Cloth Fair
Cloth Fair, as implied by its name, bears an innate connection to London’s mercantile culture. Henry A. Harben notes that it
[d]erives its name from the clothiers and drapers who inhabited it in former times, and attended the famous Bartholomew Fair(Harben 154). The location itself was on the Fair Ground between Long Lane and St. Bartholomew the Great.
References
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Citation
Harben, Henry A. A Dictionary of London. London: Herbert Jenkins, 1918. [Available digitally from British History Online: https://www.british-history.ac.uk/no-series/dictionary-of-london.]This item is cited in the following documents:
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MLA citation
Cloth Fair.The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/CLOT3.htm. INP.
Chicago citation
Cloth Fair.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/CLOT3.htm. INP.
APA citation
2021. Cloth Fair. In The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/CLOT3.htm. INP.
(Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
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<bibl type="mla"> <title level="a">Cloth Fair</title>. <title level="m">The Map of
Early Modern London</title>, Edition <edition>6.6</edition>, edited by <editor><name
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<ref target="https://mapoflondon.uvic.ca/edition/6.6/CLOT3.htm">mapoflondon.uvic.ca/edition/6.6/CLOT3.htm</ref>.
INP.</bibl>
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
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Building a Gazetteer for Early Modern London, 1550-1650.
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The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
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Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
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Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
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Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
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Using Early Modern Maps in Literary Studies: Views and Caveats from London.
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Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Locations
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London is mentioned in the following documents:
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Fair Ground
The Fair sat[u]pon [a] portion of the ground now known as Smithfield (that is, smooth field), bordering upon the marsh, great elm trees grew, and it was known as The Elms. The king’s market perhaps was held among the trees; but on the marsh the Priory was founded, around which was held the fair
(Morley 9). According to Sugden:[i]ts frequenters were called [Bartholomew] Birds Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] There was abundant eating and drinking Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] Drums, gingerbread, and ugly dolls were to be bought for children. Puppet-plays were performed, and monsters of all kinds exhibited. Ballad singers plied their trade, and pick-pockets and rogues of all kinds made the Fair a happy hunting ground. Wrestling matches and the chasing of live rabbits by boys formed part of the fun. (Sugden 48)
Fair Ground is mentioned in the following documents:
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Long Lane (Smithfield) is mentioned in the following documents:
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St. Bartholomew the Great
St. Bartholomew the Great was a church in Farringdon Without Ward on the south side of Long Lane, Smithfield. It was made a parish church at the Dissolution of the Monasteries and was declared a gift to the citizens of Londonfor relieving of the Poore
in 1546 (Stow 1633, sig. 2N5r). Under Mary I, the site and building were given to the Dominican order to be used as Blackfriars, St. Bartholomew’s before being restored under Elizabeth I.St. Bartholomew the Great is mentioned in the following documents:
Variant spellings
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Documents using the spelling
Cloath Fair
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Documents using the spelling
Cloth Fair