Halls
Halls in early modern London.
References
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, and .
Survey of London: Vintry Ward.
The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/stow_1598_VINT2.htm.
Cite this page
MLA citation
Halls in early modern London.The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/mdtEncyclopediaLocationHall.htm.
Chicago citation
Halls in early modern London.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/mdtEncyclopediaLocationHall.htm.
APA citation
The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/mdtEncyclopediaLocationHall.htm.
, & 2020. Halls in early modern London. In (Ed), RIS file (for RefMan, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - The MoEML Team The MoEML Team A1 - Holmes, Martin ED - Jenstad, Janelle T1 - Halls in early modern London. T2 - The Map of Early Modern London PY - 2020 DA - 2020/09/15 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/mdtEncyclopediaLocationHall.htm UR - https://mapoflondon.uvic.ca/xml/standalone/mdtEncyclopediaLocationHall.xml ER -
RefWorks
RT Web Page SR Electronic(1) A1 The MoEML Team The MoEML Team A1 Holmes, Martin A6 Jenstad, Janelle T1 Halls in early modern London. T2 The Map of Early Modern London WP 2020 FD 2020/09/15 RD 2020/09/15 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/mdtEncyclopediaLocationHall.htm
TEI citation
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Team</reg></name></author>, and <author><name ref="#HOLM3"><forename>Martin</forename>
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<ref target="https://mapoflondon.uvic.ca/mdtEncyclopediaLocationHall.htm">mapoflondon.uvic.ca/mdtEncyclopediaLocationHall.htm</ref>.</bibl>
Personography
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Joey Takeda
JT
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Kim McLean-Fiander
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Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Locations
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Armourers’ Hall is mentioned in the following documents:
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Bakers’ Hall is mentioned in the following documents:
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Barbers’ Hall is mentioned in the following documents:
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Basing Hall is mentioned in the following documents:
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Blacksmiths’ Hall is mentioned in the following documents:
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Bowyers’ Hall is mentioned in the following documents:
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Brewers’ Hall is mentioned in the following documents:
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Bricklayers’ Hall
The Bricklayers’ Hall was east of Billiter Lane and stood on the south side of the street running west from the water pump near Aldgate. This street was named Leadenhall Street in the seventeenth century but was considered part of Aldgate Street when Stow was writing. Stow mentions the hall only in passing in his survey, so he neglects the hall’s appearance and history (Stow). The hall was incorporated in 1568 but by the eighteenth century the Bricklayers had abandoned it. Thereafter, it was used as a synagogue by Dutch Jews (Harben).Bricklayers’ Hall is mentioned in the following documents:
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Butchers’ Hall is mentioned in the following documents:
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Carpenters’ Hall is mentioned in the following documents:
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Carriers’ Hall is mentioned in the following documents:
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Clerk’s Hall
According to Stow, Clerk’s Hall was on the Northwest corner of Broad Lane in Vintry Ward. Stow mentions that the hall was previously located on Bishopsgate Street (Stow 191). The Bishopsgate Street location is the one listed in Carlin and Belcher, so the move presumably occured between 1520 and 1598 (Carlin and Belcher 82).Clerk’s Hall is mentioned in the following documents:
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Clothworkers’ Hall is mentioned in the following documents:
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Cooks’ Hall is mentioned in the following documents:
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Coopers’ Hall is mentioned in the following documents:
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Cordwainers’ Hall
Alternate names for this location includeCordwayners Hall
andShoomakers Hall.
Cordwainers’ Hall is mentioned in the following documents:
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Curriers’ Hall is mentioned in the following documents:
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Cutlers’ Hall is mentioned in the following documents:
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Drapers’ Hall
Draper’s Hall was a livery company hall on the north side of Throgmorton Street in Broad Street Ward. On the Agas map, Drapers’ Hall appears as a large house with three round towers, thus resembling the architecture of Hampton Court Palace and some of the college gates at Oxford and Cambridge Universities. Stow records that the hall was built by Sir Thomas Cromwell for his own use as a house. The Drapers bought the house from Henry VIII in 1543, the house having passed into the monarch’s possession after Cromwell’s execution in 1540.Drapers’ Hall is mentioned in the following documents:
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Dyers’ Hall is mentioned in the following documents:
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Embroiderers’ Hall is mentioned in the following documents:
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Fishmongers’ Hall is mentioned in the following documents:
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Fletchers’ Hall is mentioned in the following documents:
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Founders’ Hall is mentioned in the following documents:
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Fullers’ Hall (Billiter Lane)
Prior to the point at which the Fullers’ Company joined the Shearmen in 1528 and established the Clothworkers’ Company, the Fullers appear to have occupied a space that was, according to Victor Belcher and Martha Carlin, ahall with [an] orchard at [the] S. end of Billiter Lane, described in letters patent of 1619 as formerly having beek known as Fullers’ Hall
(Carlin and Belcher 74).Fullers’ Hall (Billiter Lane) is mentioned in the following documents:
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Fullers’ Hall (Candlewick Street)
The Fullers’ Hall on Candlewick Street, or simply theOld Fullers’ Hall
refers to one of two halls owned by the Fullers’ Company prior to merging with the Shearmen in 1528, establishing the Clothworkers’ Company (Carlin and Belcher 74). The Fullers seem to have occupied this hall by 1475 and remained there until their relocation to the Fullers’ Hall on Billiter Lane no later than 1619 (Carlin and Belcher 74). The hall was located where St. Martin’s Lane meets Candlewick StreetFullers’ Hall (Candlewick Street) is mentioned in the following documents:
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Gerrards Hall is mentioned in the following documents:
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Girdlers’ Hall is mentioned in the following documents:
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Glaziers’ Hall is mentioned in the following documents:
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Goldsmiths’ Hall is mentioned in the following documents:
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Grocers’ Hall is mentioned in the following documents:
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Guildhall is mentioned in the following documents:
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Guildhall of the Hanseatic League is mentioned in the following documents:
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Haberdashers’ Hall is mentioned in the following documents:
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Innholders’ Hall is mentioned in the following documents:
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Ironmongers’ Hall is mentioned in the following documents:
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Joiners’ Hall
Joiners’ Hall was built on the company’s property in Thames Street, some time between 1518 and 1551. See the description of Joiners’ Hall at the company’s website.Joiners’ Hall is mentioned in the following documents:
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Leathersellers’ Hall
The Leathersellers Hall was a hall belonging to the Leathersellers in Bishopsgate Ward east of Bishopsgate Street and north of St. Helen’s church. The Leathersellers Hall is not instantly recognizable on the Agas map. It is one of the houses north of St. Helen’s church and south of the walled garden by the west end of St. Mary Axe church. The hall is, however, featured on Richard Blome’s 1755 map of Bishopsgate Ward.Leathersellers’ Hall is mentioned in the following documents:
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Masons’ Hall is mentioned in the following documents:
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Mercers’ Hall
The hall of the Mercers’ Company was located on the north side of Cheapside Street by the Great Conduit.Mercers’ Hall is mentioned in the following documents:
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Merchant Taylors’ Hall is mentioned in the following documents:
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Merchants of the Haunce of Almaineʼs Hall
According to Stow, the Merchants of the Haunce of Almaineʼs Hall was located in Thames Street by Cousin Lane and waslarge, builded of Stone, with three arched Gates towards the street
(Stow 1: 234).Merchants of the Haunce of Almaineʼs Hall is mentioned in the following documents:
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Middle Temple Hall
Within the Middle Temple complex on the west side of Middle Temple Lane.Middle Temple Hall is mentioned in the following documents:
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Old Hall is mentioned in the following documents:
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Painter Stainers’ Hall
The Painter Stainers’ Hall, also known simply as the Painters’ Hall, was located[o]n the west side of Little Trinity LaneGap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] in Queenhithe ward
(Harben 454). Sometimes referred to as Browne’s House because it was the house of John Brown, Sergeant Painter in the reign of Henry VIII, the space became the hall of the Painter Stainers’ Company following Browne’s death in 1532. The structure stood until it was destroyed in The Great Fire of 1666, but was promptly rebuilt in 1668 (Harben 454).Painter Stainers’ Hall is mentioned in the following documents:
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Pewterers’ Hall is mentioned in the following documents:
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Pinner’s Hall
Pinners’ Hall belonged to the Pinners or Pinmakers’ Company, and itoccupie[d] the site of the east end of the Augustine Friars Church
(Harben 476). However,[i]n the [eighteenth] century a portion of it was fitted up with pulpit and pews and used as an Anabaptist Meeting House
(Harben 476). The site was demolished in 1798 and is[n]ow occupied as offices and business houses
(Harben 476).Pinners’ Hall is not to be confused with Plasterers’ Hall, which was formerly known as ‘Pinners Hall’ (Harben 477). Said building was described as ‘Pynners Hall’ in 1556, which was the year it was given to the Plasterers’ Company (Harben 476).Pinner’s Hall is mentioned in the following documents:
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Plasterers’ Hall is mentioned in the following documents:
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Plumbers’ Hall is mentioned in the following documents:
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Ringed Hall
Ringed Hall has a varied chain of ownership. Carlin and Belcher state that the hall was granted to Rewley Abbey in 1282 by the 2nd Earl of Cornwall and was then let out to tenants (Carlin and Belcher 84). Harben notes that during Edward III’s reign it belonged to Benedict de Folesham, and in 1541 Henry VIII gave the hall to Morgan Philip, alias Wolfe (Harben 504). In today’s London, the hall would sit at the corner of Great St. Thomas Apostle and Queen St. (Harben 504).Ringed Hall is mentioned in the following documents:
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Saddlers’ Hall is mentioned in the following documents:
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Salters’ Hall is mentioned in the following documents:
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Skinners’ Hall is mentioned in the following documents:
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Stationers’ Hall (St. Paul’s)
Beginning in 1554 until about 1606, The Stationers’ Hall near St. Peter’s College functioned as the second headquarters for the Stationers’ Company, following their occupation of the Stationer’s Hall (Milk Street) and preceding their occupation of the Avergabenny House on Wood Street. The hall was located near St. Paul’s Cathedral and was just north of the The Deanery, adjacent to the courtyard and St. Peter’s College Rents. According to Cyprian Blagden,[A] good deal of money was spent to make [the building] suitable for its new functions,
but the move gave the Stationers’ Company an appropriate locationin the very centre of the area which for so long was associated with the buying and selling of books
(Blagden 19).Stationers’ Hall (St. Paul’s) is mentioned in the following documents:
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Tallow Chandlers’ Hall is mentioned in the following documents:
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Upolsters’ Hall Upon Cornhill is mentioned in the following documents:
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Vintners’ Hall is mentioned in the following documents:
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Wax Chandlers’ Hall is mentioned in the following documents:
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Weavers’ Hall is mentioned in the following documents:
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Woodmonger’s Hall is mentioned in the following documents:
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These are all MoEML team members since 1999 to present. To see the current members and structure of our team, seeTeam.
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We’d also like to acknowledge students who contributed to MoEML’s intranet predecessor at the University of Windsor between 1999 and 2003. When we redeveloped MoEML for the Internet in 2006, we were not able to include all of the student projects that had been written for courses in Shakespeare, Renaissance Drama, and/or Writing Hypertext. Nonetheless, these students contributed materially to the conceptual development of the project.
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