Brittannia’s Honor
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Brittannia’s Honor:
Brightly Shining in ſeuerall Magnificent
Shewes or Pageants, to Celebrate the Solemnity of
the Right Honorable Richard Deane,
At his Inauguration into the Majoralty of the Ho
nourable Citty of London, on Wedneſday,
October the 29th. 1628.
At the particular Coſt, and Charges of the Right VVorſhip
full, Worthy, and Ancient Society of Skinners.
Brightly Shining in ſeuerall Magnificent
Shewes or Pageants, to Celebrate the Solemnity of
the Right Honorable Richard Deane,
At his Inauguration into the Majoralty of the Ho
nourable Citty of London, on Wedneſday,
October the 29th. 1628.
At the particular Coſt, and Charges of the Right VVorſhip
full, Worthy, and Ancient Society of Skinners.
Mart. lib.7. Ep.5. Rurſus Iô Magnos clamat noua-Troia Triumphos.
To the Right Hono
rable, Richard Deane Lord Maior of the
moſt Renowned Citty of London: And to the
two worthy Sheriffes, Mr. Rowland Backhouſe,
and Mr. William Acton. Honorable Prætor:
Noble Conſuls.
Deuoted
To your Lordſhip,
And Worſhips
In all ſeruice,
Tho. Dekker.
rable, Richard Deane Lord Maior of the
moſt Renowned Citty of London: And to the
two worthy Sheriffes, Mr. Rowland Backhouſe,
and Mr. William Acton. Honorable Prætor:
Noble Conſuls.
YOu are (this Yeare) the Subiect of my Verſe,
In You lye hid the Fires which heate my Braines,
To You, my Songs Triumphant I rehearſe:
From you, a thankes brings in a golden Gaines,
Since You are then the Glory of my Muſe,
But You, whom can ſhee for her Patrons chuſe?
VVhilſt I reſt,In You lye hid the Fires which heate my Braines,
To You, my Songs Triumphant I rehearſe:
From you, a thankes brings in a golden Gaines,
Since You are then the Glory of my Muſe,
But You, whom can ſhee for her Patrons chuſe?
Deuoted
To your Lordſhip,
And Worſhips
In all ſeruice,
Tho. Dekker.
Brittannia’s Honor:
Brightly ſhining in ſeuerall Magni
ficent Shewes or Pageants, to Celebrate
the Solemnity of the Right Honorable Ri
chard Deane, at his Inauguration
into the Majoralty of the Honorable
Citty of London, on Wenſday
the 29. of October. 1628.
Brightly ſhining in ſeuerall Magni
ficent Shewes or Pageants, to Celebrate
the Solemnity of the Right Honorable Ri
chard Deane, at his Inauguration
into the Majoralty of the Honorable
Citty of London, on Wenſday
the 29. of October. 1628.
WHat Honor can bee greater to a King
dome, than to haue a Citty for beauty,
able to match with the Faireſt in the
World? A Citty, renowned Abroad,
admired at Home. London, and her
Royall Daughter (Weſtminſter) are
the Repreſentatiue body of the general
State; for, here our Kings and Queenes
keepe their Courts; heere are our
Princes, the Peeres, Nobility, Gentry, Lords Spirituall and
Temporall, with the Numerous Communalty.
dome, than to haue a Citty for beauty,
able to match with the Faireſt in the
World? A Citty, renowned Abroad,
admired at Home. London, and her
Royall Daughter (Weſtminſter) are
the Repreſentatiue body of the general
State; for, here our Kings and Queenes
keepe their Courts; heere are our
Princes, the Peeres, Nobility, Gentry, Lords Spirituall and
Temporall, with the Numerous Communalty.
London in Forraine Countries is called the Queene of Ci
ties, and the Queene-mother ouer her owne. She is her Kings
Chamber-royall, his Golden-Key: His Store-houſe: The Maga
zine of Merchandize; the Miſtris of Sciences; a Nurſe to all
the Shieres in England.
ties, and the Queene-mother ouer her owne. She is her Kings
Chamber-royall, his Golden-Key: His Store-houſe: The Maga
zine of Merchandize; the Miſtris of Sciences; a Nurſe to all
the Shieres in England.
A3
So
Brittania’s Honor.
So famous ſhee is for her Buildings, that Troy has leap’d
out of her own Cinders, to build Her Wals. So remarkable for
Priority and Power, that hers is the Maſter-wheele of the
whole Kingdome: As that moues, ſo the maine Engine works.
out of her own Cinders, to build Her Wals. So remarkable for
Priority and Power, that hers is the Maſter-wheele of the
whole Kingdome: As that moues, ſo the maine Engine works.
London is Admirall ouer the Nauy royall of Cities: And as
ſhe ſayles, the whole Fleete of them keepe their courſe.
ſhe ſayles, the whole Fleete of them keepe their courſe.
Fully to write downe all the Titles, Stiles, and Honors of this
our Metrapolis, would weary a 1000. pennes: Apollo ſhall
haue a New Garland of Bayes, to vndertake it.
our Metrapolis, would weary a 1000. pennes: Apollo ſhall
haue a New Garland of Bayes, to vndertake it.
As thus in State, ſhee her ſelfe is Glorious; ſo haue all our
Kings held it fit to make her chiefe Ruler eminent, and an
ſwerable to her greatneſse. The Prætorian Dignity is there
fore come from the ancient Romans, to inueſt with Robes of
Honor, our Lord Maior of London: Their Conſuls are our
Sheriefes; their Senators our Aldermen.
Kings held it fit to make her chiefe Ruler eminent, and an
ſwerable to her greatneſse. The Prætorian Dignity is there
fore come from the ancient Romans, to inueſt with Robes of
Honor, our Lord Maior of London: Their Conſuls are our
Sheriefes; their Senators our Aldermen.
The extention of a Lord Maiors power, is euery yeare
to bee ſeene both by Land and Water: Downe as low as Lee
in Eſſex: Vp, as high as Stanes in Middleſex: In both which
places, he keepes perſonall Courts. His Houſe is a Chancery:
He the Chancellor to mittigate the fury of Law: Hee the Mo
derator betweene the griping Rich and the wrangling Poore.
to bee ſeene both by Land and Water: Downe as low as Lee
in Eſſex: Vp, as high as Stanes in Middleſex: In both which
places, he keepes perſonall Courts. His Houſe is a Chancery:
He the Chancellor to mittigate the fury of Law: Hee the Mo
derator betweene the griping Rich and the wrangling Poore.
All the City Orphans call him Father: All the Widdowes
call him their Champion. His Table lyes ſpread to Courtiers,
and Free to all Gentlemen of faſhion.
call him their Champion. His Table lyes ſpread to Courtiers,
and Free to all Gentlemen of faſhion.
More to Proclaime his Greatneſſe, what Vice-roy is inſtall’d
with louder popular acclamations? What Deputie to his So
raigne goes along with ſuch Triumphes? To behold them,
Kings, Queenes, Princes, and Embaſſadors (from all parts of
the World) haue with Admiration, reioyced.
with louder popular acclamations? What Deputie to his So
raigne goes along with ſuch Triumphes? To behold them,
Kings, Queenes, Princes, and Embaſſadors (from all parts of
the World) haue with Admiration, reioyced.
Theſe Triumphall paſsages are full of Magnificence for
State, Munificence for Coſt, and Beneficence for doing good.
For, beſides all the twelue Companies, (euery one of which is
a gayner by this imployment:) it would puzzle a good me
State, Munificence for Coſt, and Beneficence for doing good.
For, beſides all the twelue Companies, (euery one of which is
a gayner by this imployment:) it would puzzle a good me
mory
Brittannia’s Honor.
mory to reckon vp all thoſe Trades-men (with other extra
ordinary Profeſſions which liue not in the City) who get
money by this Action.
ordinary Profeſſions which liue not in the City) who get
money by this Action.
Then by this meanes, are euery Yeare added to thoſe that
were before, three Faire, Spacious, and Pallacious Houſes,
Beautified, Painted, and Adorned.
were before, three Faire, Spacious, and Pallacious Houſes,
Beautified, Painted, and Adorned.
The Lord Maior of London (like a Prince) hath likewiſe
his Variety of Noble Recreations: As Hunting, Shooting,
Wraſtling, before him, and ſuch like.
his Variety of Noble Recreations: As Hunting, Shooting,
Wraſtling, before him, and ſuch like.
Thus hauing (as it were in Lantſchip) a farre off ſhewne
you the Toppes onely of our City-Buildings; and in a little
Picture drawne the Face of her Authority, giuing but a
glimpſe of her Prætor as hee paſſes by; let mee now open a
Booke to you, of all thoſe Ceremonies, which this great
Festiuall day hath prouided to Attend vppon him, and doe
him Honor.
you the Toppes onely of our City-Buildings; and in a little
Picture drawne the Face of her Authority, giuing but a
glimpſe of her Prætor as hee paſſes by; let mee now open a
Booke to you, of all thoſe Ceremonies, which this great
Festiuall day hath prouided to Attend vppon him, and doe
him Honor.
The firſt Shew, is called a Sea-Conſort.
The firſt Salutation being on the VVater, is furniſed with
Perſons and Properties fitting the quality of that Element.
An Artificiall Rocke therefore is queintly contriued: On whoſe
higheſt Aſcent ſits Amphitrite Queene of the Seas, habited
to her State; a Mantle frindg’d with ſiluer croſſing her Body:
Her hayre long, and diſheuelled, on her head,a phantaſticke
dreſſing made out of a Fiſhes writhen ſhell, interwouen with
Pearle, the ſhell is ſiluer, on the top of it ſtands an Artifici
all moouing Torroyſe: On each ſide of her, ſwimme two
Mermaides. Theſe two intic’d by the variety of ſeuerall in
ſtruments (ecchoing to one another) haue followed the Sea
Soueraigne, and waite vppon her, as Maides of Honor.
Perſons and Properties fitting the quality of that Element.
An Artificiall Rocke therefore is queintly contriued: On whoſe
higheſt Aſcent ſits Amphitrite Queene of the Seas, habited
to her State; a Mantle frindg’d with ſiluer croſſing her Body:
Her hayre long, and diſheuelled, on her head,a phantaſticke
dreſſing made out of a Fiſhes writhen ſhell, interwouen with
Pearle, the ſhell is ſiluer, on the top of it ſtands an Artifici
all moouing Torroyſe: On each ſide of her, ſwimme two
Mermaides. Theſe two intic’d by the variety of ſeuerall in
ſtruments (ecchoing to one another) haue followed the Sea
Soueraigne, and waite vppon her, as Maides of Honor.
Round about the Rocke are Sea-Nimphes, and in places
conuenient for them are beſtowed our three famous Riuers,
Humber, Trent, and Seuerne, aptly attired according to the
quality of ſuch Marine Perſons, who play vpon Cornets.
conuenient for them are beſtowed our three famous Riuers,
Humber, Trent, and Seuerne, aptly attired according to the
quality of ſuch Marine Perſons, who play vpon Cornets.
Brittannia’s Honor.
HAile worthy Pratetor, (Haile Graue Senators)
Waites here (Faire Lord) to ſerve you. Fames Report,
(So farre as old Oceanus Christall Court)
What Tryumphes Ceremony forth would Call
To Swell the Ioyes of This Grand Feſtiuall,
Intic’de me with my Mermaydes and a Traine
Of Sea-Nymphes hither. Here (this day) ſhall Reigne
Pleaſures in State Maieſticke: And to lend
A brighter Splendor to them, do Attend
Three of my Nobleſt Children, Humber, Trent,
And Seuerne (Glorious made by Puniſhment.)
The Siluer-footed Thames (my eldeſt ſonne)
To Grace your Tryumphes, by your Barge ſhall runne.
Your Fortunes (led by a white-handed Fate
Vp to this High Fame) I Congratulate:
Glad am I to behold you Thus Set Round
With Glories, Thus with Acclamations Crownd,
So Circled, and Hembd in, on Euery ſide
With Ecchoing Muſicke, Fiſhes euen take pride
To Swimme along, and liſten, Goe, and Take
The Dignity ſtayes for you, whilſt I make
Smooth way Before you, on This Glaſsy Floore,
Vſhering your glad Arriuall to the Shore.
To Honors Temple now you haue not farre,
Hye, and Come backe more Great than yet you Are,
On,
And ſo the Cornets playing one to Another, they goe for
ward. If her Maieſtie be pleaſed on the Water, or Land, to
Honor Theſe Tryumphes with her Preſence; This following
ward. If her Maieſtie be pleaſed on the Water, or Land, to
Honor Theſe Tryumphes with her Preſence; This following
Speech
Brittannia’s Honor.
Speech in French is then deliuered to her, with a Booke of
the Preſentatiens, All the Couer, being ſet thicke with Flowre
de Luces in Gold.
the Preſentatiens, All the Couer, being ſet thicke with Flowre
de Luces in Gold.
Madame,
VOicy, maintenant les Quatre Elements qui vos Attendent
pour vous faire Honneur. L’eau eſt Couverte de Triomphes
flottans, pour Dancer en L’Air: E’ L’Air est Remply de
Mille Echos, & Retentit de la doulce Muſique, que leur voix
reſonne, pour Attirer vos oreilles fauorables a les Eſcouter. Puis
vous auez ſur la, Terre dix mille Mains qui vous Applaudiſſent
pour Ioy & Allegreſſe quelles reſſentent de voir vostre Maieſte
dans la Ville. L’Element du Feu, Bruit & Tonne voſtre Bien
Venue. Vos Subjects accourent à grand Foulle, rauis de voir les
Graces qui ont choiſi leur Throſne ſur voſtre Front. Toutes les
Deliees d’Amour ſe Iouënt ſur vos paupieres, La Roſe d’Angle
terre, & les Fleurs de lis de France S’entrebaiſent ſur le Ver
meil de vos Iouës. Soyez Saine comme le printemps, Glorieuſe
comme l’Efte, Autant Fructeuſe que la vigne. Que Seurte
guarde, & Enuironne vostre chariot le Iour: Et le Sommeil
dore Dreſſe & orne voſtre Chambre de Nuict. Viuez longuement:
Viuez Heureuze: Viuez aimee, & Cherie. Bonte vous guarde;
Vertu vous Couronne; Et les Anges vous guident.
pour vous faire Honneur. L’eau eſt Couverte de Triomphes
flottans, pour Dancer en L’Air: E’ L’Air est Remply de
Mille Echos, & Retentit de la doulce Muſique, que leur voix
reſonne, pour Attirer vos oreilles fauorables a les Eſcouter. Puis
vous auez ſur la, Terre dix mille Mains qui vous Applaudiſſent
pour Ioy & Allegreſſe quelles reſſentent de voir vostre Maieſte
dans la Ville. L’Element du Feu, Bruit & Tonne voſtre Bien
Venue. Vos Subjects accourent à grand Foulle, rauis de voir les
Graces qui ont choiſi leur Throſne ſur voſtre Front. Toutes les
Deliees d’Amour ſe Iouënt ſur vos paupieres, La Roſe d’Angle
terre, & les Fleurs de lis de France S’entrebaiſent ſur le Ver
meil de vos Iouës. Soyez Saine comme le printemps, Glorieuſe
comme l’Efte, Autant Fructeuſe que la vigne. Que Seurte
guarde, & Enuironne vostre chariot le Iour: Et le Sommeil
dore Dreſſe & orne voſtre Chambre de Nuict. Viuez longuement:
Viuez Heureuze: Viuez aimee, & Cherie. Bonte vous guarde;
Vertu vous Couronne; Et les Anges vous guident.
Thus Englished.
BEhold, the foure Elements waite vpon you to do you Ho
nor: Water hath prouided Floating Tryumphes to Dance
in the Aire: In the Aire are a Thouſand Ecchoes
with Muſick in their Mouthes, to Intice you to heare them:
On the Shore ſhall ten thouſand paire of hands giue you
Plaudits in the Citty: The Element of Fire, Thunders aloud
your welcomes. Thronges of Subjects here, are glad to ſee
the Graces Inthroand on your Forehead: All the Delicacies of
nor: Water hath prouided Floating Tryumphes to Dance
in the Aire: In the Aire are a Thouſand Ecchoes
with Muſick in their Mouthes, to Intice you to heare them:
On the Shore ſhall ten thouſand paire of hands giue you
Plaudits in the Citty: The Element of Fire, Thunders aloud
your welcomes. Thronges of Subjects here, are glad to ſee
the Graces Inthroand on your Forehead: All the Delicacies of
B
Loue
Brittannia’s Honor.
Loue, playing on your Eye-lids, The Roſes of England, and the
Lillies of France, Kiſſing one Another on your Cheekes. Be
you healthfull as the Spring; Glorious as Summer: Fruitfull
as the Vine: Safety runne along your Chariot by Day; Gol
den Slumbers dreſſe vp your Chamber at Night.
Lillies of France, Kiſſing one Another on your Cheekes. Be
you healthfull as the Spring; Glorious as Summer: Fruitfull
as the Vine: Safety runne along your Chariot by Day; Gol
den Slumbers dreſſe vp your Chamber at Night.
Liue long, Goodneſse Guard you,
Liue happy, Vertues Crowne you,
Liue beloude; Angels Guide you.
The ſecond Prefentation, New Troyes Tree of Honor.
A Perſon in a rich Romane Antique Habit, with an orna
ment of Steeples, Towers, and Turrets on her head, Sits in a
queint Arbor, Interwouen with ſeuerall Branches of FlowerThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on an external source. (MK)s.
ment of Steeples, Towers, and Turrets on her head, Sits in a
queint Arbor, Interwouen with ſeuerall Branches of FlowerThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on an external source. (MK)s.
In her Left This text is the corrected text. The original is han (MK)hand, ſhe holds a golden Truncheon (leaning
on the ground) to ſhew that ſhees a Leader & Conductreſse of
a Mighty People: Her Right Hand (thruſting through the
Arbor) takes hold of a Tree, out of which ſpread Twelue
Maine and Goodly Branches.
on the ground) to ſhew that ſhees a Leader & Conductreſse of
a Mighty People: Her Right Hand (thruſting through the
Arbor) takes hold of a Tree, out of which ſpread Twelue
Maine and Goodly Branches.
This Lady (thus ſitting) Reprefents London: The Tree
(guarded, and ſupported by her) The 12. Superior Companies.
(guarded, and ſupported by her) The 12. Superior Companies.
Vpon euery particular Branch, is beſtowed the Armes of
ſome One of the Twelue, expreft in the True Cullors within a
faire ſhield. The higheſt Branch of all (as ouer-topping the
Reſt at This Time) bearing the Armes of the Skinners in a more
large and glorious Eſcuchion
ſome One of the Twelue, expreft in the True Cullors within a
faire ſhield. The higheſt Branch of all (as ouer-topping the
Reſt at This Time) bearing the Armes of the Skinners in a more
large and glorious Eſcuchion
Among the Leaues in the Top, is a Tablet, in which is writ
ten, in letters of gold, Viuite Concordes, Liue in Loue: or
Agree in one.
ten, in letters of gold, Viuite Concordes, Liue in Loue: or
Agree in one.
Ouer the Perſon, Representing London, is likewife Inſcri
bed in golden Capitals, This,
bed in golden Capitals, This,
Me cinctus Lauro perducit ad aſtra Triumphus.
Each Triumph Crown’d with Bayes,
Mee to the Starres does raize.
In
Brittannia’s Honor.
In places conuenient, and in a Triangular forme, vnder
the twelue branches of the Tree, are ſeated Minerua, (Inuen
treſſe and Patroneſſe of Artes, Handy-crafts, and Trades)
in Ornaments proper to her quality: And not farre from her,
is Bellona goddeſſe of VVarre, in a Martiall habit, on her
head a Helme and Plume, in her hands a golden Speare and
Shield, with Meduſaes hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on an external source. (MK)ead.1 Heereby intimating, that both
Artes and Armes, are (in a high degree and fulneſſe of honor,)
nurc’d vp and maintain’d by and in the City: And, that either
of them flouriſh brauely vnder the ſhaddow and protection
of the twelue Branches, ſhooting forth from that. New Troy’s
Tree of Honor.
the twelue branches of the Tree, are ſeated Minerua, (Inuen
treſſe and Patroneſſe of Artes, Handy-crafts, and Trades)
in Ornaments proper to her quality: And not farre from her,
is Bellona goddeſſe of VVarre, in a Martiall habit, on her
head a Helme and Plume, in her hands a golden Speare and
Shield, with Meduſaes hThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on an external source. (MK)ead.1 Heereby intimating, that both
Artes and Armes, are (in a high degree and fulneſſe of honor,)
nurc’d vp and maintain’d by and in the City: And, that either
of them flouriſh brauely vnder the ſhaddow and protection
of the twelue Branches, ſhooting forth from that. New Troy’s
Tree of Honor.
Vpon a border of Flowers, incloſing this Tree, are fitly
beſtowed the Armes of as many of the inferior Companies
in leſſe Eſcucheons, as for the quantity of roome, can there be
hanſomely placed.
beſtowed the Armes of as many of the inferior Companies
in leſſe Eſcucheons, as for the quantity of roome, can there be
hanſomely placed.
VVithin the ſame Border, (where leſſe Trees alſo grow)
are preſented Peace, Religion, Ciuill Gouernment, Iustiſe, Lear
ning, Induſtry, and cloſe to Induſtry, Honor. For as all theſe
are golden Columnes, to beare vp the Glories of the City, ſo
is the City an indulgent and carefull Mother, to bring vp
them to their Glories. And as theſe twelue Noble Branches
couer theſe Perſons, (as it were with the wings of Angels,) ſo
the Perſons watch day and night to defend the twelue
Branches.
are preſented Peace, Religion, Ciuill Gouernment, Iustiſe, Lear
ning, Induſtry, and cloſe to Induſtry, Honor. For as all theſe
are golden Columnes, to beare vp the Glories of the City, ſo
is the City an indulgent and carefull Mother, to bring vp
them to their Glories. And as theſe twelue Noble Branches
couer theſe Perſons, (as it were with the wings of Angels,) ſo
the Perſons watch day and night to defend the twelue
Branches.
Theſe Perſons are adorned fitting their ſtate and condition,
and hold ſuch properties in their hands, as of right belong
vnto them.
and hold ſuch properties in their hands, as of right belong
vnto them.
2. Religion is in a white glittering roabe, with a Coronet
of Starres on her hand, holding in one hand, a Booke open,
in the other, a golden ladder, (embleme of prayer, by whoſe
of Starres on her hand, holding in one hand, a Booke open,
in the other, a golden ladder, (embleme of prayer, by whoſe
B2
ſteps
Brittannia’s Honor.
ſteppes wee climbe to Heauen.)
3. Ciuill Gouernment is in a roabe full of eyes, and a Dyall
in her hand to expreſſe her Vigilance: For ſhee muſt watch
euery houre, and keepe all eyes open, yet all little enough.
in her hand to expreſſe her Vigilance: For ſhee muſt watch
euery houre, and keepe all eyes open, yet all little enough.
4. Iuſtice holds a Sword.
5. Learning a Booke, and a Iacobs Staffe.
6. Induſtry, a golden Hammer, and a Sea-mans Com
paſſe, as taking paines to get wealth, both by Sea and Land.
paſſe, as taking paines to get wealth, both by Sea and Land.
7. Honor ſits in Scarlet.
TEn thouſand welcomes Greete you on the ſhore,
(My long expected Prætor,) O before
You looke on Others, fixe your eyes on Mee,
On Mee, your ſecond Mother, (London.) Shee
Whom all Great Brittaines Citties, stile their Queene,
For ftill I am, and haue her Darling beene.
The Chriſtian World, in Me, reads Times beſt ſtories,
And Reading, fals blind at my dazling Glories,
But now the Snow of age, couers my head:
As therfore you, by Mee haue vp bin bred;
You (Sir) muſt Nurſe me now: With a quicke eye
View then my Tree of Honor, branching high
For hundreds of past yeares, with 12. large Stems,
Twelue Noble Companies, which like 12. Iems
So ſhine, they adde new Sun beames to the Day:
Guard all theſe 12. maine-Boughes; but you muſt lay:
A ſoft hand, on the Topping-branch, for there
(Thriue the Roote well) your Selfe grows al this yeare:
The leſſer twigges which lowly runne along
My tall Trees Border, you muft ſhield from wrong,
There the poore Bee, (the ſweating Trades man) flies
From
Brittannia’s Honor.
From Flower to Flower, and home with Honey hyes.
For Artes aThis text is the corrected text. The original is u (MK)nd Armes, muſt at your Board haue roome,
Your Gates will ſpred, the Rich to entertaine,
But whilſt the Mightly ones within remaine,
And feaſt: Remember at the ſame Gate ſtands
The Poore, with crying Papers in their hands,
To watch when Iuftice vp the Glaſse ſhall turne,
Let thoſe ſands runne, the Poore can neuer mourne.
Place in your eyes two Beacons, to deſcry
Dangers farre off, which ſtrike ere home they flie;
Kiſse Peace; let Order euer ſteere the Helme,
Left-handed Rule, a State does ouer-whelme.
You are your Soueraignes Gardner for one yeare,
The Plot of Ground, y’are truſted with, lies here,
(A Citty,) and your care muſt all bee ſpent,
To prune This text is the corrected text. The original is aud and (MK)and dreſſe the Tree of Gouernment.
Lop off Diſorders, Factions, Mutiny,
And Murmurations againſt thoſe ſit high,
May your yeares laſt day, end as this beginnes,
Sphær’d in the loues of Noble Citizens.
Our third preſentation is call’d, The
Glory of Furres.
Glory of Furres.
T
His is a Chariot Triumphant, garniſhed with Trophies
of Armors. It is drawne by two Luzernes, The Sup
porters of the Skinners Armes. On the two Luzernes
ride two Antickes, who dance to a Drum beating be
fore them, there aptly placed. At the vpper end of this Cha
riot, in the moſt eminent Seate, carrying the proportion of
a Throne, are aduanced a Ruſſian Prince and Princeſſe;
richly habited in Furres, to the cuſtome of the Country.
of Armors. It is drawne by two Luzernes, The Sup
porters of the Skinners Armes. On the two Luzernes
ride two Antickes, who dance to a Drum beating be
fore them, there aptly placed. At the vpper end of this Cha
riot, in the moſt eminent Seate, carrying the proportion of
a Throne, are aduanced a Ruſſian Prince and Princeſſe;
richly habited in Furres, to the cuſtome of the Country.
1. Vunder them, fits an old Lord, Furred vp to his chin
in a ſhort cloake.
in a ſhort cloake.
B3
2. By
Brittannia’s Honor.
2. By him, a Lady with Martin skinnes about her necke,
and her hands in a Muffe.
and her hands in a Muffe.
3. Then, a Iudge in Robes Furred.
4. Then, an Vniuerſity Doctor, in his Robes furred.
5. Then, a Frow in a ſhort furred Caſſocke, girt to her.
6. Then a Skipper in a furred Cap.
In all thefe Perſons, is an implication of the neceſſary, an
cient and general vſe of Furres, from the higheſt to the loweſt.
cient and general vſe of Furres, from the higheſt to the loweſt.
On the Top of this Throne, (at the foure corners) are ere
cted the Armes of the Citty, in foure Pendants: On the point
of the forefront, a large ſquare Banner plaies with the wind,
which Fame (who is in this Chariot,) holds in her hands, as ſhe
ſtands vpright, Being the Speaker.
cted the Armes of the Citty, in foure Pendants: On the point
of the forefront, a large ſquare Banner plaies with the wind,
which Fame (who is in this Chariot,) holds in her hands, as ſhe
ſtands vpright, Being the Speaker.
Can with her thouſand Tongues abroad Proclaime,
Your this dayes Progreſse (riſing like the Sunne,)
Which through the yearely Zodiacke on muſt runne.
Fame hath brought hither from great Moſco’s Court,
(The ſeauen-mouth’d Volga, ſpreading the report,)
Two Ruſſian Princes, who to feaſt their eies,
With the rich Wonders of theſe rarities,
Ride in this glorious Chariot; How amazde
They looke, to ſee ſtreetes throng’d, and windowes glaz’d
With beauties, from whoſe eyes ſuch beames are ſent,
Here moues a ſecond ſtarry Firmament.
Much, on them, startling admiration winnes,
To ſee theſe Braue, Graue, Noble Citizens,
So ſtream’d in multitudes, yet flowing in State,
For all their Orders are Proportionate.
Her richeſt Furres, in gracefull ornament,
More Braue, and more Abounding, than her owne:
A golden Pen he earnes, that can make knowne
The
Brittannia’s Honor.
The vſe of Furres, ſo Great, ſo Generall,
All men, may theſe, their VVinter Armors call.
Th’inuention of warme Furres the Sunne did fret,
For Ruſſians lap’d in theſe, ſlighted his heate
Which ſeene, his fiery Steedes he droue from thence,
And ſo the Muff has dwelt in cold ere ſince.
VVhat royalties, adde Furres to Emperors, Kings,
Princes, Dukes, Earles, in the diſtinguiſhings,
Of all their ſeuerall Robes? The Furres worne here,
Aboue th’old Romane State make Ours appeare:
The reuerend Iudge, and all that climbe the trees
Of ſacred Artes, aſcend to their Degrees,
And by the colours chang’d of Furres are knowne:
VVhat Dignity, each Corporation
Puts on by Furres, witneſſe theſe infinite eyes,
Thanke then the bringers of theſe Rarities.
I wiſh (Graue Prætor) that as Hand in Hand,
Plenty and Bounty bring you ſafe to Land,
So, Health may be chiefe Caruer at that Board,
To which you haſten. Bee as Good a Lord
I’th’ eyes of Heauen, as this day you are Great
In Fames applauſe: Hye to your Honor’d Seate.
THis is a Magnificent Structure, Aduancing it ſelfe from
the Platforme, or Ground-worke vpward, with the
Bewty of eight Antique Termes, By whoſe ſtrength is
ſupported a Foure ſquare Building; The Toppe of which is a
Watch-Tower, or Lanthorne, with eight Columnes of ſiluere,
And, on the Higheſt poynt of this Watch-Tower, is Aduan
ced a Banner, bearing the Cullors of the Kingdome.
the Platforme, or Ground-worke vpward, with the
Bewty of eight Antique Termes, By whoſe ſtrength is
ſupported a Foure ſquare Building; The Toppe of which is a
Watch-Tower, or Lanthorne, with eight Columnes of ſiluere,
And, on the Higheſt poynt of this Watch-Tower, is Aduan
ced a Banner, bearing the Cullors of the Kingdome.
At foure Corners of the vpper Square, ſtand foure Pen
dents
Brittannia’s Honor.
dants; In which are the Armes of the foure Companies of
which his Lordſhip is Free.
which his Lordſhip is Free.
At This text is the corrected text. The original is r (MK)each end of this Platforme, ſtands a great Corynthian
Brazen Pillar, on a Pedeſtall of Marble.
Brazen Pillar, on a Pedeſtall of Marble.
On the Capitals of thoſe Pillars, ſtand two Angels, in Po
ſtures ready to flye: holding Garlands of Victory in one
hand, ſtucke with White and Red Roſes, and Branches of
Palme in the other.
ſtures ready to flye: holding Garlands of Victory in one
hand, ſtucke with White and Red Roſes, and Branches of
Palme in the other.
The Capitals and Baſes of the Pillars are Gold, and are
Emblemes of the two Houſes of Yorke and Lancaſter; once
diuided, but now Ioyned into one Glorious Building, to
Support This Royal Kingdom, & Conſequently This Citty.
Emblemes of the two Houſes of Yorke and Lancaſter; once
diuided, but now Ioyned into one Glorious Building, to
Support This Royal Kingdom, & Conſequently This Citty.
At Night, in place of the Angels, are ſet two Great Lights:
and ſo is the Watch-Tower at that Time, Filld with lighted
Tapers.
and ſo is the Watch-Tower at that Time, Filld with lighted
Tapers.
Vpon the ſame Square, in foure ſeuerall Places, are Aduan
ced foure ſtately Pyramides, being Figures, of the foure King
domes Embelliſhed with Eſcutcheons.
ced foure ſtately Pyramides, being Figures, of the foure King
domes Embelliſhed with Eſcutcheons.
In the vpper ſeate of all (faſhioned into a Throne) is placed
Britannia, Maieſtically attirde, fitting to her Greatneſſe.
Britannia, Maieſtically attirde, fitting to her Greatneſſe.
A Shipwright with a Mallet, holding a Scutcheon, in
which is drawne a Ship vnder ſayle. Then,
which is drawne a Ship vnder ſayle. Then,
A perſon repreſenting Victory, with a Palme Tree.
Prouidence with a Trumpet, ready to Foreſee Dangers,
and awaken Men to meete them.
and awaken Men to meete them.
All Theſe haue bene, and ſtill are, Watch-Towers, and
Lanthornes, in the NighThis text is the corrected text. The original is r (MK)ts of Feare and Trouble, to Guard
the Kingdome, and in the Kingdome, This Citty.
Lanthornes, in the NighThis text is the corrected text. The original is r (MK)ts of Feare and Trouble, to Guard
the Kingdome, and in the Kingdome, This Citty.
In other Eminent places are ſeated ſome of thoſe KiThis text is the corrected text. The original is u (MK)nges of
England (in Robes Ermynd) whoſe loues and Royall fauors,
in former times were Watch-Towers to Grace London,
England (in Robes Ermynd) whoſe loues and Royall fauors,
in former times were Watch-Towers to Grace London,
ſtucke
Brittannia’s Honor.
ſtucke full with the Beames and Lights of Honors, Titles,
Offices, Magiſtracies and Royalties, which they Beſtowed vp
pon Her.
Offices, Magiſtracies and Royalties, which they Beſtowed vp
pon Her.
Edward Confeſſor, called Londons Chiefe Ruler, a Port-reue.
Richard I. appointed two Bayliffes ouer London.
King Iohn gaue the Citty a Lord Maior and two Sheriffes.
Henry 3. added Aldermen.
Theſe were Tender ouer the Renowne of the Citty, and
ſtill heaped on her head, Royalties vpon Royalties.
ſtill heaped on her head, Royalties vpon Royalties.
And albeit moſt of our Kinges, haue in moſt of all of the
twelue Companies, Entred their Names, as Free of the So
cieties, thereby to Royallize their Brotherhoods: And that
many of our Kinges likewiſe, beſides Princes and Great Peſo
nages, haue bin Free of This Company, whoſe Names I for
beare to ſet downe, becauſe they haue in former yeeres beene
fully expreſt: yet no Company, did euer, or can hereafter, re
ceiue ſuch Graces from Kinges, as This Antient, and Honord
Corporation of Skinners, hath had, and ſtill haue, In regard
that All of our Kinges and Princes, ſit in their high Courts of
Parliament in Robes Ermynd, (being the richeſt Furre) the
workemanſhip of which goes through the Skinners fingers,
wearing likewiſe vnder their Crownes, Royall Caps of Honor
Ermynd.
twelue Companies, Entred their Names, as Free of the So
cieties, thereby to Royallize their Brotherhoods: And that
many of our Kinges likewiſe, beſides Princes and Great Peſo
nages, haue bin Free of This Company, whoſe Names I for
beare to ſet downe, becauſe they haue in former yeeres beene
fully expreſt: yet no Company, did euer, or can hereafter, re
ceiue ſuch Graces from Kinges, as This Antient, and Honord
Corporation of Skinners, hath had, and ſtill haue, In regard
that All of our Kinges and Princes, ſit in their high Courts of
Parliament in Robes Ermynd, (being the richeſt Furre) the
workemanſhip of which goes through the Skinners fingers,
wearing likewiſe vnder their Crownes, Royall Caps of Honor
Ermynd.
Three of ſuch Crownes, beeing the rich Armes of This
Company, thereby expreſſing aſ well their Honor, as Aniquity.
Company, thereby expreſſing aſ well their Honor, as Aniquity.
Britannia deliuers thus much.
Or Troynouant her ſelfe, Ring out your Name:
And I be Dumbe, or ſparing, to Sound high,
The Glories of This Day? No, They ſhall Fly
Like Soaring Eagles, to That Curled Maine
Whole Head my Rocky Bridle, In does Reyne:
C
The
Brittannia’s Honor.
The Great Britannia, Bred you in her Wombe,
Heare then a Mothers Counſell; You are Come
Aboard a Goodly Ship, where all your State
Fame, Honor and Renowne (Imbarqu’d) muſt waite
The voyage of twelue Moones. High Admirall
You are to All That Fleete which Thus you Call
To ſayle in This vaſt Ocean. Nor muſt you
Walk Heartleſſe on the Hatches, Theres a New
State-Nauigation, to be ſtudied Now,
With an High-rear’d, Vndanted, Fixed Brow.
Be ſure to haue Braue Ordnance, and chargd well;
In this your Ship, Truſt None, For Officers Sell
Their Captaines Truſt; let None but your owne Eyes,
Rule Chart and Compaſſe, There your Safety lyes.
Your Owne Hands ſteere the Helme, But strongly Steere,
And ſpite of ſtormes, be ſtoute when you stand There.
Embleme of Mercy! Your Keene ſword does ſleepe,
But why a Sword, if not to Kill, and Keepe
Vices (like Slaues) in Awe? Fulneſſe of Wine
Is a Fowle Dropſie, That and Lust Entwine:
Pride a Swolne Timpany, Sloth, the Beggars Goute,
(In Tradeſmens Hands and Feete, It runnes about,)
No Cure for this! Oathes thicke as Small-ſhot flye
From Children, No Defence to Put this by!
You May, you Muſt. I Counſell not, but Reade
A Leſſon of my loue; By which Loue led
Ile on, and Bring you to your Honord Chaire,
Whilst Aues (Round about you) Dance i’th’ Aire.
The laſt Preſentation is called the Sun’s Bower.
The vpper part of this, is adorned with ſeuerall Flowers,
which interwouen together, dreſſe vp a comely Greene Arbor,
in which the Sunne ſits, with golden Beames about his Face;
which interwouen together, dreſſe vp a comely Greene Arbor,
in which the Sunne ſits, with golden Beames about his Face;
an
Brittannia’s Honor.
an Attire glittering like gold; and a mantle bright as his
garment, fringed with gold, his haire curled and yellow. A
bout him are placed, Spring, Summer, Autumne, and Winter,
in proper Habiliments. Beneath theſe, is a VVilderneſſe, in
which are many ſorts of ſuch Beaſts, whoſe rich Skinnes ſerue
for Furres: As the Beare, Wolfe, Leopard, Luzerne, Cat-A-
Mountaine, Foxes, Sables, Connies, Ferrets, Squirrels, &c.
Of theſe Beaſts, ſome are climbing, ſome ſtanding, ſome
grinning, with liuely, naturall poſtures. In a Scrole, hanging
on a Bough, This is written in Capitall letters.
garment, fringed with gold, his haire curled and yellow. A
bout him are placed, Spring, Summer, Autumne, and Winter,
in proper Habiliments. Beneath theſe, is a VVilderneſſe, in
which are many ſorts of ſuch Beaſts, whoſe rich Skinnes ſerue
for Furres: As the Beare, Wolfe, Leopard, Luzerne, Cat-A-
Mountaine, Foxes, Sables, Connies, Ferrets, Squirrels, &c.
Of theſe Beaſts, ſome are climbing, ſome ſtanding, ſome
grinning, with liuely, naturall poſtures. In a Scrole, hanging
on a Bough, This is written in Capitall letters.
Deus ecce Furentibus obſtat.
See, for all ſome Beaſts are fell,
There’s one, that can their curſtneſſe quell.
Sol is the Speaker.
HEauens bright Orientall Gates I op’d this Morne,
And Hither wheeld my Chariot to adorne
Theſe ſplendors with my Beames: never (MK)nere did the Sun
In his Cæleſtiall Circle faſter runne
Than Now, to ſee theſe Sights: O how I ioy
To view a Kingdome, and a New-built Troy
So flouriſhing ſo full, ſo faire, ſo deare
To th’ Gods: they leaue Ioue’s Court to reuell here.
All o’re the VVorld, I trauell in one Day,
Yet oft am forc’d to leaue my beaten way,
Frighted with Vproares, Battailes, Maſſacres,
Famines, and all that Helliſh brood of Warres:
I meete no Peace but here. O bleſſed Land!
That ſeest fires kindling round, and yet canſt ſtand
Vnburnt for all their flames; O Nation bleſt!
VVhen all thy Neighbours ſhrike, none wound thy breſt.
To Crowne theſe ioyes, with me are come along,
C2
Brittannia’s Honor.
The foure Lords of the yeare, who by a ſtrong
Knit Charme, bring in this goodly Ruſſian prize,
As earneſt of a more rich Merchandize:
Halfe of our Race, Time, and my Houres haue runne,
Nor ſhall they giue o’re till the Goale be wonne.
The Sunne at Night being couered with a vaile
of Darkneſſe: The Perſon, repreſenting
London, thus takes leaue.
of Darkneſſe: The Perſon, repreſenting
London, thus takes leaue.
THe Sunne is mantled in thicke Clouds of Blacke,
And by his hidden Beames, threatens the wracke
Of all theſe Glories: Euery pleaſure dyes
VVhen Rauen-winged Night, from her Caue flyes;
None but theſe Artificiall Starres keepe fire
To Light you Home, theſe burne with a deſire
To lengthen your braue Triumphes; but their heate
Muſt coole, and dye at length, tho ne’re ſo Great.
Peace therefore guide you on: Reſt, charme your eyes,
And Honors waite to cheere you when your Riſe.
Let it be no Oſtentation in Me the Inuentor, to ſpeak thus
much in praiſe of the workes, that for many yeares, none
haue beene able to Match them for curioſity: They are not
Vaſt, but Neate, and Comprehend as much Arte for Archi
tecture, as can be beſtowed vpon ſuch little Bodies. The com
mendations of which muſt liue vppon Mr. Gerard Chriſmas
the Father, and Mr. Iohn Chriſmas the Sonne.
much in praiſe of the workes, that for many yeares, none
haue beene able to Match them for curioſity: They are not
Vaſt, but Neate, and Comprehend as much Arte for Archi
tecture, as can be beſtowed vpon ſuch little Bodies. The com
mendations of which muſt liue vppon Mr. Gerard Chriſmas
the Father, and Mr. Iohn Chriſmas the Sonne.
FINIS.
Notes
- Gap in inking. Text proofed against Fredson Bowers’ the old-spelling edition.. (MK)↑
References
-
Citation
Dekker, Thomas. The Magnificent Entertainment: Giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, ypon the day of his Majesties Triumphant Passage (from the Tower) through his Honourable Citie (and Chamber) of London being the 15. Of March. 1603. London: T. Man, 1604. Treasures in full: Renaissance Festival Books. British Library.This item is cited in the following documents:
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Citation
Early English Books Online (EEBO). Proquest LLC.This item is cited in the following documents:
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Citation
EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.] -
Citation
Mayer, Jean-Christophe, and Charles Whitworth, eds. Representing France and the French in Early Modern English Drama. French National Centre for Scientific Research and U Paul Valéry. http://www.representationsfrance.cnrs.fr/.This item is cited in the following documents:
Cite this page
MLA citation
Brittannia’s Honor. The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/BRIT4.htm. Draft.
. Chicago citation
Brittannia’s Honor.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/BRIT4.htm. Draft.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/BRIT4.htm. Draft.
2021. Brittannia’s Honor. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Dekker, Thomas ED - Jenstad, Janelle T1 - Brittannia’s Honor T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/BRIT4.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/BRIT4.xml TY - UNP ER -
TEI citation
<bibl type="mla"><author><name ref="#DEKK1"><surname>Dekker</surname>, <forename>Thomas</forename></name></author>.
<title level="m">Brittannia’s Honor</title>. <title level="m">The Map of Early Modern
London</title>, Edition <edition>6.6</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2021-06-30">30 Jun. 2021</date>, <ref target="https://mapoflondon.uvic.ca/edition/6.6/BRIT4.htm">mapoflondon.uvic.ca/edition/6.6/BRIT4.htm</ref>.
Draft.</bibl>
Personography
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Lucas Simpson
LS
Research Assistant, 2018-present. Lucas Simpson is a student at the University of Victoria.Roles played in the project
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Chris Horne
CH
Research Assistant, 2018-2020. Chris Horne was an honours student in the Department of English at the University of Victoria. His primary research interests included American modernism, affect studies, cultural studies, and digital humanities.Roles played in the project
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Kate LeBere
KL
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, old-spelling library texts,quickstart
documentation for new research assistants, and worked to standardize both the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project
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Contributions by this author
Kate LeBere is a member of the following organizations and/or groups:
Kate LeBere is mentioned in the following documents:
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Joey Takeda
JT
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Contributions by this author
Joey Takeda is a member of the following organizations and/or groups:
Joey Takeda is mentioned in the following documents:
Joey Takeda authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Chase Templet
CT
Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.Roles played in the project
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Chase Templet is a member of the following organizations and/or groups:
Chase Templet is mentioned in the following documents:
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Contributions by this author
Kim McLean-Fiander is a member of the following organizations and/or groups:
Kim McLean-Fiander is mentioned in the following documents:
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Mark Kaethler
MK
Mark Kaethler received his PhD from the University of Guelph and completed his MA and HBA at Lakehead University. He teaches early English literature at Medicine Hat College and serves as the Assistant Project Director of Mayoral Shows for the Map of Early Modern London at the University of Victoria as well as the President of the Medicine Hat College Faculty Association. He is a co-applicant with project lead Janelle Jenstad, fellow co-applicant Martin Holmes, and various collaborators on a SSHRC Insight Grant and a SSHRC Partnership Development Grant. He is a co-editor with Janelle Jenstad and Jennifer Roberts-Smith of Shakespeare’s Digital Language: Old Words, New Tools (Routledge, 2018) and the author of the forthcoming monograph Thomas Middleton’s Plural Politics and Jacobean Drama (Medieval Institute Publications, 2021). He has sole or co-authored articles forthcoming or published in Early Theatre, Literature Compass, The Journal of the Text Encoding Initiative, Digital Studies, Ludica, This Rough Magic, and Upstart, as well as chapters in several edited collections. His research interests include early modern politics, London, and theatre; textual editing; digital humanities; and game studies.Roles played in the project
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Mark Kaethler is a member of the following organizations and/or groups:
Mark Kaethler is mentioned in the following documents:
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Contributions by this author
Janelle Jenstad is a member of the following organizations and/or groups:
Janelle Jenstad is mentioned in the following documents:
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Martin D. Holmes is a member of the following organizations and/or groups:
Martin D. Holmes is mentioned in the following documents:
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Amphitrita is mentioned in the following documents:
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Britannia is mentioned in the following documents:
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Thomas Dekker is mentioned in the following documents:
Thomas Dekker authored or edited the following items in MoEML’s bibliography:
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Bevington, David. Introduction.
The Shoemaker’s Holiday.
By Thomas Dekker. English Renaissance Drama: A Norton Anthology. Ed. David Bevington, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen. New York: Norton, 2002. 483–487. Print. -
Dekker, Thomas, and John Webster. Vvest-vvard hoe As it hath been diuers times acted by the Children of Paules. London: [William Jaggard] for Iohn Hodgets, 1607. STC 6540.
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Dekker, Thomas. Britannia’s Honor.
The Dramatic Works of Thomas Dekker.
Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1961. Print. -
Dekker, Thomas. The Dead Tearme. Or Westminsters Complaint for long Vacations and short Termes. Written in Manner of a Dialogue betweene the two Cityes London and Westminster. 1608. The Non-Dramatic Works of Thomas Dekker. Ed. Rev. Alexander B. Grosart. 5 vols. 1885. Reprinted by New York: Russell and Russell, 1963. 1–84. Print.
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Dekker, Thomas. The Gull’s Horn-Book: Or, Fashions to Please All Sorts of Gulls. Thomas Dekker: The Wonderful Year, The Gull’s Horn-Book, Penny-Wise, Pound-Foolish, English Villainies Discovered by Lantern and Candelight, and Selected Writings. Ed. E.D. Pendry. London: Edward Arnold, 1967. 64–109. The Stratford-upon-Avon Library 4.
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Dekker, Thomas. If it be not good, the Diuel is in it A nevv play, as it hath bin lately acted, vvith great applause, by the Queenes Maiesties Seruants: at the Red Bull. London: Printed by Thomas Creede for John Trundle, 1612. STC 6507.
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Dekker, Thomas. Lantern and Candlelight. 1608. Ed. Viviana Comensoli. Toronto: Centre for Reformation and Renaissance Studies, 2007. Publications of the Barnabe Riche Society.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
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Dekker, Thomas. London’s Tempe. The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge UP, 1961. Print.
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Dekker, Thomas. The magnificent entertainment giuen to King Iames, Queene Anne his wife, and Henry Frederick the Prince, vpon the day of his Maiesties tryumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: vvith the speeches and songes, deliuered in the seuerall pageants. London: T[homas] C[reede, Humphrey Lownes, Edward Allde and others] for Tho. Man the yonger, 1604. STC 6510
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Dekker, Thomas. The Magnificent Entertainment: Giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, ypon the day of his Majesties Triumphant Passage (from the Tower) through his Honourable Citie (and Chamber) of London being the 15. Of March. 1603. London: T. Man, 1604. Treasures in full: Renaissance Festival Books. British Library.
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Dekker, Thomas. The owles almanacke Prognosticating many strange accidents which shall happen to this kingdome of Great Britaine this yeare, 1618. Calculated as well for the meridian mirth of London as any other part of Great Britaine. Found in an iuy-bush written in old characters, and now published in English by the painefull labours of Mr. Iocundary Merrie-braines. London: E[dward] G[riffin] for Laurence Lisle, 1618. STC 6515.
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Dekker, Thomas. Penny-vvis[e] pound foolish or, a Bristovv diamond, set in t[wo] rings, and both crack’d Profitable for married men, pleasant for young men, a[nd a] rare example for all good women. London: A[ugustine] M[athewes] for Edward Blackmore, 1631. STC 6516.
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Dekker, Thomas. The Second Part of the Honest Whore, with the Humors of the Patient Man, the Impatient Wife: the Honest Whore, perswaded by strong Arguments to turne Curtizan againe: her braue refuting those Arguments. London: Printed by Elizabeth All-de for Nathaniel Butter, 1630. STC 6506.
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Dekker, Thomas. The seuen deadly sinnes of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. Opus septem dierum. London: E[dward] A[llde and S. Stafford] for Nathaniel Butter, 1606. STC 6522.
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Dekker, Thomas. The Shoemaker’s Holiday. Ed. R.L. Smallwood and Stanley Wells. Manchester: Manchester UP, 1979. The Revels Plays.
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Dekker, Thomas. The shomakers holiday. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Maior of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: Valentine Sims, 1600. STC 6523.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Dekker, Thomas. Troia-Noua Triumphans. London: Nicholas Okes, 1612. STC 6530. DEEP 578. Greg 302a. Copy: Chapin Library; Shelfmark: 01WIL_ALMA.
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Dekker, Thomas. TThe shoomakers holy-day. Or The gentle craft VVith the humorous life of Simon Eyre, shoomaker, and Lord Mayor of London. As it was acted before the Queenes most excellent Maiestie on New-yeares day at night last, by the right honourable the Earle of Notingham, Lord high Admirall of England, his seruants. London: G. Eld for I. Wright, 1610. STC 6524.
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Dekker, Thomas. Westward Ho! The Dramatic Works of Thomas Dekker. Vol. 2. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1964. Print.
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Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Smith, Peter J.
Glossary.
The Shoemakers’ Holiday. By Thomas Dekker. London: Nick Hern, 2004. 108–110. Print.
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Edward the Confessor
Edward the Confessor King of England
(b. between 1003 and 1005, d. between 4 January 1066 and 5 January 1066)Edward the Confessor is mentioned in the following documents:
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Fame
Personification of fame. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Fame is mentioned in the following documents:
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Neptune is mentioned in the following documents:
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Oceanus
Personification of the great river the Greeks believed encircled the world. Appears as an allegorical character in mayoral shows.Oceanus is mentioned in the following documents:
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Religion
Personification of religion. Appears as an allegorical character in mayoral shows.Religion is mentioned in the following documents:
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Justice
Personification of lawfulness and fairness. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London.Justice is mentioned in the following documents:
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Industry
Personification of industry. Appears as an allegorical character in mayoral shows.Industry is mentioned in the following documents:
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Henrietta Maria
Henrietta Maria Queen consort of England Queen consort of Scotland Queen consort of Ireland
(b. 1609, d. 1669)Henrietta Maria is mentioned in the following documents:
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Henry III
Henry This numeral is a Roman numeral. The Arabic equivalent is 3III King of England
(b. 1 October 1207, d. 16 November 1272)Henry III is mentioned in the following documents:
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Honour
Personification of honour. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London.Honour is mentioned in the following documents:
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London is mentioned in the following documents:
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Nicholas Okes
(fl. 1596-1645)Printer and Publisher. Member of the Stationers’ Company. Business partner of John Norton. Father of John Okes.Nicholas Okes is mentioned in the following documents:
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Troya-Nova
Troya-Nova New Troy
Personification of the geographic area and settlement of Roman London. Appears as an allegorical character in mayoral shows.Troya-Nova is mentioned in the following documents:
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Gerard Christmas is mentioned in the following documents:
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Sir Richard Deane
Sir Richard Deane Sheriff Mayor
(d. 1635)Sheriff of London 1619-1620. Mayor 1628-1629. Member of the Skinners’ Company. Knighted on 31 May 1629.Sir Richard Deane is mentioned in the following documents:
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Magnanimity
Personification of magnanimity. Appears as an allegorical character in mayoral shows.Magnanimity is mentioned in the following documents:
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Providence
Personification of providence. Appears as an allegorical character in mayoral shows.Providence is mentioned in the following documents:
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Learning
Personfication of learning. Appears as an allegorical character in mayoral shows.Learning is mentioned in the following documents:
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John Norton is mentioned in the following documents:
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John Christmas is mentioned in the following documents:
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Medusa is mentioned in the following documents:
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Bellona is mentioned in the following documents:
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Sol is mentioned in the following documents:
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Rowland Backhouse is mentioned in the following documents:
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William Acton is mentioned in the following documents:
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Victory
Personification of victory. Appears as an allegorical character in mayoral shows.Victory is mentioned in the following documents:
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Civic Governance
Personification of civic governance. Appears as an allegorical character in mayoral shows.Civic Governance is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Westminster Palace is mentioned in the following documents:
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The Thames is mentioned in the following documents:
Organizations
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Skinners’ Company
Worshipful Company of Skinners
The Skinners’ Company (previously the Fraternity of Taylors and Linen Armourers of St. John the Baptist) was one of the twelve great companies of London. Since 1484, the Skinners and the Merchant Taylors have alternated precedence annually; the Skinners are now sixth in precedence in even years and seventh in odd years, changing precedence at Easter. The Worshipful Company of Skinners is still active and maintains a website at http://www.theskinnerscompany.org.uk/ that includes a history of the company.This organization is mentioned in the following documents:
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University of Guelph English 4240 Winter 2016
Student contributors enrolled in English 4240: Medieval and Early Modern Literature at the University of Guelph in 2016, working under the editorship of Mark Kaethler.Student Contributors
Roles played in the project
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Editor