Articles by Pedagogical Partners
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Articles assigned to and/or written by Pedagogical Partners.The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/mdtPedagogicalPartner.htm.
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Articles assigned to and/or written by Pedagogical Partners.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/mdtPedagogicalPartner.htm.
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, & 2020. Articles assigned to and/or written by Pedagogical Partners. In (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/mdtPedagogicalPartner.htm.
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Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - The MoEML Team The MoEML Team A1 - Holmes, Martin ED - Jenstad, Janelle T1 - Articles assigned to and/or written by Pedagogical Partners. T2 - The Map of Early Modern London PY - 2020 DA - 2020/09/15 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/mdtPedagogicalPartner.htm UR - https://mapoflondon.uvic.ca/xml/standalone/mdtPedagogicalPartner.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 The MoEML Team The MoEML Team A1 Holmes, Martin A6 Jenstad, Janelle T1 Articles assigned to and/or written by Pedagogical Partners. T2 The Map of Early Modern London WP 2020 FD 2020/09/15 RD 2020/09/15 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/mdtPedagogicalPartner.htm
TEI citation
<bibl type="mla"><author><name ref="#TEAM1" type="org">The MoEML Team <reg>The MoEML
Team</reg></name></author>, and <author><name ref="#HOLM3"><forename>Martin</forename>
<forename>D.</forename> <surname>Holmes</surname></name></author>. <title level="a">Articles
assigned to and/or written by Pedagogical Partners.</title> <title level="m">The Map
of Early Modern London</title>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
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<date when="2020-09-15">15 Sep. 2020</date>, <ref target="https://mapoflondon.uvic.ca/mdtPedagogicalPartner.htm">mapoflondon.uvic.ca/mdtPedagogicalPartner.htm</ref>.</bibl>
Personography
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Joey Takeda
JT
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Kim McLean-Fiander is a member of the following organizations and/or groups:
Kim McLean-Fiander is mentioned in the following documents:
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Locations
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Andro Morris Key
Andro Morris Key, also known as Andro Morris Quay or Andrew Morris Key, was one of the so-called Legal Quays that sat east of London Bridge and west of Petty Wales/Galley Row and the Tower of London. It was within Tower Street Ward and appears on the Agas map asAndrew morice kay.
Andro Morris Key is mentioned in the following documents:
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Bankside
Bankside ran along the south bank of the Thames from Winchester house to the place where Blackfriars Bridge would later be built. Described by Weinreb asredolent of squalor and vice,
the nameBankside
became associated with the district consisting mainly of brothels, bear baiting arenas, and warehouses within the street’s proximity (Weinreb 39).Bankside is mentioned in the following documents:
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Bear Garden
The Bear Garden was never a garden, but rather a polygonal bearbaiting arena whose exact locations across time are not known (Mackinder and Blatherwick 18). Labelled on the Agas map asThe Bearebayting,
the Bear Garden would have been one of several permanent structures—wooden arenas, dog kennels, bear pens—dedicated to the popular spectacle of bearbaiting in the sixteenth and seventeenth centuries.Bear Garden is mentioned in the following documents:
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Blackfriars Theatre
The history of the two Blackfriars theatres is long and fraught with legal and political struggles. The story begins in 1276, when King Edward I gave to the Dominican order five acres of land.Blackfriars Theatre is mentioned in the following documents:
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Botolph’s Wharf
St. Botolph’s Wharf was located in Billingsgate Ward on the north bank of the Thames. Named after Botolph, the abbot of Iken, St. Botolph’s Wharf was a bustling site of commerce and trade.Botolph’s Wharf is mentioned in the following documents:
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Bridewell
Bridewell, once palace, then prison, was an intriguing site in the early modern period. It changed hands several times before falling into the possession of the City of London to be used as a prison and hospital. The prison is mentioned in many early modern texts, including plays by Jonson and Dekker as well as the surveys and diaries of the period. Bridewell is located on the Agas map at the corner of the Thames and Fleet Ditch, labelled asBride Well.
Bridewell is mentioned in the following documents:
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Charterhouse
The London Charterhouse refers to a series of buildings located at the north-east end of Charterhouse Lane to the west of Aldersgate Street near Smithfield. Throughout the early modern period, the Charterhouse served many functions: prior to the Reformation, it was a Carthusian monastery; however, after the execution of Prior Houghton and other Carthusian martyrs in the mid-sixteenth century, the monastery was dissolved and the Charterhouse became a well known private residence and, later, the site of a hospital, school, and pensioners’ home. Today, the Charterhouse is used as a home for elderly pensioners, hosting about forty men.Charterhouse is mentioned in the following documents:
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Charterhouse Lane
Charterhouse Lane was a narrow road that ran north-south between the London Charterhouse and St. John’s Street. The street earned its name due to its proximity to the London Charterhouse, which housed Carthusian monks. Following the dissolution of London monasteries between 1536 and 1541, Charterhouse Lane became a well known and documented site of poverty, crime, and drinking. After a series of demolitions in the eighteenth and nineteenth centuries, Charterhouse Lane was restructured as part of the modern-day Charterhouse Street.Charterhouse Lane is mentioned in the following documents:
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Cheapside Street
Cheapside, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Christ’s Hospital
Located in Farringdon Within Ward, Christ’s Hospital was a opened in 1552 as a home for London’s needy children. Inspired by the preaching of Dr. Nicholas Ridley, Edward VI decided to charter the hospital days before his death in 1553 (Manzione 33). Although it began as a hospital, Christ’s Hospital eventually became known for its respected school (Pearce 206).Christ’s Hospital is mentioned in the following documents:
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City Dog House
The City Dog House, located in northern London, was adjacent to Moorfields and was located outside of The Wall and the city wards. On the Agas map, it is labelled asDogge hous.
Built in 1512, the Lord Mayor’s dog house, as it was most frequently called, housed the Lord Mayor’s hunting dogs.City Dog House is mentioned in the following documents:
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Cuckold’s Haven
Cuckold’s Haven or Cuckold’s Point and the horn-topped pole that stood on the banks of the Thames were notorious in early modern London. The location was known for adultery both committed and threatened, and was referred to widely in the period’s literature. The Horne Faire of Charlton celebrated the association of the site with an act of cuckoldry involving King John. Cuckoldry had its own vocabulary at the time, reflecting both the anxieties of the social structure and the difference in moral perceptions from our present time. The landmark is no longer present but renewed interest in the site and a revival of the Horne Faire in Horn Fair Park has begun in recent years.Cuckold’s Haven is mentioned in the following documents:
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Falcon Inn
Falcon Inn was a tavern in the Bankside area and was a popular destination for many Elizabethan playwrights.Falcon Inn is mentioned in the following documents:
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Finsbury Field
Finsbury Field is located in northen London outside the London Wall. Note that MoEML correctly locates Finsbury Field, which the label on the Agas map confuses with Mallow Field (Prockter 40). Located nearby is Finsbury Court. Finsbury Field is outside of the city wards within the borough of Islington (Mills 81).Finsbury Field is mentioned in the following documents:
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Fleet Street
Fleet Street runs east-west from Temple Bar to Fleet Hill (Ludgate Hill), and is named for the Fleet River. The road has existed since at least the 12th century (Sugden 195) and known since the 14th century as Fleet Street (Beresford 26). It was the location of numerous taverns including the Mitre and the Star and the Ram.Fleet Street is mentioned in the following documents:
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Galley Key
Galley Key was a port on the north bank of the Thames, east of London Bridge, and south of Lower Thames Street in Tower Ward.Galley Key is mentioned in the following documents:
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London Bridge
As the only bridge in London crossing the Thames until 1729, London Bridge was a focal point of the city. After its conversion from wood to stone, completed in 1209, the bridge housed a variety of structures, including a chapel and a growing number of shops. The bridge was famous for the cityʼs grisly practice of displaying traitorsʼ heads on poles above its gatehouses. Despite burning down multiple times, London Bridge was one of the few structures not entirely destroyed by the Great Fire of London in 1666.London Bridge is mentioned in the following documents:
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Ludgate
Located in Farringdon Within Ward, Ludgate was a gate built by the Romans (Carlin and Belcher 80). Stow asserts that Ludgate was constructed by King Lud who named the gate after himselffor his owne honor
(Stow 1: 1).Ludgate is mentioned in the following documents:
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Moorfields
A low-lying marshy area just northeast of Moorgate and on the way to the Curtain, Moorfields was home to a surprising range of activities and accompanying cultural associations in early modern London. Beggars and the mentally ill patients of neighbouring Bethlehem Hospital often frequented the area. Some used the public space to bleach and dry linen, and the Honorable Artillery Company also used it as an official training ground. Moorfields was even a popular suburban destination for ice skating when its water froze during the winter. Moorfields was generallyfull of noysome waters
(Stow 2: 77) until 1605–1607, when it was successfully drained, levelled, and beautified with tree-lined pedestrian pathways. At this point, it transformed into a fashionable place for the genteel to see and to be seen. The history of Moorfields provides insight into social, political, environmental, and medical issues in early modern London.Moorfields is mentioned in the following documents:
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Newgate is mentioned in the following documents:
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Paul’s Wharf
According to Schofield, Paul’s Wharf is one of the oldest wharfs on the Thames (Schofield 181). Located in both Castle Baynard Ward and Queenhithe Ward, Paul’s Wharf was situated near St. Paul’s Cathedral and St. Benet. Since Paul’s Wharf was only blocks away from St. Paul’s Cathedral, the clergy used the wharf as a point of travel.Paul’s Wharf is mentioned in the following documents:
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Pike Gardens
On the Agas map there are nine rectangular and square pike gardens, or artificial fishponds, located in the liberty of Southwark among the bear and bullbaiting arenas. These nine pike gardens, however, give only an approximate indication of the size, shape, and location of early modern London’s three major aquaculture operations—the Winchester House Pike Garden, the King’s (or Queen’s) Pike Garden, and the Great Pike Garden—each of which dates to the Middle Ages. These fishponds relied on two separate types of holding areas: the vivarium, or breeding pond, and the servatorium, or holding pond. To catch and sort fish, workers drained the shallow ponds through diversion conduits equipped with gates and sluices. Freshwater fish cultivated in estate gardens were considered a luxury dish well into the eighteenth century, especially the pike, an aggressive predator that was admired and feared in Izaak Walton’s 1653 angler guidebook.Pike Gardens is mentioned in the following documents:
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Royal Exchange
Located in Broad Street Ward and Cornhill Ward, the Royal Exchange was opened in 1570 to make business more convenient for merchants and tradesmen (Harben 512). The construction of the Royal Exchange was largely funded by Sir Thomas Gresham (Weinreb, Hibbert, Keay, and Keay 718).Royal Exchange is mentioned in the following documents:
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Shoreditch
A suburban neighbourhood located just north of Moorfields and outside Londonʼs City Wall, Shoreditch was a focal point of early modern theatrical culture. Following a boom in Londonʼs population from 1550 to 1600, the neighbourhood became a prime target for development. The building of the Theatre in 1576 and the Curtain in the following year established Shoreditchʼs reputation as Londonʼs premier entertainment district, and the neigbourhood also featured a growing number of taverns, alehouses, and brothels. These latter establishments were often frequented by local players, of whom many prominent members were buried on the grounds of nearby St. Leonardʼs Church. Today, Shoreditch faces the potential revival of its early modern theatrical culture through the efforts of the Museum of London Archaeology and the Tower Hamlets Theatre Company.Shoreditch is mentioned in the following documents:
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Smart’s Key
One of the Legal Quays, Smart’s Key was primarily involved in the trade of fish. Named after its original owner, a Master Smart, the key eventually came into the possession of London’s fraternity of cordwainers. It is perhaps most notorious for being the location of an alehouse that in 1585 was converted by a man named Wotton into a training ground for aspiring cut-purses and pickpockets. The key was an important landing place for merchant vessels throughout the sixteenth and seventeenth centuries.Smart’s Key is mentioned in the following documents:
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St. Paul’s Churchyard
Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).St. Paul’s Churchyard is mentioned in the following documents:
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Stangate Stairs
Stangate Stairs provided river access to the Thames from its east bank, directly opposite Westminster Hall.Stangate Stairs is mentioned in the following documents:
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The Curtain
In 1577, the Curtain, a second purpose-built London playhouse arose in Shoreditch, just north of the City of London. The Curtain, a polygonal amphitheatre, became a major venue for theatrical and other entertainments until at least 1622 and perhaps as late as 1698. Most major playing companies, including the Lord Chamberlain’s Men, the Queen’s Men, and Prince Charles’s Men, played there. It is the likely site for the premiere of Shakespeare’s plays Romeo and Juliet and Henry V.The Curtain is mentioned in the following documents:
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The Globe
For information about the Globe, a modern map marking the site where the it once stood, and a walking tour that will take you to the site, visit the Shakespearean London Theatres (ShaLT) article on the Globe.The Globe is mentioned in the following documents:
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The Rose
Built in 1587 by theatre financier Philip Henslowe, the Rose was Bankside’s first open-air amphitheatre playhouse (Egan). Its foundation, excavated in 1989, reveals a fourteen-sided structure about 22 metres in diameter, making it smaller than other contemporary playhouses (White 302). Relatively free of civic interference and surrounded by pleasure-seeking crowds, the Rose did very well, staging works by such playwrights as Shakespeare, Marlowe, Kyd, and Dekker (Egan).The Rose is mentioned in the following documents:
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The Steelyard
The Steelyard was the chief outpost of the Hanseatic League in the city of London. Located on the north side of the River Thames, slightly west of London Bridge, the Steelyard was home to many wealthy German merchants from the 13th century to the end of the 16th century. Although it was a powerful economic force in the 15th and early 16th centuries, by the time of Elizabeth’s reign, piracy and economic sanctions had rendered the once great Steelyard obsolete (Lloyd 344-5).The Steelyard is mentioned in the following documents:
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The Thames is mentioned in the following documents:
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The Theatre
For information about the The Theatre, a modern map marking the site where the it once stood, and a walking tour that will take you to the site, visit the Shakespearean London Theatres (ShaLT) article on The Theatre.The Theatre is mentioned in the following documents:
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The Wall
Originally built as a Roman fortification for the provincial city of Londinium in the second century C.E., the London Wall remained a material and spatial boundary for the city throughout the early modern period. Described by Stow ashigh and great
(Stow 1: 8), the London Wall dominated the cityscape and spatial imaginations of Londoners for centuries. Increasingly, the eighteen-foot high wall created a pressurized constraint on the growing city; the various gates functioned as relief valves where development spilled out to occupy spacesoutside the wall.
The Wall is mentioned in the following documents:
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Westminster Stairs
Westminster Stairs was an important site in early modern London that provided access to the Thames from Westminster Abbey. Used during royal processions and by rivermen throughout daily life, Westminster Stairs was known as being a place of bustling activity.Westminster Stairs is mentioned in the following documents:
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Whitehall Stairs
Whitehall Stairs was an important location in early modern London. Providing a point of access to the Thames from Whitehall, the stairs were used by both the public and members of the royal family. Although the stairs are rarely alluded to in early modern literature, they appear in a number of texts about daily life in London during the time period.Whitehall Stairs is mentioned in the following documents:
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Wood Street Counter is mentioned in the following documents:
Organizations
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The MoEML Team
These are all MoEML team members since 1999 to present. To see the current members and structure of our team, seeTeam.
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Former Student Contributors
We’d also like to acknowledge students who contributed to MoEML’s intranet predecessor at the University of Windsor between 1999 and 2003. When we redeveloped MoEML for the Internet in 2006, we were not able to include all of the student projects that had been written for courses in Shakespeare, Renaissance Drama, and/or Writing Hypertext. Nonetheless, these students contributed materially to the conceptual development of the project.
Roles played in the project
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