Sinus Salutis, or, London’s Harbour of Health, and Happinesse
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Londini Sinus SalutisThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on evidence internal to
this text (context, etc.). (MK),
OR,
Londons Harbour of Health,
and Happineſſe.
Epreſſed in ſundry Triumphs, Pageants
and Showes; at the Initiation of the
Right Honorable,
Christopher Clethrowe,
Into the Maioralty of the farre Renowned
City London.
All the Charges and Expences of this preſent
Ovation; being the ſole undertaking of the Right
Worſhipfull Company of the
Ironmongers.
The 29. of October. Anno Salutis. 1635.
OR,
Londons Harbour of Health,
and Happineſſe.
Epreſſed in ſundry Triumphs, Pageants
and Showes; at the Initiation of the
Right Honorable,
Christopher Clethrowe,
Into the Maioralty of the farre Renowned
City London.
All the Charges and Expences of this preſent
Ovation; being the ſole undertaking of the Right
Worſhipfull Company of the
Ironmongers.
The 29. of October. Anno Salutis. 1635.
TO THE RIGHT
Honorable, Chriſtopher Clethrowe,
Lord Maior of this Renowned
Metropolis, London.
Right Honourable,
IT is one of Eraſmus his undeniable
Apothegms, that there is no Citie
can bee ſo ſtrongly immur’d or De
fenc’d but may bee either by Engins
defaced, by Enemies inuaded, or by
Treaſon ſurprized; but the Counſells and Decrees
of a wife Magiſtrate, are in-expugnable. Time, and
your Merit, have call’d you to this Office and Honor:
As all eyes are upon you, ſo all hearts are towards
you; never was any more freely voyc’t in his Election,
and therfore none more hopefull in expectation: your
Abilitie, what you can doe, is knowne; your purpoſe,
what you intend, you have amply delivered; onely
the Performance remaines: In which, there is no que
ſtion, but that you will accommodate all your future
Proceedings to theſe three heads: Pro Rege, pro
Lege, pro Grege; for as you are a Magiſtrate, ſo
you are a Iudge: A calling, both of Truſt, and Trou
A3
ble:
The Epiſtle.
ble: Of Truſt; becauſe all ſuch as ſit in Iudica
ture, are Perſons ordained by GOD, to examine
Cauſes diſcreetely; Heare both Parties Conſiderate
ly, and Cenſure all matters unpartially: For Iuſtice
is the Badge of Vertue, the ſtaffe of Peace, and the
maintainance of Honor. Of Trouble; becauſe in
no part of your Time; during your regency, neither
in publicke, or private, forraine, or domeſtick things,
whether you meditate alone, or conuerſe with others,
you ſhall find the leaſt vacancie, which remembers me
of that which Dion witneſſeth of one Similis, who
living long in great Place and Authoritie under the
Emperour Adrian, after much intreaty, got leave to
retire himſelfe into the Countrey, where after ſeaven
contented yeeres expiring, hee cauſed this Epitaph to
be Inſculpt upon his tombe: Similis hic jacet, cujus
ætas multorum ſuit annorum. Septem tamen
Duntaxat, Annos vixit. Lanctantius further tea
cheth us, that it is moſt requiſite, in all ſuch as have
charge in Common Weale, under their Prince and
Governour, ſo to know the bownds of their Calling,
and underſtand the full effects of their dutie, that by
executing Iuſtice, they may be feared, and by ſherr
ing Mercy, bee loved: I conclude all in this ſhort
ſentence, Non, quid, Ipſe velis, ſed quod lex &
Religio Cogat, Cogita, Ever ſubmitting my ſelfe
to your better Iudgement, and remaining, to your
Lordſhip moſt obſequious.
Tho. Heywood.ture, are Perſons ordained by GOD, to examine
Cauſes diſcreetely; Heare both Parties Conſiderate
ly, and Cenſure all matters unpartially: For Iuſtice
is the Badge of Vertue, the ſtaffe of Peace, and the
maintainance of Honor. Of Trouble; becauſe in
no part of your Time; during your regency, neither
in publicke, or private, forraine, or domeſtick things,
whether you meditate alone, or conuerſe with others,
you ſhall find the leaſt vacancie, which remembers me
of that which Dion witneſſeth of one Similis, who
living long in great Place and Authoritie under the
Emperour Adrian, after much intreaty, got leave to
retire himſelfe into the Countrey, where after ſeaven
contented yeeres expiring, hee cauſed this Epitaph to
be Inſculpt upon his tombe: Similis hic jacet, cujus
ætas multorum ſuit annorum. Septem tamen
Duntaxat, Annos vixit. Lanctantius further tea
cheth us, that it is moſt requiſite, in all ſuch as have
charge in Common Weale, under their Prince and
Governour, ſo to know the bownds of their Calling,
and underſtand the full effects of their dutie, that by
executing Iuſtice, they may be feared, and by ſherr
ing Mercy, bee loved: I conclude all in this ſhort
ſentence, Non, quid, Ipſe velis, ſed quod lex &
Religio Cogat, Cogita, Ever ſubmitting my ſelfe
to your better Iudgement, and remaining, to your
Lordſhip moſt obſequious.
I Shall not neede to borrow my In
duction from the Antiquitie of this
Famous Metropolis, nor to enter in
to a large diſcourſe, of the noble
Magiſtracy and government there
of; being Arguments already gran
ted, and therefore unneceſſary to be
diſputed: and yet I hold it not al
together Impertinent to remember
ſome few things of remarke, which have happened in the
Prætorſhips of the Right Honourable, the Lord Maiors
of this Renowned Citie, who have beene Free of the Right
Worſhipfull Company of the Iron-mongers.
In the yeere 1409. Richard Marloe, of the ſame
Fraternitie, bearing the Sword, there was a Show preſen
ted by the Pariſh Clerkes of London, at a place called Skin
ners Well, and now Clerken Well, which was of matter
from the Creation of the World; and laſted for the ſpace
of Eight Intyre dayes: Edward the Fourth (then
King) being preſent with his Queene, and the greateſt
part of his Nobilitie, which Richard Marloe, was
Fraternitie, bearing the Sword, there was a Show preſen
ted by the Pariſh Clerkes of London, at a place called Skin
ners Well, and now Clerken Well, which was of matter
from the Creation of the World; and laſted for the ſpace
of Eight Intyre dayes: Edward the Fourth (then
King) being preſent with his Queene, and the greateſt
part of his Nobilitie, which Richard Marloe, was
A4
after
LONDONS Sinus Salutis.
after Inagurated Into the ſame Honor, Anno 1417. In the
yeere 1566. Sir Christopher Draper, being Lord
Maior, King Iames, of late and moſt Sacred memo
ry, was borne the Sixth day of Iune, Anno 1569. In Sir
Alexander Avenons Maioralty, was the ſuppreſsion
of the Rebells in the North, Anno 1581. Sir Francis
Harvey being Mayor, was the French Mounſiers com
ming over into England, and his Royall entertainement by
Queene Elizabeth, Anno 1607. Sir Thomas Cambel
being Inveſted into the ſame Honor: All the like Showes
and Triumphs belonging unto the ſolemnitie of this day,
which for ſome yeeres, had beene omitted and neglected,
were by a ſpeciall commandement from his Majeſtie, King
Iames, againe retained, and have beene till this preſent day
continued; whom ſince hath ſucceeded in the ſame Honor,
Sir Iames Cambel, his Sonne, a worthy Senator of this
Citie, yet living. (The laſt of this worthy and Worſhipfull
Company, who hath ſate in that ſeate of Iuſtice) now this
day ſucceeded by the Right Honourable, Christopher
Clethrowe: but I leave all cicumſtances, and come to
the Showes, now in preſent Agitation.
yeere 1566. Sir Christopher Draper, being Lord
Maior, King Iames, of late and moſt Sacred memo
ry, was borne the Sixth day of Iune, Anno 1569. In Sir
Alexander Avenons Maioralty, was the ſuppreſsion
of the Rebells in the North, Anno 1581. Sir Francis
Harvey being Mayor, was the French Mounſiers com
ming over into England, and his Royall entertainement by
Queene Elizabeth, Anno 1607. Sir Thomas Cambel
being Inveſted into the ſame Honor: All the like Showes
and Triumphs belonging unto the ſolemnitie of this day,
which for ſome yeeres, had beene omitted and neglected,
were by a ſpeciall commandement from his Majeſtie, King
Iames, againe retained, and have beene till this preſent day
continued; whom ſince hath ſucceeded in the ſame Honor,
Sir Iames Cambel, his Sonne, a worthy Senator of this
Citie, yet living. (The laſt of this worthy and Worſhipfull
Company, who hath ſate in that ſeate of Iuſtice) now this
day ſucceeded by the Right Honourable, Christopher
Clethrowe: but I leave all cicumſtances, and come to
the Showes, now in preſent Agitation.
The firſt Showe by Water:
IS an Artificiall Moddell, partly faſhioned like a Rock,
and beautified with ſundry varieties, and rarities, in
all which Art (in Imitating) ſtriveth to exceed Na
ture: The Decorements that adorne the Structure, I
omit, and deſcend to the Perſons that furniſh it, which
are the Three Cæleſtiall Goddeſſes, Iuno, Pallas, Venus: In
Iuno, is figured Power and State; In Pallas or Minerua,
Arms and Arts; In Venus, Beautie and Love: The firſt
beſt knowne by her Peacocks; the ſecond by her Owles; the
and beautified with ſundry varieties, and rarities, in
all which Art (in Imitating) ſtriveth to exceed Na
ture: The Decorements that adorne the Structure, I
omit, and deſcend to the Perſons that furniſh it, which
are the Three Cæleſtiall Goddeſſes, Iuno, Pallas, Venus: In
Iuno, is figured Power and State; In Pallas or Minerua,
Arms and Arts; In Venus, Beautie and Love: The firſt
beſt knowne by her Peacocks; the ſecond by her Owles; the
third
LONDONS Sinus Salutis.
third by her Swans & Turtles, who is alſo attended by her
Sonne Cupid, in whom is Emblem’d Love; by whom
ſome have thought, the Vniverſe to have beene Created,
becauſe of this Beautie, Glory, and Flouriſhing forme
thereof, as alſo, that Love (though pictured young) yet
in Age exceeds all things: But Venus, becauſe borne of
the Seas, I hold moſt proper to ſpeake upon the Waters:
Theſe Three Goddeſſes are ſent from Iupiter, with ſeverall
Preſents, to honour this dayes Triumphs, and him to
whom they are devoted; Iuno brings Power, Pallas Wiſe
dome, Venus Love; whoſe Speech is as followeth:
Sonne Cupid, in whom is Emblem’d Love; by whom
ſome have thought, the Vniverſe to have beene Created,
becauſe of this Beautie, Glory, and Flouriſhing forme
thereof, as alſo, that Love (though pictured young) yet
in Age exceeds all things: But Venus, becauſe borne of
the Seas, I hold moſt proper to ſpeake upon the Waters:
Theſe Three Goddeſſes are ſent from Iupiter, with ſeverall
Preſents, to honour this dayes Triumphs, and him to
whom they are devoted; Iuno brings Power, Pallas Wiſe
dome, Venus Love; whoſe Speech is as followeth:
Venus the Speaker.
THe Three Cæleſtiall goddeſſes this day
Deſcend (Grave Prætor) to prepare your way
To your new Oath, and Honor: Iove, whoſe ſtation
Is ſtil above, hath ſent to this Ovation
And glorious Triumph, Vs: Iuno the great
And Potent Queene; who to your Iurall ſeat,
Derives her ſelfe, and from the higheſt ſtraine
Of all the other gods, claimes her deſcent,
Her Divine Wiſedome, doth this day preſent.
But I, Emergent Venus, Loves faire Queene,
Borne of the Seas; and therefore beſt beſeene
To ſpeake upon the Waters, bring a gift,
Priz’d equally with theirs; that which ſhall lift
You up on voyces, and from the low frame
Of ſordid Earth, give you (above) a name:
From
LONDONS Sinus Salutis.
From iuſt affections, and pure thoughts, Love ſprings,
And theſe are Impt with no Icarian wings,
But Plumes Immortall, ſuch as Angels beare,
To fixe your Name in an eternall ſpheare.
Which to attaine; Take Iuno for your guide,
Maintaine her Peacocks riches, not her pride;
Who to prove all Earths glory is but vaine,
Lookes but upon her feete, and flaggs her traine.
Obſerue next Pallas Owles, and from them take
This notion; you muſt watch even as they wake:
For all ſuch as the management of state
Shall undergoe, riſe earlie, and bed late,
So Wiſedome is begot; from Wiſedome Love,
(Sweete Child of ſuch a Parent) may’t then prove:
That as this day you doe attract the eyes,
And expectation of the great, and wiſe,
So in the happy progreſſe of your yeere,
You may their hearts and ſoules to you Indeere:
From Love, your VVaters paſſage understand,
But Power and Wiſedome, wellcoms you on landThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on guesswork. (CH).
THe next Modell by Land, which was onely
ſhowne upon the Water; is one of the twelue
Cæleſtiall fignes: Sagitarius called Croton; heeThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH),
before hee was tranſlated into the Heavens, waThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)s
ſaid to bee the Sonne of Pan, and the Nimph EuphemesThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH),
and in his Infancy, was Conclacteus Muſarum. i. Hee ſuckThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)t
of the ſame breſt with the Muſes, his mother being theiThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)r
Nurſe, and dwelt in Helicon; hee was Famous for hiThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)s
skill in Archerie, wonderous ſwift of foote, and when thThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)e
ſhowne upon the Water; is one of the twelue
Cæleſtiall fignes: Sagitarius called Croton; heeThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH),
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)Sagitarius.
before hee was tranſlated into the Heavens, waThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)s
ſaid to bee the Sonne of Pan, and the Nimph EuphemesThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH),
and in his Infancy, was Conclacteus Muſarum. i. Hee ſuckThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)t
of the ſame breſt with the Muſes, his mother being theiThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)r
Nurſe, and dwelt in Helicon; hee was Famous for hiThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)s
skill in Archerie, wonderous ſwift of foote, and when thThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)e
NinThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)e
LONDONS Sinus Salutis.
Nine Siſters ſung to their ſeverall inſtruments of Muſick,
his cuſtome was to dance before them in ſundry active fi
gures and poſtures. For which, and other indowments,
knowne to be eminent in, hee was at their requeſt to Iu
piter tranſlated amongſt the ſtarres, in the plat-forme, on
which hee is borne: at the foure corners, are ſeated foure
other dignified with the like Conſtellations: Virgo, beſt
knowne by the name of Aſtrea and Iuſta, the daughter of
Iupiter, and Themis; and for her Iuſtice and Integritie,
thither transferr’d, and numbred amongſt the Twelue:
Next Ariadne, beſt knowne amongſt the Aſtrologians, by
the name of Corona, the Crowne, which was ſaid to bee
forged by Vulcan in Lemnos, the materialls thereof were
Gold, and Indian Gemmes, of extraordinary ſplendor,
which ſhee lending to Theſeus at that time when her Fa
ther Minos had expoſ’d him to the Minotaure, by the lu
ſter thereof, hee paſſed freely through the darkneſſe of the
Laborinth: Some ſay, it was firſt given her by Liberpater,
or Bacchus, the Sonne of Iupiter, and Semele, and was the
price of her Virginitie: but howſoever, ſhee being moſt
ingratefully forſaken by Theſeus, in the Ile of Naxos; was
there found by Bacchus, who having eſpouſed her with
great ſolemnitie, cauſed her after her death, with this
Crowne to bee Inueſted in the This text is the corrected text. The original is Frmament (MK)Firmament. The Third,
Caſſiopeia, the wife of Cepheus, who preferring her owne
beautie before the Nereides, who were the daughters of
Neptune, was for that inſolence, doom’d to be bownd in
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)a chayre, hand and foote, and ſo placed amongſt the
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ſpheares, where ſhee remaines Conſpicuous, in Thirteene
Starres. The Fourth, is Andromeda, the Daughter of Ce
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)pheus and Caſſiopeia, who by the wrath of Neptune, being
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)chain’d unto a Rocke, and ready to bee devoured by a
Sea Monſter, was delivered thence by Perſeus, the Sonne
his cuſtome was to dance before them in ſundry active fi
gures and poſtures. For which, and other indowments,
knowne to be eminent in, hee was at their requeſt to Iu
piter tranſlated amongſt the ſtarres, in the plat-forme, on
which hee is borne: at the foure corners, are ſeated foure
other dignified with the like Conſtellations: Virgo, beſt
knowne by the name of Aſtrea and Iuſta, the daughter of
Iupiter, and Themis; and for her Iuſtice and Integritie,
thither transferr’d, and numbred amongſt the Twelue:
Next Ariadne, beſt knowne amongſt the Aſtrologians, by
the name of Corona, the Crowne, which was ſaid to bee
forged by Vulcan in Lemnos, the materialls thereof were
Gold, and Indian Gemmes, of extraordinary ſplendor,
which ſhee lending to Theſeus at that time when her Fa
ther Minos had expoſ’d him to the Minotaure, by the lu
ſter thereof, hee paſſed freely through the darkneſſe of the
Laborinth: Some ſay, it was firſt given her by Liberpater,
or Bacchus, the Sonne of Iupiter, and Semele, and was the
price of her Virginitie: but howſoever, ſhee being moſt
ingratefully forſaken by Theſeus, in the Ile of Naxos; was
there found by Bacchus, who having eſpouſed her with
great ſolemnitie, cauſed her after her death, with this
Crowne to bee Inueſted in the This text is the corrected text. The original is Frmament (MK)Firmament. The Third,
CaſſiopeiaThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on guesswork. (CH).
Caſſiopeia, the wife of Cepheus, who preferring her owne
beautie before the Nereides, who were the daughters of
Neptune, was for that inſolence, doom’d to be bownd in
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)a chayre, hand and foote, and ſo placed amongſt the
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ſpheares, where ſhee remaines Conſpicuous, in Thirteene
Starres. The Fourth, is Andromeda, the Daughter of Ce
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)pheus and Caſſiopeia, who by the wrath of Neptune, being
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)chain’d unto a Rocke, and ready to bee devoured by a
Sea Monſter, was delivered thence by Perſeus, the Sonne
of
LONDONS Sinus Salutis.
of Iupiter, and Danae to whom being after married, was
call’d Perſa, and Stellified by Minerua: The Speaker is an
Aſtrologian.
call’d Perſa, and Stellified by Minerua: The Speaker is an
Aſtrologian.
¶ The Speech followeth:
LAte riſen in the Heaven is Sagitary,
(With you, great Lord) who doth about him carry
Fifteene bright Starres, moſt Influent, and theſe all
Appearing in the Circle hiemall:
His Bow devided in that beaten roade,
Call’d Galaxia, where the gods have troade
So oft; that looke upon it in the night,
When all the reſt’s dull, that alone ſhines bright:
(As you now at this inſtant:) Hee fifteene
Starres, did I ſay? How you then; who betweene
Your landing and repoſe, by power divine,
Have full Three-ſcore, about your state to ſhine:
For every Company’s a Starre this day,
Viſible to all, and over theſe you ſway:
But twelue in chiefe; and thoſe wee must confeſſe,
Of greater lustere made, to guide the leſſe:
All enioy one like Freedome, all are Free,
And all (Great Prætor) to bee rul’d by thee:
Commanding all the rest, who in thy ſpheare,
Now riſing, art to ſhine a compleate yeere.
You may obſerue his Bow still ready bent,
In which there is a perfect Emblem ment
Of Divine Iuſtice: Th’ Arrow, with a Starre
Headed, Implies, that her power reacheth farre;
And
LONDONS Sinus Salutis.
And no oppoſure, fraude, violence, or rape,
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)Can (when ſhee aimes to ſtrike) her vengeance ſcape;
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)Yet though the ſtring be drawne up to his eare,
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)(As always preſt) hee rather ſeemes with feare
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)To threat, then puniſh, and though hee can ſtill
Let looſe his ſhafts, hee ſeldome ſhoots to kill.
Obſerve it well, the Morrall doth imply,
All Iuſtice ſhould be mixt with lenitie,
So, Imitate the gods, ſince them wee know,
Apt ſtill to Mercie, but to vengeance ſlow:
And the Cæleſtiall bodies, though they trade
Above, yet were for our example made.
As oft as man ſinnes, ſhould Iove punniſh vice,
His Quiver would be emptied in a trice,
And man-kind, at once periſh: O mixe then
Mercy with Iuſtice, Interweave againe
Iuſtice with Mercy; ſo ſhall you in your ſtate,
Iuſtice with Mercy; ſo ſhall you in your ſtate,
Not Starres alone, but the gods Imitate;
So ſhall your Terrene body, in the end,
All the Cæleſtiall bodies farre tranſcend,
And deckt with better lights then thoſe you ſee
Above the ſpheares, ſhine to eternitie.
THe Third Plat-forme, is contrived onely for
Paſtime, to pleaſe the vulgar, and therefore de
ſerues no further CharrThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)actar, then a plaine nomi
nation, as deviſed onely to pleaſe the eye,but no
way to feaſt the eare: and ſo I leave it to proceede to the
next.
Paſtime, to pleaſe the vulgar, and therefore de
ſerues no further CharrThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)actar, then a plaine nomi
nation, as deviſed onely to pleaſe the eye,but no
way to feaſt the eare: and ſo I leave it to proceede to the
next.
The
LONDONS Sinus Salutis.
THe Fourth Moddell, is a Caſtle munified with ſundrThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)y
Peeces of Ordnance; and Accomodated with all ſucThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)h
Perſons as are needfull for the defence of ſuch a CitadellThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH):
the Gunner being ready to give fire upon all occaſionsThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH);
as for the curious Art in the contriving thereof, I make no
queſtion but the worke it ſelfe is ſufficiently able to com
mend the Worke-man, being knowne to be an excellent
Artiſt, of which, the ſpectatours may beſt cenſure; I will
onely deliver unto you a word or two concering the pre
ſenter, which is Mars.
Peeces of Ordnance; and Accomodated with all ſucThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)h
Perſons as are needfull for the defence of ſuch a CitadellThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH):
the Gunner being ready to give fire upon all occaſionsThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH);
as for the curious Art in the contriving thereof, I make no
queſtion but the worke it ſelfe is ſufficiently able to com
mend the Worke-man, being knowne to be an excellent
Artiſt, of which, the ſpectatours may beſt cenſure; I will
onely deliver unto you a word or two concering the pre
ſenter, which is Mars.
Mars.
Hee is ſtyled the third amongſt the gods, becauſe hee
ſtands in that degree amongſt the Planets: and is ſaid
to be the ſonne of Iupiter; ſome write that Bellona was his
Nurſſe, others that ſhe was his Mother, and ſome his ſiſter.
Yet none of theſe improper, for Ennio which is a Bellona,
implies no more then an incouragement of the minde to
hardineſſe and valour in all Skyrmiſhes and Battailes. He
is alſo cal’d Ares which ſignifieth Dammage or detri
His ſundry
Denomina
tions.
ment, and Mavors quaſi Mares vorans, of devouring of
Denomina
tions.
men; and by the Gentiles, had the Denomination of the
god of Battailes. He was antiently figured an angry man
ſitting in a Chariot, armed with a ſheild and other wea
pons, both offenſiue, and defenſiue: Vpon his head a plu
med Helmet, his ſword mounted vpon his thigh, hee held
in one hand a whip, in the other, the Raines, being drawne
in his Chariot by wylde and vntam’d Horſes. Before
him was portraied a Wolfe dèvouring a Lambe, the
Wolfe being the beaſt particularly offered vpon his
ſhrine, and becauſe the two Romane Twinnes the firſt
founders of Rome, Romvlvs and Remvs, were fained to
be the ſonnes of Mars (of which the one ſlewe the other)
therefore Romvlvs is figured vpon his Chariot as the
vnnaturall ſurvivor. The Athenians were the firſt that
ever
LONDONS Sinus Salutis.
ever ſacrificed to this god of Warre, which Celebration
was call’d Ekaton pephomena for whoſoever had ſlaine an
Hundred of the publike Enemies, was bownd to
ſacrifice a man upon his Altar, ſituate in the Ile Lemnos,
but after the bloodineſſe, and inhumanitie thereof, diſ
pleaſing the Athenians, they changed that cuſtome, and in
the ſtead of man, offered a gelded Hogge, which they
call’d Nefrendes: Varro writes, that amongſt the Romans,
Sicinnivs Dentatvs, having fought one hun
dered and Ten ſeverall Duells, and being Victor in them
all, receiving Forty five wounds, whoſe skarres were vi
ſible upon his body, all before, and none backward: Hee
was for his Valour, honoured with Twenty five ſeverall
Crownes, and received moreover, an Hundred and Forty
golden Bracelets; and was firſt amongſt the Romanes,
that ever made oblation to this Deity: Mars ſitting in the
front of the Tower, ſpeakes as followeth.
was call’d Ekaton pephomena for whoſoever had ſlaine an
Hundred of the publike Enemies, was bownd to
ſacrifice a man upon his Altar, ſituate in the Ile Lemnos,
but after the bloodineſſe, and inhumanitie thereof, diſ
pleaſing the Athenians, they changed that cuſtome, and in
the ſtead of man, offered a gelded Hogge, which they
call’d Nefrendes: Varro writes, that amongſt the Romans,
Sicinnivs Dentatvs, having fought one hun
dered and Ten ſeverall Duells, and being Victor in them
all, receiving Forty five wounds, whoſe skarres were vi
ſible upon his body, all before, and none backward: Hee
was for his Valour, honoured with Twenty five ſeverall
Crownes, and received moreover, an Hundred and Forty
golden Bracelets; and was firſt amongſt the Romanes,
that ever made oblation to this Deity: Mars ſitting in the
front of the Tower, ſpeakes as followeth.
The Speech of Mars.
BEllipotent Mars is from his ſpheare come downe,
To heighten theſe brave Triumphs of Renowne,
Seated in this mur’d Citadel, defenc’d
With Bullets wrapt in Fire, and Cloudes condenſt.
A PThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)eece
goes This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)off.
goes This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)off.
The Tormentary Art, not long ſince found,
Which ſhatters Towers, & by which Ships are drown’d,
I bring along; to let you underſtand
Theſe guard you ſafety, both by Sea, and Land.
O, when I late ſaw from mine orbe Divine,
So many Sonnes of Mars, amongſt you, ſhine
In
LONDONS Sinus Salutis.
In compleat Arms, Plum’d Casks, and Enſigns ſpred
By ſuch brave Captaines, and Commanders led:
No Souldier, but his Poſture to the life,
Acting to’th Muſick of the Drum and Fyffe,
Some practiſing ſmall Bombards, ſome the great,
Whoſe very thunder, rowſ’d mee from my ſeate:
This Peacefull Citie, I much prayſ’d, whoſe power
Could to a Campe, it ſelfe change in an houre:
Proceed in your brave Practiſe; whil’ſt I tell
Wherein your Iron and Steele doth moſt excell.
Without theſe Metalls, Nature could produce
Nothing that is conducefull to mans uſe:
The Plow, without the Coulter and the Share,
Could make no Furrowes, and thoſe Graines that are
Vpon them throwne, were loſt to them that ſowe them,
Without the Sickle, or the Sythe to mowe them:
The Gardeners Art, would ceaſe to be a trade,
If take from him the Matocke, and the Spade.
In Denns and Caves wee ſhould be forc’d to dwell,
Were there no Axes made, that Timber fell:
Nor on the Seas could wee have Shipps to ſayle,
Without the Sawe, the Hammer, and the Nayle:
Aske thoſe that take in Angling moſt delight,
Without baited Hooke no fiſh will bite.
The Iron Crowe turnes up the Indian mould,
Trenching the Earth untill they dig out Gold.
If with the Iron the Adamant ſhould contend,
There ſhould be no more Compaſſe, but an end
Of
LONDONS Sinus Salutis.
Of all Diſcovery: Even the Horſe wee ride
Vnſhod, would founder, who takes greateſt pride,
When the moſt curb’d, and playing with the bit,
Hee ſnowes the ground, and doth the Spurre forgit.
There is no Art, Craft, Faculty, or Trade,
Without it, can ſubſiſt: our Sword is made
Of theſe mixt Metalls (Sir) Iuſtice would ceaſe,
If (as in Warre) it were not us’d in Peace:
Power makes it yours, your wiſedome now direct you;
THe ſpeech being ended, the Ordnance goeth off
from the Caſtle; and now I come to the fift and laſt.
from the Caſtle; and now I come to the fift and laſt.
Heere I might enter into a large diſcourſe, concerning
the commodiouſneſſe of Iron and Steele, and to ſpeake
of Tuball Cain, who made the firſt Forge, and found out
the vſe of theſe Metalls: as alſo Vulcan the deified Smith
and of his CyclopeThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)an Hammers with which hee was ſaid to
have beaten out Ioves Thunder-boults, with other fixi
ons to the like purpoſe, theſe having before been expoſed
to the publick view vpon occaſion of the like ſolemnity, &
knowing withall that Cibus bis coctus, reliſheth not the
queſie ſtomackes of theſe times. I therefore purpoſly omit
them proceeding to the laſt Pageants, ſtyled Sinus ſalutis,
firſt the Booſome, or harbour of Health and Happineſſe.
The ſculputre being adorned with eight ſeveral perſons, re
preſenting ſuch vertues as are neceſſary to bee imbraced
by all ſuch Majeſtrates, who after their This text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus, etc. Evidence: The text has been supplied based on evidence internal to this text (context, etc.).stormy and tem
peſtuous progreſſe through all judicature cauſes incident
to their places, ſeeke to anchor in that ſafe and ſecure
Port ſo ſtyled.
the commodiouſneſſe of Iron and Steele, and to ſpeake
of Tuball Cain, who made the firſt Forge, and found out
the vſe of theſe Metalls: as alſo Vulcan the deified Smith
and of his CyclopeThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)an Hammers with which hee was ſaid to
have beaten out Ioves Thunder-boults, with other fixi
ons to the like purpoſe, theſe having before been expoſed
to the publick view vpon occaſion of the like ſolemnity, &
knowing withall that Cibus bis coctus, reliſheth not the
queſie ſtomackes of theſe times. I therefore purpoſly omit
them proceeding to the laſt Pageants, ſtyled Sinus ſalutis,
firſt the Booſome, or harbour of Health and Happineſſe.
The ſculputre being adorned with eight ſeveral perſons, re
preſenting ſuch vertues as are neceſſary to bee imbraced
by all ſuch Majeſtrates, who after their This text has been supplied. Reason: The facsimile photograph is not clear, out-of-focus, etc. Evidence: The text has been supplied based on evidence internal to this text (context, etc.).stormy and tem
peſtuous progreſſe through all judicature cauſes incident
to their places, ſeeke to anchor in that ſafe and ſecure
Port ſo ſtyled.
B
Every
LONDONS Sinus Salutis.
Every Magiſtrate is a miniſter vnder God, appointed
by his divine ordinance to that calling, to be a protector oThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)f
the Church, a preſeruer of diſcipline and Peace, conſonant
with his lawes, the lawes of nature, and the land, which
hee ought faithfully to execute, with corporall puniſh
ment, correcting the proud and diſobedient, and againſt
all unjuſt oppreſſors, defendiThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ng the conformable and hum
ble. The firſt vertue adorniThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ng the ſtructure is ſtiled Forti
tudo togata, which gowned Fortitude is thus defined.
by his divine ordinance to that calling, to be a protector oThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)f
the Church, a preſeruer of diſcipline and Peace, conſonant
with his lawes, the lawes of nature, and the land, which
hee ought faithfully to execute, with corporall puniſh
ment, correcting the proud and diſobedient, and againſt
all unjuſt oppreſſors, defendiThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ng the conformable and hum
ble. The firſt vertue adorniThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ng the ſtructure is ſtiled Forti
tudo togata, which gowned Fortitude is thus defined.
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)Fortitudo
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)togata.
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)togata.
A conſtancy of minde perſevering in honeſt purpoſe
rightly unertaken and according to his place and calling,
tollerating private jnjuries for lawdaThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ble cauſes, diſpiſing
pleaſures, corrupt guifts, detraction, and the like: and
theſe meerly for vertues ſake and preſerring the publike
good before his owne private gaine &c. Of which Fabri
tius was a noble preſident, who refuſing the gold ſent him
by Pyrhus was no whit affrighted with the terror of his E
lephants; to ſpeake or act any thing againſt the dignity of
the Republicke. Of whom Eutropius reports, Pyrhus to
haue ſaid: the Sunne is more eaſie to bee altered in his
courſe, then this Fabritius to be removed from his honeſty.
rightly unertaken and according to his place and calling,
tollerating private jnjuries for lawdaThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)ble cauſes, diſpiſing
pleaſures, corrupt guifts, detraction, and the like: and
theſe meerly for vertues ſake and preſerring the publike
good before his owne private gaine &c. Of which Fabri
tius was a noble preſident, who refuſing the gold ſent him
by Pyrhus was no whit affrighted with the terror of his E
lephants; to ſpeake or act any thing againſt the dignity of
the Republicke. Of whom Eutropius reports, Pyrhus to
haue ſaid: the Sunne is more eaſie to bee altered in his
courſe, then this Fabritius to be removed from his honeſty.
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)Manſuetu
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)do
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)do
Manſuetudo, or gentleneſſe is a vertue mediating wrath
and ſuppreſsing all deſire of revenge and remitting offen
ces, for publicke concords ſake, which notably appeared
in PericlesThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on an external source. (CH), who when one had bitterly rayled on him, for
ſpace of one whole afternoone, in the open market place:
This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)night comming, hee cauſed his ſervants to light him to his
horſe with Torches.
and ſuppreſsing all deſire of revenge and remitting offen
ces, for publicke concords ſake, which notably appeared
in PericlesThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on an external source. (CH), who when one had bitterly rayled on him, for
ſpace of one whole afternoone, in the open market place:
This text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)night comming, hee cauſed his ſervants to light him to his
horſe with Torches.
Candor, or ſincerity is when without ſimulation we our
meaning of others: wiſhing all juſt men well, rejoycing
at theire proſperity, and commiſſerating their diſaſter: It
is reported of Trajanus the Emperour, that when Sura
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)Candor.
ſeules ſpeake, and with no diffidence ſuſpect the good
meaning of others: wiſhing all juſt men well, rejoycing
at theire proſperity, and commiſſerating their diſaſter: It
is reported of Trajanus the Emperour, that when Sura
LONDONS Sinus Salutis.
Licinius one of the Tribunes, was accuſed This text is the corrected text. The original is n (MK)unto him, to
Have Inſidiated his life, not queſtioning the faith of ſo
knowne a friend; the ſame night, un-invited, ſupt with him
privately in his houſe, and the Table being with-drawne,
truſted himſelfe to be trim’d by Sura’s Barbar.
Have Inſidiated his life, not queſtioning the faith of ſo
knowne a friend; the ſame night, un-invited, ſupt with him
privately in his houſe, and the Table being with-drawne,
truſted himſelfe to be trim’d by Sura’s Barbar.
Patientia Philoſophica, Is a Vertue obedient unto reaſon,
in bearing wrongs, and ſuffering adverſities; it mode
rates griefe, and bridles nature, ſo that it never rebells a
gainſt Iuſtice, Modeſty, Conſtancy, or any other vertue;
Xenophon reports Cyrus and Ageſolanus, to be of ſuch Phi
loſophical patience, that in their height of determination in
all their actions, and ſpeech, they appeared to all men
affable, and offenceleſſe.
PatientThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)ia
PhyloſoThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)-
phica.
PhyloſoThis text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)-
phica.
in bearing wrongs, and ſuffering adverſities; it mode
rates griefe, and bridles nature, ſo that it never rebells a
gainſt Iuſtice, Modeſty, Conſtancy, or any other vertue;
Xenophon reports Cyrus and Ageſolanus, to be of ſuch Phi
loſophical patience, that in their height of determination in
all their actions, and ſpeech, they appeared to all men
affable, and offenceleſſe.
Placabilitie is a vertue, having correſpondence with that
which I before ſtil’d Manſuetudo, or Gentleneſſe; Philoſu
chia, or ſtudy of Peace, and Concord, is when a Magi
ſtrate thinks Humbly of himſelfe, moderating his owne
anger, and bearing with the Infirmities of others, pardo
ning Injuries, and maintaining unitie, being provident that
all unneceſſary controverſie bee aton’d, leaſt the publike
Peace and Vnitie of the Church, or Common-weale be di
ſturbed, or hindred; of which Vertue, Abraham was a
moſt Imitable Preſident, who, though in Authoritie,
Wiſedome, and age, hee had Prioritie before Lot, yet
not-with-ſtanding, gave place to him; only for Concords
ſake.
PlacabiThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)li-
tas.
tas.
which I before ſtil’d Manſuetudo, or Gentleneſſe; Philoſu
chia, or ſtudy of Peace, and Concord, is when a Magi
ſtrate thinks Humbly of himſelfe, moderating his owne
anger, and bearing with the Infirmities of others, pardo
ning Injuries, and maintaining unitie, being provident that
all unneceſſary controverſie bee aton’d, leaſt the publike
Peace and Vnitie of the Church, or Common-weale be di
ſturbed, or hindred; of which Vertue, Abraham was a
moſt Imitable Preſident, who, though in Authoritie,
Wiſedome, and age, hee had Prioritie before Lot, yet
not-with-ſtanding, gave place to him; only for Concords
ſake.
Humanitie, which the Greekes call Ethos, Is Iuſtice,
coupled with Gentleneſſe, Equitie, Vpright-life, Affabili
tie, and the like, for which are remark’t, Alexander, Cyrus,
Octavus Cæſar, &c. It hath alſo beene obſerued amongſt
Schollars (In which number) I may Catalogue your Lord
ſhip, that the more learned they have beene, they have
ſhewed themſelues the more humane, and humble.
coupled with Gentleneſſe, Equitie, Vpright-life, Affabili
HumaThis text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)ni-
tas.
tas.
tie, and the like, for which are remark’t, Alexander, Cyrus,
Octavus Cæſar, &c. It hath alſo beene obſerued amongſt
Schollars (In which number) I may Catalogue your Lord
ſhip, that the more learned they have beene, they have
ſhewed themſelues the more humane, and humble.
B2
The
LONDONS Sinus Salutis.
This text has been supplied. Reason: The facsimile photograph does not include the
whole surface. Evidence: The text has been supplied based on an external source. (CH)Neneſis ſi
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)ve Zealus.
This text has been supplied. Reason: The facsimile photograph does not include the whole surface. Evidence: The text has been supplied based on an external source. (CH)ve Zealus.
The laſt is Nemeſis, or Zeale, which is an ardent love
of Gods glory, of Iuſtice, Pietie, Sanctitie, &c. With an
earneſt Indignation againſt whatſoever is evill, ſupporting
the Religious, and ſeverely puniſhing the wicked, and re
fractory: Phinees zelo Inflammatus Confodit ſcortatorem,
&c. So much to Illuſtrate the Perſons; I come now to
the Speech.
of Gods glory, of Iuſtice, Pietie, Sanctitie, &c. With an
earneſt Indignation againſt whatſoever is evill, ſupporting
the Religious, and ſeverely puniſhing the wicked, and re
fractory: Phinees zelo Inflammatus Confodit ſcortatorem,
&c. So much to Illuſtrate the Perſons; I come now to
the Speech.
HEE that is call’d to bee a Majeſtrate,
A Guide, a Ruler, or a Candidate,
Muſt of ſo great a burden know the weight;
But firſt the ſtepps that mount him to that height:
Shall I direct you then, what ſayle to beare?
(Like a good Pilot) and what courſe to ſteare:
(Your pardon, Great Sir) daring to deſcry
A paſſage, which you better know then I.
There is a double Fortitude, both Crown’d
With merited Palme; one Gunn’d, the other Gown’d:
The Souldier claymes the firſt, as his by due,
The next, the Civill Sword, now borne by you:
By which, as great a glory you ſhall win
In Peace, as hee in Warre, by curbing ſinne,
And cheriſhing vertue; In the ſecond place,
Stands Gentleneſſe, and Mercy, O what grace
Hath Peace, with Pitty mixt? Metalls beſt feele,
When IThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (CH)ron is well Incorporate with Steele:
A body ſo calcin’d to publike uſe,
As to ſupport Right, and ſuppreſſe abuſe:
Sinceritie
LONDONS Sinus Salutis.
Sinceritie may chalenge the third claſſe,
Next Patience, which by ſuffering, doth ſurpaſſe
All other Vertues: Placability
Study of Concord, and Fidelity;
Laſt, holy Zeale, and that doth crowne the reſt:
All theſe being harbour’d in your honour’d breſt,
Shall (maugre ſhelues and rocks) your paſſage cleare,
And bring you to the Port, to which you steare:
You are the Cities Chiefe, the Prime, the Sole,
In expectation: like the stedfast Pole:
Proove constant in your Courſe be still the ſame,
So let your Sword (tutch’d with Truth’s Adamant)(aime.
In your yeeres compaſſe, that to all mens view
(Skilfull in stearage) it may still goe true:
So, thoſe that were before you, and rul’d well,
Equall you ſhall, although not Antecell.
THere remaines the Speech at Night, which is onely a
a Sumnary, or reiteration of the former Showes, Ap
plied to the taking leave of his Lordſhip, and to com
mend him to his reſt: Mars being the Speaker.
a Sumnary, or reiteration of the former Showes, Ap
plied to the taking leave of his Lordſhip, and to com
mend him to his reſt: Mars being the Speaker.
¶ The Speech at Night
PHœbus his Steedes hath ſtabled in the Weſt,
And Night (ſucceeding Day) inuites to reſt:
The Three Cæleſtiall Queenes, ſent from above,
Leaving with you their Power, their Wiſdom, Love
Now
LONDONS Sinus Salutis.
Now take their leaves: The Centaure doth beſtow
On you his Iuſtice, with his ſhaft, and bowe,
VVho to your beſt repoſe, bequeath’s you heere,
To mount himſelfe againe unto his ſpheare:
The Night being come, he cannot well be miſt;
For without him, his Orbe cannot ſubſiſt:
Neither can mine: Now muſt my Starre diſplay
It’s Luminous Rays, being borrowed thence this day,
To waite upon your Triumphs, and ſhall ſtill
Protect you, and your weighty charge, untill
Hee, which ſhall all your upright Actions bleſſe,
Conduct you to your Port of Happineſſe.
THeſe Frames, Modells, and Structures, were Faſhi
oned, Wrought, and Perfected, by the Two Artiſts,
Ioh̀n, and Mathias Chrismas; Succeſſors to their
Father, Mr. Gerald Chrismas, late diſceThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)aſed, as well
in the Exquiſite performance of his quaThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)litie, as in his true
ſincerite, and honeſty; of whom I may confidently ſpeake,
as no man could out-vie him in theſe Workes, which hee
underwent, ſo none could out-match him in his word,
For any thing hee undertooke; concerning whom I make
no ſcruple, thus Ingeniouſly to conclude: Ars patris, in
filijs etiam, poſt fata viget.
oned, Wrought, and Perfected, by the Two Artiſts,
Ioh̀n, and Mathias Chrismas; Succeſſors to their
Father, Mr. Gerald Chrismas, late diſceThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)aſed, as well
in the Exquiſite performance of his quaThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH)litie, as in his true
ſincerite, and honeſty; of whom I may confidently ſpeake,
as no man could out-vie him in theſe Workes, which hee
underwent, ſo none could out-match him in his word,
For any thing hee undertooke; concerning whom I make
no ſcruple, thus Ingeniouſly to conclude: Ars patris, in
filijs etiam, poſt fata viget.
FINIS.
References
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Early English Books Online (EEBO). Proquest LLC.This item is cited in the following documents:
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EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.]
Cite this page
MLA citation
Sinus Salutis, or, London’s Harbour of Health, and Happinesse. The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/SINU1.htm. Draft.
. Chicago citation
Sinus Salutis, or, London’s Harbour of Health, and Happinesse.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/SINU1.htm. Draft.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/SINU1.htm. Draft.
2021. Sinus Salutis, or, London’s Harbour of Health, and Happinesse. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Heywood, Thomas ED - Jenstad, Janelle T1 - Sinus Salutis, or, London’s Harbour of Health, and Happinesse T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/SINU1.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/SINU1.xml TY - UNP ER -
TEI citation
<bibl type="mla"><author><name ref="#HEYW1"><surname>Heywood</surname>, <forename>Thomas</forename></name></author>.
<title level="m">Sinus Salutis, or, London’s Harbour of Health, and Happinesse</title>.
<title level="m">The Map of Early Modern London</title>, Edition <edition>6.6</edition>,
edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
<publisher>U of Victoria</publisher>, <date when="2021-06-30">30 Jun. 2021</date>,
<ref target="https://mapoflondon.uvic.ca/edition/6.6/SINU1.htm">mapoflondon.uvic.ca/edition/6.6/SINU1.htm</ref>.
Draft.</bibl>
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.Roles played in the project
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Research Assistant, 2013. Quinn MacDonald was a fourth-year honours English student at the University of Victoria. Her areas of interest included postcolonial theory and texts, urban agriculture, journalism that isn’t lazy, fine writing, and roller derby. She was the director of community relations for The Warren Undergraduate Review and senior editor of Concrete Garden magazine.Roles played in the project
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Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Mark Kaethler received his PhD from the University of Guelph and completed his MA and HBA at Lakehead University. He teaches early English literature at Medicine Hat College and serves as the Assistant Project Director of Mayoral Shows for the Map of Early Modern London at the University of Victoria as well as the President of the Medicine Hat College Faculty Association. He is a co-applicant with project lead Janelle Jenstad, fellow co-applicant Martin Holmes, and various collaborators on a SSHRC Insight Grant and a SSHRC Partnership Development Grant. He is a co-editor with Janelle Jenstad and Jennifer Roberts-Smith of Shakespeare’s Digital Language: Old Words, New Tools (Routledge, 2018) and the author of the forthcoming monograph Thomas Middleton’s Plural Politics and Jacobean Drama (Medieval Institute Publications, 2021). He has sole or co-authored articles forthcoming or published in Early Theatre, Literature Compass, The Journal of the Text Encoding Initiative, Digital Studies, Ludica, This Rough Magic, and Upstart, as well as chapters in several edited collections. His research interests include early modern politics, London, and theatre; textual editing; digital humanities; and game studies.Roles played in the project
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Sir Thomas Cambell
Sir Thomas Cambell Sheriff Mayor
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Edward IV
Edward This numeral is a Roman numeral. The Arabic equivalent is 4IV King of England
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Elizabeth I
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Desiderius Erasmus is mentioned in the following documents:
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Neptune is mentioned in the following documents:
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Augustus Caesar
Augustus Caesar Emperor of the Roman Empire Gaius Octavius Thurinus
Emperor of the Roman Empire 27 BCE–14 CE.Augustus Caesar is mentioned in the following documents:
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Thomas Heywood is mentioned in the following documents:
Thomas Heywood authored or edited the following items in MoEML’s bibliography:
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Heywood, Thomas. The Captives; or, The Lost Recovered. Ed. Alexander Corbin Judson. New Haven: Yale UP, 1921. Print.
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Heywood, Thomas. The First and Second Parts of King Edward IV. Ed. Richard Rowland. Manchester: Manchester UP, 2005. The Revels Plays.
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Heywood, Thomas. The foure prentises of London VVith the conquest of Ierusalem. As it hath bene diuerse times acted, at the Red Bull, by the Queenes Maiesties Seruants. London: [Nicholas Okes] for I. W[right], 1615. STC 13321.
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Heywood, Thomas. The Second Part of, If you know not me, you know no bodie. VVith the building of the Royall Exchange: And the Famous Victorie of Queene Elizabeth, in the Yeare 1588. London: [Thomas Purfoot] for Nathaniell Butter, 1606. STC 13336.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Thomas Heywood Heywood’s Dramatic Works. 6 vols. Ed. W.J. Alexander. London: John Pearson, 1874. Print.
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James VI and I
James This numeral is a Roman numeral. The Arabic equivalent is 6VI This numeral is a Roman numeral. The Arabic equivalent is 1I King of Scotland King of England King of Ireland
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James VI and I authored or edited the following items in MoEML’s bibliography:
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James VI and I. Letters of King James VI and I. Ed. G.P.V. Akrigg. Berkeley: U of California P, 1984. Print.
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Rhodes, Neill, Jennifer Richards, and Joseph Marshall, eds. King James VI and I: Selected Writings. By James VI and I. Aldershot: Ashgate, 2004.
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Astraea is mentioned in the following documents:
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Sir James Cambell
Sir James Cambell Sheriff Mayor
(b. 1570, d. 1642)Sheriff of London 1619-1620. Mayor 1629-1630. Member of the Ironmongers’ Company. Son of Sir Thomas Cambell. Knighted on 23 May 1630.Sir James Cambell is mentioned in the following documents:
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Gerard Christmas is mentioned in the following documents:
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Fortitude
Personification of fortitude. Appears as an allegorical character in mayoral shows.Fortitude is mentioned in the following documents:
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Jupiter is mentioned in the following documents:
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Mars is mentioned in the following documents:
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Venus is mentioned in the following documents:
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Vulcan is mentioned in the following documents:
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Zeale
Personification of zeal. Appears as an allegorical character in mayoral shows.Zeale is mentioned in the following documents:
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Mercy
Personification of mercy. Appears as an allegorical character in mayoral shows.Mercy is mentioned in the following documents:
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Richard Merlawe
Richard Merlawe Sheriff Mayor
Sheriff of London 1402-1403. Mayor 1409-1410 and 1417-1418. Possible member of the Ironmongers’ Company or Fishmongers’ Company.Richard Merlawe is mentioned in the following documents:
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Sir Alexander Avenon
Sir Alexander Avenon Sheriff Mayor
Sheriff of London 1561-1562. Mayor 1569-1570. Member of the Ironmongers’ Company. Husband of Lady Alice Avenon. Buried at St. Peter, Westcheap.Sir Alexander Avenon is mentioned in the following documents:
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Trajan
Trajan Emperor of the Roman Empire Caesar Nerva Trajanus Augustus
Emperor of the Roman Empire 98-117.Trajan is mentioned in the following documents:
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Robert Raworth is mentioned in the following documents:
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Juno is mentioned in the following documents:
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Romulus is mentioned in the following documents:
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John Christmas is mentioned in the following documents:
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Matthias Christmas is mentioned in the following documents:
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Perseus is mentioned in the following documents:
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Andromeda is mentioned in the following documents:
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Cepheus
Cepheus King of Aethiopia
King of Aethiopia in Greek mythology. Husband of Cassiopeia. Father of Andromeda.Cepheus is mentioned in the following documents:
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Cassiopeia is mentioned in the following documents:
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Danaë is mentioned in the following documents:
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Agesilaus II
Agesilaus This numeral is a Roman numeral. The Arabic equivalent is 2II King of Sparta
King of Sparta 398-360 BC.Agesilaus II is mentioned in the following documents:
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Alexander the Great is mentioned in the following documents:
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Hadrian
Hadrian Emperor of the Roman Empire Caesar Trajanus Hadrianus Augustus
Emperor of the Roman Empire 117–138 BC.Hadrian is mentioned in the following documents:
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Pan
God of the wild, shepherds and flocks, nature of mountain wilds, and rustic music in Greek mythology.Pan is mentioned in the following documents:
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Eupheme
Female spirit of words of good omen, praise, acclaims, shouts of triumph, and applause in Greek mythology.Eupheme is mentioned in the following documents:
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Themis is mentioned in the following documents:
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Ariadne is mentioned in the following documents:
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Theseus is mentioned in the following documents:
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Minos is mentioned in the following documents:
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Semele is mentioned in the following documents:
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Bellona is mentioned in the following documents:
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Marcus Terentius Varro is mentioned in the following documents:
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Lucius Siccius Dentatus is mentioned in the following documents:
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Tubal-cain is mentioned in the following documents:
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Pyrrhus of Epirus is mentioned in the following documents:
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Eutropius is mentioned in the following documents:
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Lucius Licinius Sura is mentioned in the following documents:
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Xenophon is mentioned in the following documents:
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Cyrus the Great
Cyrus the Great King of Persia King of Media King of Lydia King of Babylon
King of Persia 559–530 BC. King of Media 550–530 BC. King of Lydia 547–530 BC. King of Babylon 539–530 BC.Cyrus the Great is mentioned in the following documents:
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Lactantius is mentioned in the following documents:
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Sir Francis Harvey is mentioned in the following documents:
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Sir Christopher Clitherow
Sir Christopher Clitherow Sheriff Mayor
Sheriff of London 1625-1626. Mayor 1635-1636. Member of the Ironmongers’ Company. Prominent member of the East India Company. Knighted on 15 January 1636.Sir Christopher Clitherow is mentioned in the following documents:
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Gentleness
Personification of gentleness. Appears as an allegorical character in mayoral shows.Gentleness is mentioned in the following documents:
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Servius Sulpicius Similis is mentioned in the following documents:
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Dio Cassius is mentioned in the following documents:
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Krotos is mentioned in the following documents:
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Gaius Fabricius Luscinus is mentioned in the following documents:
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Lot is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Skinner’s Well is mentioned in the following documents:
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Clerkenwell is mentioned in the following documents:
Organizations
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Ironmongers’ Company
Worshipful Company of Ironmongers
The Ironmongers’ Company was one of the twelve great companies of London. The Ironmongers were tenth in the order of precedence established in 1515. The Worshipful Company of Ironmongers is still active and maintains a website at http://www.ironmongers.org/ that includes a history of the company.This organization is mentioned in the following documents: