mentioned in the following documents:
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Moorditch
Moorditch was the section of the City Ditch outside the Wall, which ran east-west from Bishopsgate to Moorgate (Sugden).Moorditch is mentioned in the following documents:
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The Thames is mentioned in the following documents:
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Smithfield
Smithfield was an open, grassy area located outside the Wall. Because of its location close to the city centre, Smithfield was used as a site for markets, tournaments, and public executions. From 1123 to 1855, the Bartholomew’s Fair took place at Smithfield (Weinreb, Hibbert, Keay, and Keay 842).Smithfield is mentioned in the following documents:
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London Bridge
As the only bridge in London crossing the Thames until 1729, London Bridge was a focal point of the city. After its conversion from wood to stone, completed in 1209, the bridge housed a variety of structures, including a chapel and a growing number of shops. The bridge was famous for the cityʼs grisly practice of displaying traitorsʼ heads on poles above its gatehouses. Despite burning down multiple times, London Bridge was one of the few structures not entirely destroyed by the Great Fire of London in 1666.London Bridge is mentioned in the following documents:
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Tower of London is mentioned in the following documents:
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Durham House
Durham House was located in the Strand, west of Ivy Bridge Lane. It stood at the border between the Duchy of Lancaster and Westminster.Durham House is mentioned in the following documents:
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PLACEHOLDER LOCATION
PLACEHOLDER LOCATION ITEM. The purpose of this item is to allow encoders to link to a location item when they cannot add a new location file for some reason. MoEML may still be seeking information regarding this entry. If you have information to contribute, please contact the MoEML team.PLACEHOLDER LOCATION is mentioned in the following documents:
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London is mentioned in the following documents:
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St. Laurence (Jewry) is mentioned in the following documents:
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St. Laurence Poultney is mentioned in the following documents:
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Lincoln’s Inn
Lincoln’s Inn was one of the four Inns of Court.Lincoln’s Inn is mentioned in the following documents:
Organizations
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Goldsmiths’ Company
Worshipful Company of Goldsmiths
The Goldsmiths’ Company was one of the twelve great companies of London. The Goldsmiths were fifth in the order of precedence established in 1515. The Worshipful Company of Goldsmiths is still active and maintains a website at https://www.thegoldsmiths.co.uk/ that includes a history of the company and explains the company’s role in the annual Trial of the Pyx.This organization is mentioned in the following documents: