The Triumphs of the Golden Fleece
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THE
TRIVMPHS
Of The
GOLDEN FLEECE. Performed at the coſt and charges of the
Auncient and Honourable Societie of the
Drapers: For the enſtaulment of their Wor
thy Brother Mr. Martin Lvmley in the
Maioraltie of London. On Wedneſday, being the nine and twentieth day
of October 1623.
TRIVMPHS
Of The
GOLDEN FLEECE. Performed at the coſt and charges of the
Auncient and Honourable Societie of the
Drapers: For the enſtaulment of their Wor
thy Brother Mr. Martin Lvmley in the
Maioraltie of London. On Wedneſday, being the nine and twentieth day
of October 1623.
TO THE VVOR
ſhipfull and worthy Gentlemen,
Mr. John Gualter, Mr. John Foſter, Mr. Ro
bert Awbrey, Mr. Walter Couentry, the Mai
ſters, Wardens Batchelers, and their Aſſiſtant
Brethren of the Auncient and Honorable
This text has been supplied. Reason: Heavy type or writing on reverse obscuring text. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (KLM)Companie of the Drapers.
TO you worthie Gentlemen,
whoſe prouident care and
liberall coſt, hath runne
through the troubleſome
trauaile of ſo ſerious an
employment, doe I iuſtly, and (as no more
then is your due) dedicate this poore
paines of mine, which might haue beene
more, had time ſo fauoured; but ſuch as
it is, take you the honour of my beſt en
whoſe prouident care and
liberall coſt, hath runne
through the troubleſome
trauaile of ſo ſerious an
employment, doe I iuſtly, and (as no more
then is your due) dedicate this poore
paines of mine, which might haue beene
more, had time ſo fauoured; but ſuch as
it is, take you the honour of my beſt en
A2
deauour,
The Epiſtle Dedicatorie.
deauour, in this dayes Triumphes of the
Golden Fleece, and what ſer
uice elſe you ſhall pleaſe to commaund
me.
Your poore louing Brother,Golden Fleece, and what ſer
uice elſe you ſhall pleaſe to commaund
me.
A. Mundy.
THE TRIVMPHS
of the Golden Fleece:
of the Golden Fleece:
Gracing the Triumph-day, for the Inaugu
ration of the Drapers worthy Brother,
Mr. Martin Lvmley, in the Maio
raltie of London, for the yeare
enſuing.
ration of the Drapers worthy Brother,
Mr. Martin Lvmley, in the Maio
raltie of London, for the yeare
enſuing.
FIrſt, for the water-Ser
uice in the Morning,
when his Lordſhip ta
keth Barge for his
Conuoye to Weſtmin
ſter, accompanied with the Knights
and Aldermen, his worthie Brethren
of ſeuerall Societies, and all the other
Companies in their Triumphall Bar
ges, with Drummes, Fifes, Trumpets,
uice in the Morning,
when his Lordſhip ta
keth Barge for his
Conuoye to Weſtmin
ſter, accompanied with the Knights
and Aldermen, his worthie Brethren
of ſeuerall Societies, and all the other
Companies in their Triumphall Bar
ges, with Drummes, Fifes, Trumpets,
and
The Triumphs of
and other Iouiall Inſtruments: There
is readily mounted on a Barge of apt
conueyance, a beautifull and curious
Argoe, ſhaped after the old Grecian
Antique manner, not with Maſtes
and Sayles, as prepared for rough and
boyſtrous Seas; but like to the Grecian
Argoes, for carriage of paſſengers, in
time of calme and gentle weather, ha
uing Bankes for men to ſit and rowe
with Oares, for more quicke and agile
paſſage on the Seas.
is readily mounted on a Barge of apt
conueyance, a beautifull and curious
Argoe, ſhaped after the old Grecian
Antique manner, not with Maſtes
and Sayles, as prepared for rough and
boyſtrous Seas; but like to the Grecian
Argoes, for carriage of paſſengers, in
time of calme and gentle weather, ha
uing Bankes for men to ſit and rowe
with Oares, for more quicke and agile
paſſage on the Seas.
This Argoe, figureth that of ſo great
fame and renowne, wherein Prince
Jaſon, and his valiant Argonautes of
Greece, paſſed to Colchos, to fetch from
thence the Golden Fleece; which is the
Creaſt of the Drapers Armorie,
and therefore the maine motiue, of our
imploying the Inuention, alluding to
that famous Morall, and auncient Hi
ſtorie.
fame and renowne, wherein Prince
Jaſon, and his valiant Argonautes of
Greece, paſſed to Colchos, to fetch from
thence the Golden Fleece; which is the
Creaſt of the Drapers Armorie,
and therefore the maine motiue, of our
imploying the Inuention, alluding to
that famous Morall, and auncient Hi
ſtorie.
VVe
the Golden Fleece.
VVee ſuppoſe this Argoe to be re
turned from Colchos, purpoſely to ho
nor this Triumphall day, by the rare
Arte of Medea the Enchantreſſe, that
kept the Fleece there ſo long a time, and
wherewith ſhe was now the more wil
ling to part; in regard of her affection
to the Drapers Companie, to
whom ſhe gaue it freely, for an honor
and Ornament to their Armes.
turned from Colchos, purpoſely to ho
nor this Triumphall day, by the rare
Arte of Medea the Enchantreſſe, that
kept the Fleece there ſo long a time, and
wherewith ſhe was now the more wil
ling to part; in regard of her affection
to the Drapers Companie, to
whom ſhe gaue it freely, for an honor
and Ornament to their Armes.
And to make the Triumph the more
ful of Maieſty, ſhe vouchſafed to come
her ſelfe in perſon, attended with the
faire Queene Jrene her daughter, and
accompanied with the famous Princes
Jaſon, Hercules, Telamon, Orpheus, Ca
ſtor and Pollox, all armed with fayre
guilt Armours; and bearing Trium
phall Lances, wreathed about with
guilded Laurell, and curious Shields,
all carrying the Impreſſe of the Golden
Fleece.
ful of Maieſty, ſhe vouchſafed to come
her ſelfe in perſon, attended with the
faire Queene Jrene her daughter, and
accompanied with the famous Princes
Jaſon, Hercules, Telamon, Orpheus, Ca
ſtor and Pollox, all armed with fayre
guilt Armours; and bearing Trium
phall Lances, wreathed about with
guilded Laurell, and curious Shields,
all carrying the Impreſſe of the Golden
Fleece.
Sixe
The Triumphs of &c.
Sixe Tributarie Indian Kings, hol
ding their ſeuerall dominions of Me
dea, and liuing in vaſſalage to her: are
commaunded by her to rowe the Ar
goe, all of them wearing their Tribu
tarie Crownes, and Antickely attired
in rich habiliments.
ding their ſeuerall dominions of Me
dea, and liuing in vaſſalage to her: are
commaunded by her to rowe the Ar
goe, all of them wearing their Tribu
tarie Crownes, and Antickely attired
in rich habiliments.
The Seruice being performed vpon
the VVater, the like is done on the
Land, all the reſt of the day following:
alwayes attending his honors ſeruice,
and for adding the more ſplendor to
the Triumphs Solemnitie.
the VVater, the like is done on the
Land, all the reſt of the day following:
alwayes attending his honors ſeruice,
and for adding the more ſplendor to
the Triumphs Solemnitie.
VVhatſoeuer credit or commenda
tion (if any at all) may attend on the
Artefull performance of this poore de
This text is the corrected text. The original is n (KLM)uiſe: it belongeth to the Arts-Mai
ſters, Richard Simpſon and Nicho
las Sotherne, and freely I giue it to
them.
A. M.tion (if any at all) may attend on the
Artefull performance of this poore de
This text is the corrected text. The original is n (KLM)uiſe: it belongeth to the Arts-Mai
ſters, Richard Simpſon and Nicho
las Sotherne, and freely I giue it to
them.
FINIS.
References
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MLA citation
The Triumphs of the Golden Fleece. The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/GOLD4.htm. Draft.
. Chicago citation
The Triumphs of the Golden Fleece.The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/GOLD4.htm. Draft.
APA citation
The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/GOLD4.htm. Draft.
2021. The Triumphs of the Golden Fleece. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Munday, Anthony ED - Jenstad, Janelle T1 - The Triumphs of the Golden Fleece T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/GOLD4.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/GOLD4.xml TY - UNP ER -
TEI citation
<bibl type="mla"><author><name ref="#MUND1"><surname>Munday</surname>, <forename>Anthony</forename></name></author>.
<title level="m">The Triumphs of the Golden Fleece</title>. <title level="m">The Map
of Early Modern London</title>, Edition <edition>6.6</edition>, edited by <editor><name
ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
<publisher>U of Victoria</publisher>, <date when="2021-06-30">30 Jun. 2021</date>,
<ref target="https://mapoflondon.uvic.ca/edition/6.6/GOLD4.htm">mapoflondon.uvic.ca/edition/6.6/GOLD4.htm</ref>.
Draft.</bibl>
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Chris Horne
CH
Research Assistant, 2018-2020. Chris Horne was an honours student in the Department of English at the University of Victoria. His primary research interests included American modernism, affect studies, cultural studies, and digital humanities.Roles played in the project
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Kate LeBere
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Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.Roles played in the project
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Joey Takeda
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Chase Templet
CT
Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.Roles played in the project
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Katie McKenna
KLM
Research Assistant, 2014-2015. Katie McKenna was a third-year English literature major at the University of Victoria with an interest in the digital humanities, particularly digital preservation and typography. Other research interests included philosophy, political theory, and gender studies.Roles played in the project
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Tye Landels-Gruenewald
TLG
Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.Roles played in the project
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Mark Kaethler
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Mark Kaethler received his PhD from the University of Guelph and completed his MA and HBA at Lakehead University. He teaches early English literature at Medicine Hat College and serves as the Assistant Project Director of Mayoral Shows for the Map of Early Modern London at the University of Victoria as well as the President of the Medicine Hat College Faculty Association. He is a co-applicant with project lead Janelle Jenstad, fellow co-applicant Martin Holmes, and various collaborators on a SSHRC Insight Grant and a SSHRC Partnership Development Grant. He is a co-editor with Janelle Jenstad and Jennifer Roberts-Smith of Shakespeare’s Digital Language: Old Words, New Tools (Routledge, 2018) and the author of the forthcoming monograph Thomas Middleton’s Plural Politics and Jacobean Drama (Medieval Institute Publications, 2021). He has sole or co-authored articles forthcoming or published in Early Theatre, Literature Compass, The Journal of the Text Encoding Initiative, Digital Studies, Ludica, This Rough Magic, and Upstart, as well as chapters in several edited collections. His research interests include early modern politics, London, and theatre; textual editing; digital humanities; and game studies.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad is a member of the following organizations and/or groups:
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Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Sir Martin Lumley
Sir Martin Lumley Sheriff Mayor
(d. 1634)Sheriff of London 1614-1615. Mayor 1623-1624. Member of the Drapers’ Company. Knighted on 23 June 1624.Sir Martin Lumley is mentioned in the following documents:
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Anthony Munday
(bap. 1560, d. 1633)Playwright, actor, pageant poet, translator, and writer. Possible member of the Drapers’ Company or Merchant Taylors’ Company.Anthony Munday is mentioned in the following documents:
Anthony Munday authored or edited the following items in MoEML’s bibliography:
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Anthony Munday. The Triumphs of Re-United Britannia. Arthur F. Kinney. Renaissance Drama: An Anthology of Plays and Entertainments. 2nd ed. Toronto: Wiley, 2005.
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Munday, Anthony. Camp-Bell: or the Ironmongers Faire Feild. London: Edward Allde, 1609. DEEP406. STC 18279.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. 1998. Remediated by Project Gutenberg.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Munday, Anthony. Metropolis Coronata, The Trivmphes of Ancient Drapery. London: George Purslowe, 1615. DEEP 630. STC 18275.
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Stow, John, Anthony Munday, and Henry Holland. THE SVRVAY of LONDON: Containing, The Originall, Antiquitie, Encrease, and more Moderne Estate of the sayd Famous Citie. As also, the Rule and Gouernment thereof (both Ecclesiasticall and Temporall) from time to time. With a briefe Relation of all the memorable Monuments, and other especiall Obseruations, both in and about the same CITIE. Written in the yeere 1598. by Iohn Stow, Citizen of London. Since then, continued, corrected and much enlarged, with many rare and worthy Notes, both of Venerable Antiquity, and later memorie; such, as were neuer published before this present yeere 1618. London: George Purslowe, 1618. STC 23344. Yale University Library copy.
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Stow, John, Anthony Munday, and Humphrey Dyson. THE SURVEY OF LONDON: CONTAINING The Original, Increase, Modern Estate and Government of that City, Methodically set down. With a Memorial of those famouser Acts of Charity, which for publick and Pious Vses have been bestowed by many Worshipfull Citizens and Benefactors. As also all the Ancient and Modern Monuments erected in the Churches, not only of those two famous Cities, LONDON and WESTMINSTER, but (now newly added) Four miles compass. Begun first by the pains and industry of John Stow, in the year 1598. Afterwards inlarged by the care and diligence of A.M. in the year 1618. And now compleatly finished by the study &labour of A.M., H.D. and others, this present year 1633. Whereunto, besides many Additions (as appears by the Contents) are annexed divers Alphabetical Tables, especially two, The first, an index of Things. The second, a Concordance of Names. London: Printed for Nicholas Bourne, 1633. STC 23345.5.
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Strype, John, John Stow, Anthony Munday, and Humphrey Dyson. A Survey of the Cities of London and Westminster. Vol. 2. London, 1720. Remediated by The Making of the Modern World.
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Castor is mentioned in the following documents:
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Hercules is mentioned in the following documents:
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Medea is mentioned in the following documents:
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Orpheus is mentioned in the following documents:
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Pollux is mentioned in the following documents:
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Thomas Snodham is mentioned in the following documents:
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Telamon is mentioned in the following documents:
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Richard Simpson
Painter.Richard Simpson is mentioned in the following documents:
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Nicholas Sotherne is mentioned in the following documents:
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John Gaulter
Member of the Drapers’ Company.John Gaulter is mentioned in the following documents:
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Walter Coventry is mentioned in the following documents:
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Robert Awbrey is mentioned in the following documents:
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John Foster is mentioned in the following documents:
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Irene is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Westminster is mentioned in the following documents:
Organizations
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Drapers’ Company
Worshipful Company of Drapers
The Drapers’ Company was one of the twelve great companies of London. The Drapers were third in the order of precedence established in 1515. The Worshipful Company of Drapers is still active and maintains a website at https://www.thedrapers.co.uk/ that includes a history of the company and bibliography.This organization is mentioned in the following documents: