A Pæan Triumphall.
TO the vaste skies whilst shoutes and cries rebound,
And buildings eccho with reuerberate sound,
Strugling to thrust out of the peopled throng,
Panting for breath flies our elaborate song.
That time the day brake from her wonted guise,
The Sunne in haste before his houre did rise,
And draue the fleet-foote posting houres so fast,
Which were afeard young Phaeton that was cast
From his Siers1 Chariot, reobtain’d the Carre,
To set the neighboring Elements at warre.
But whilst sweete Zephyre gently spreads his wings,
Curles the sleeke bosomes of th’enamoured springs.
With Baulmie spices so perfumes each place,
Breathing such odors in the mornings face,
That the day seem’d all former daies to scorne,
And (to compare it) euer should be borne.
Saturne whose grim face clad in Icie haire,
Thrust his bleake visage through the Northerne aire,
That long had low’rd vpon the drouping spring,
With Frosts, Hailes, Snowes and Tempests minacing,
Suddenly calm’d, and his harsh rage resignes
To smooth Fauonius and milde Libick windes,
The south
and south
west wind.
and south
west wind.
Whil’st Temples stand euen trembling as afeard,
To see proud Pageants on their Arches reard
Aboue their Turrets, whilest the concourse meete,
Like boysterous tides in euery publike streete.
Windowes of eyes, the houses scorn’d their glasse,
On euery side their Maiesties should passe:
Roomes with rich beauties furnished about,
Arras but serues to hang the walles without.
Who lou’d in works of ancient times to prie,
Hangings compleate with curious Imagrie,
Glutting his eyes here liuely might behold,
Faces whose numbers figures neuer told,
Walling the houses, in whose seuerall eyes
Ioye shewes it selfe in more varieties,
Then be their mindes, the obiects that they see,
Which are as various as their features bee.
The hie-reard spires shake with the peoples crie,
Bending their tops seeme wondring to espie
Streets pau’d with heads, for such the numbers bee,
The loftiest Tower no ground at all can see.
Banners, Flags, Streamers, in such numbers borne,
And stood so thick that one might soone haue sworne,
Nature of late some noueltie had brought,
Groaues leau’d with silke in curious manner wrought,
Bearing such fruite th’ Atlantides did keepe,
The daugh
ters of Atlas
ters of Atlas
By that fierce Dragon that did neuer sleepe.
When now approched gloThis text has been supplied. Reason: The ink has faded, obscuring the text. Evidence:
The text has been supplied based on guesswork. (JJ)r2ious Maiestie,
Vnder a gold-wrought sumptuous Canopie.
Before him went his goodly glittering traine,
Which though as late wash’d in a golden raine.
All so embraudered that to those behold,
Horses as men, seem’d to be made of Gold:
With the faire Prince, in whom appear’d in glory,
As in th’abridgement of some famous story,
Eu’ry rare vertue of each famous King
Since Norman VVilliams happie conquering:
Where might be seene in his fresh blooming hopes,
Henry the fifth leading his warlike troupes,
When the proud French fell on that conquered land,
As the full Corne before the labourers hand.
Vshering so bright and Angellike a Queene,
Whose gallant carridge had but Cynthia seene,
She might haue learnd her siluer brow to beare,
And to haue shin’d and sparckl’d in her spheare,
Leading her Ladies on their milkie Steedes,
With such aspect that each beholder feedes,
As though the lights and beauties of the skies,
Transcending dwelt and twinckled in their eies.
Here might you see what passion wonder wrought,
As it inuades the temper of the thought:
One weepes for ioy, he laughs and claps his hands,
Another still and looking sadly stands:
Others that seemed to be moued lesse,
Shew’d more then these in action could expresse.
None ther’s3 could iudge a witnesse of this sight,
Whether of two did take the more delight,
They that in triumph rode or they that stand,
To view the pompe and glorie of the land,
Each vnto other such reflection sent,
Either so sumptuous, so magnificent:
Nor are the duties that thy subiects owe,
Only compriz’d in this externall show.
For harts are heap’d with those innumered hoords,
That tongues by vttrance cannot vent in words:
Nor is it all Inuention here deuises,
That thy hie worth and Maiestie comprizes,
And we not last of those glad harts that proue,
To shew our Soueraigne our vnspotted loue.
The first a Maiors name worthely did grace,
Marrying that title and Pretorian place,
Was of our freedome, purchasing thereby
That primate honor to our Liuery.
Natiue our loue as needfull is our trade,
By which no kingdome euer was decaide,
To bring sleight gauds and womanish deuices,
Of little vse and of excessiue prices.
Good home-made things with trifles to suppresse,
To feede luxurious riot, and excesse,
Sound-Bullion is our subiect, whose sure rate
Seal’d by his selfeworth, such the Goldsmiths state,
Which peace and happie gouernment doth nourish,
And with a kingdome doth both fade and florish.
Natures perfection, that great wonder Gold,
Of which the first note of our name we hold,
Phœbus his God that triply doth implie,
To medicen, Musicke, and sweete Poesie,
To vs his hie diuinitie imparts,
As he is knowne and glorified in Arts:
For that inuention studie doth befit,
That is the crowne and puritie of wit,
What doth belong and’s proper to the muse,
We of all other mysteries doe vse,
Moulds and insculpturs framing by the head,
Formes and proportions strangely varied.
The lumpe as likes the workman best to frame,
To wedge, to ingot, or what other name,
That by the sight and knowledge of our trade,
Into rich Plate, and Vtensils is made
Within thy land, for ornament doth stay,
Angels haue wings and fleeting still away,
And by eschanging virtuously doth flie
That cankerd, base, and idle Vsurie:
For when the banck once subtilie is plac’d,
Th’exacted vse comes hourely in so fast,
That whil’st the lender on the borrower praies,
Good and industrious facultie decaies.
Foule Auarice that triple Dog of Hell,
That when Ioues sonne emperiously did quell,
And from his hand receiu’d that fatall wound,
His poysoned foame he driu’ld on the ground,
From which they say as in the earths despite,
Did spring that black and poysoned Aconite:
For they by fire that mettals vse to trie,
And finde wise Natures secresies thereby,
When they prepare industriously to shed
Siluer, dispos’d adulteratly with lead,
Proue this base Courser from the other fine,
Being so cleere and aptly femenine,
Steales from her purenes in his boystrous fixure,
By the corruption of his earthly mixure,
Which if Gold helping her infeebled might,
As a kind brother in his sisters right,
By him her spirit is perfect and compacted,
Which that grosse body enuiously detracted.
Conscience like Gold which Hell cannot intice,
Nor winne from weake man by his auarice:
Which if infus’d such vertue doth impart,
As doth conforme and rectifie the hart.
For as the Indians by experience know,
That like a Tree it in the ground doth grow,
And as it still approcheth to the day,
His curled branches brauely doth display,
Then in the bulke and body of the mine,
More neat, contracted, rarifi’d, and fine:
So truth from darknes spreading doth appeare,
And shewes it selfe more luculent and cleere.
Dunstan our Patron that religious man,
In CatoThis text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)l.4
EpiscopThis text has been supplied. Reason: The original page has been cut or cropped with the loss of some text. Evidence: The text has been supplied based on an external source. (JJ).5
EpiscopThis text has been supplied. Reason: The original page has been cut or cropped with the loss of some text. Evidence: The text has been supplied based on an external source. (JJ).5
(That great and famous Metropolitan,
That in his time ascended by degrees,
That was in ancient Glastenbury bred,
Foure Saxons raignes that liuing flourished,
Whose deeds the world vnto this time containeth,
And sainted in our Kalenders remaineth
Gaue) what not time our Brotherhood denies,
Ancient endowments and immunities:
And for our station and our generall heape,
VVe haue an Adage which though very old,
Tis not the worse that it hath oft been told,
(Though the despising ancient things and holie,
Too much betraies our ignorance and follie)
That she her chiefe and soueraine Citie is:
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)L6ondon will graunt her goodly Cheape the grace,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)T7o be her first and and absolutest place:
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)D8are I proclaime then with a constant hand,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)C9heape is the Starre and Iewell of thy land.
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)T10he Trophie that we reare vnto thy praise,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)T11his gold-drop’d Lawrell, this life-giuing bayes,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)N12o power lends immortalitie to men,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)L13ike the hie spirit of an industrious pen,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)W14hich stems times tumults with a full-spread saile,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)W15hen proud reard piles and monuments doe faile,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)A16nd in their cinders when great Courts doe lie,
This text has been supplied. Reason: The original page has been cut or cropped with
the loss of some text. Evidence: The text has been supplied based on an external source. (JJ)T17hat shall confront and iustle18 with the skie:
FINIS.
Notes
- I.e., Sire’s. (JJ)↑
- Uninked type in Folger Shakespeare Library copy filmed for EEBO. (JJ)↑
- I.e.,
None there is that.
(JJ)↑ - Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- I.e., jostle. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
- Page cropped in original; proofed against Hebel 1961. (JJ)↑
References
-
Citation
Hebel, William J.. The Works of Michael Drayton. 5 vols. Ed. Kathleen Tillotson and Bernard H. Newdigate. Oxford: Head P, 1961. Print.This item is cited in the following documents:
-
Citation
Stow, John. A Survey of London. Reprinted from the Text of 1603. Ed. Charles Lethbridge Kingsford. 2 vols. Oxford: Clarendon, 1908. See also the digital transcription of this edition at British History Online.This item is cited in the following documents:
Cite this page
MLA citation
A Pæan Triumphal.The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/PAEA1.htm.
Chicago citation
A Pæan Triumphal.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/PAEA1.htm.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/PAEA1.htm.
2021. A Pæan Triumphal. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Drayton, Michael ED - Jenstad, Janelle T1 - A Pæan Triumphal T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/PAEA1.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/PAEA1.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#DRAY3"><surname>Drayton</surname>, <forename>Michael</forename></name></author>.
<title level="a">A Pæan Triumphal</title>. <title level="m">The Map of Early Modern
London</title>, Edition <edition>6.6</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2021-06-30">30 Jun. 2021</date>, <ref target="https://mapoflondon.uvic.ca/edition/6.6/PAEA1.htm">mapoflondon.uvic.ca/edition/6.6/PAEA1.htm</ref>.</bibl>
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Research Assistant, 2012-2013. Noam Kaufman completed his Honours BA in English Literature at York University’s bilingual Glendon campus, graduating with first class standing in the spring of 2012. He was an MA student specializing in Renaissance drama, and researched early modern London’s historic cast of characters and neighbourhoods, both real and fictional.Roles played in the project
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Abstract Author
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Author
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Conceptor
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Editor
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Encoder
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Geo-Coordinate Researcher
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Markup Editor
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Post-Conversion Editor
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Programmer
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Proofreader
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Researcher
Contributions by this author
Martin D. Holmes is a member of the following organizations and/or groups:
Martin D. Holmes is mentioned in the following documents:
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Michael Drayton is mentioned in the following documents:
Michael Drayton authored or edited the following items in MoEML’s bibliography:
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Drayton, Michael. A paean triumphall Composed for the Societie of the Goldsmiths of London: congratulating his Highnes magnificent entring the citie. To the Maiestie of the King. London: John Flasket, 1604. STC 7215.
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Drayton, Michael. Poly-Olbion. 1613. The Works of Michael Drayton. Ed. J. William Hebel, Kathleen Tillotson, and Bernard H. Newdigate. Rev. ed. 5 vols. Oxford: Shakespeare Head P, 1961. Vol. 4.
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Drayton, Michael. Poly-Olbion. or A chorographicall description of tracts, riuers, mountaines, forests, and other parts of this renowned isle of Great Britaine with intermixture of the most remarquable stories, antiquities, wonders, rarityes, pleasures, and commodities of the same: digested in a poem by Michael Drayton, Esq. With a table added, for direction to those occurrences of story and antiquitie, whereunto the course of the volume easily leades not. London: w. Rastell, 1613. STC 7727
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Luna is mentioned in the following documents:
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John Flasket is mentioned in the following documents:
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Henry V
Henry This numeral is a Roman numeral. The Arabic equivalent is 5V King of England
(b. 1386, d. 1422)Henry V is mentioned in the following documents:
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Dunstan is mentioned in the following documents:
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William I
William This numeral is a Roman numeral. The Arabic equivalent is 1I King of England the Conqueror
(b. between 1027 and 1028, d. 1087)William I is mentioned in the following documents:
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Jupiter is mentioned in the following documents:
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Felix Kyngston is mentioned in the following documents:
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Atlas is mentioned in the following documents:
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Phaethon is mentioned in the following documents:
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Zephyr
Personification of a gentle breeze in Greek mythology. Equated with Favonius in Roman mythology. Appears as an allegorical character in Michael Drayton’s A Pæan Triumphal.Zephyr is mentioned in the following documents:
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Favonius
Personification of a gentle breeze in Roman mythology. Equated with Zephyr in Greek mythology. Appears as an allegorical character in Michael Drayton’s A Pæan Triumphal.Favonius is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Lombard Street
Lombard Street was known by early modern Londoners as a place of commerce and trade. Running east to west from Gracechurch Street to Poultry, Lombard Street bordered Langbourn Ward, Walbrook Ward, Bridge Within Ward, and Candlewick Street Ward.Lombard Street is mentioned in the following documents:
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Cheap Ward
Cheap Ward is west of Bassinghall Ward and Coleman Street Ward. Both the ward and its main street, Cheapside, are named after West Cheap (the market).Cheap Ward is mentioned in the following documents:
Organizations
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Goldsmiths’ Company
Worshipful Company of Goldsmiths
The Goldsmiths’ Company was one of the twelve great companies of London. The Goldsmiths were fifth in the order of precedence established in 1515. The Worshipful Company of Goldsmiths is still active and maintains a website at https://www.thegoldsmiths.co.uk/ that includes a history of the company and explains the company’s role in the annual Trial of the Pyx.This organization is mentioned in the following documents:
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Roles played in the project
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First Encoders
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Transcriber
This organization is mentioned in the following documents:
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