The Rose
Agas MapList documents mentioning The Rose- 19 September 2014: Pedagogical Partnership expands as MoEML Director visits Washington College, MD
- A-Z index of all items in the document collection (published and unpublished)
- Blackfriars Theatre
- Falcon Inn
- Gazetteer (R)
- Gazetteer (T)
- Henslowe’s Diary
- London Bridge
- Our Pedagogical Partners
- Pudding Lane
- Shoreditch
- St. Saviour (Southwark) (Parish)
- The Cockpit
- The Curtain
- The Swan
- Thomas Middleton (playwright)
- Variant spellings
¶Additional Information from MoEML
Built in 1587 by theatre financier Philip Henslowe, the Rose was Bankside’s first open-air
amphitheatre playhouse (Egan). Its
foundation, excavated in 1989, reveals a fourteen-sided structure about 22
metres in diameter, making it smaller than other contemporary playhouses (White 302).
Despite its small size, the Rose was a hub of
theatrical activity. Its popularity was partly due to its location; falling
outside of the jurisdiction of the City of London, Bankside was a locus for brothels, inns, animal-baiting arenas,
public gardens, and fishing pools (White
305). Relatively free of civic interference and surrounded by
pleasure-seeking crowds, the Rose did very well,
staging works by such playwrights as Shakespeare, Marlowe, Kyd, and Dekker (Egan).
The 1590s were comparatively early days for London playhouses. So-called
privatehalls (the theatrical venue of choice for the privileged classes) were not yet common; hence, playgoers at the Rose would have consisted of a mix of upper and lower classes (Gurr, Playgoing 80). Tradesmen and artisans likely formed the bulk of the demographic, but servants, apprentices, students, gentlefolk, and citizens (and citizens’ wives) were also in attendance (70–78). The size and variety of the crowd, plus the theatre’s extra-jurisdictional real estate, also guaranteed the presence of cutpurses, prostitutes, vagrants, and gangs (149).
Activity at the Rose began to decline in 1600, when
Henslowe turned his attention to his newly constructed Fortune Playhouse, located in London’s northern suburbs (Egan). Meanwhile, competition had
sprung up in the form of the Globe theatre, which
was built a mere fifty yards away from the Rose
(Gurr,
Condition274). No longer interested in maintaining the venture, Henslowe had the Rose torn down in 1606 (Egan).
For information about the Rose, a modern map marking the site where the it once stood, and a walking tour that will
take you to the site, visit the Shakespearean London Theatres (ShaLT) article on the Rose.
References
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Citation
Egan, Gabriel, ed. Shakespearean London Theatres. De Montfort U and Victoria & Albert Museum. http://shalt.dmu.ac.uk/.This item is cited in the following documents:
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Citation
Egan, Gabriel.Rose Theatre.
The Oxford Companion to Shakespeare. Ed. Michael Dobson and Stanley Wells. Oxford: Oxford UP, 2001. 396. Remediated by Oxford Reference Online.This item is cited in the following documents:
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Citation
Gurr, Andrew. Playgoing in Shakespeare’s London. 3rd ed. Cambridge: Cambridge UP, 2004. Print.This item is cited in the following documents:
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Citation
Gurr, Andrew.The Condition of Theatre in England in 1599.
The Cambridge History of British Theatre. Vol. 1. Ed. Jane Milling and Peter Thomson. Cambridge: Cambridge UP, 2004. 264–281. Print.This item is cited in the following documents:
-
Citation
White, Martin.London Professional Playhouses and Performances.
The Cambridge History of British Theatre. Vol. 1. Ed. Jane Milling and Peter Thomson. Cambridge: Cambridge UP, 2004. 298–340. Print.This item is cited in the following documents:
Cite this page
MLA citation
.
The Rose.The Map of Early Modern London, edited by , U of Victoria, 15 Sep. 2020, mapoflondon.uvic.ca/ROSE6.htm. INP.
Chicago citation
.
The Rose.The Map of Early Modern London. Ed. . Victoria: University of Victoria. Accessed September 15, 2020. https://mapoflondon.uvic.ca/ROSE6.htm. INP.
APA citation
2020. The Rose. In (Ed), The Map of Early Modern London. Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/ROSE6.htm. INP.
RIS file (for RefMan, EndNote etc.)
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RefWorks
RT Unpublished Material SR Electronic(1) A1 Mead-Willis, Sarah A6 Jenstad, Janelle T1 The Rose T2 The Map of Early Modern London WP 2020 FD 2020/09/15 RD 2020/09/15 PP Victoria PB University of Victoria LA English OL English LK https://mapoflondon.uvic.ca/ROSE6.htm
TEI citation
<bibl type="mla"><author><name ref="#MEAD1"><surname>Mead-Willis</surname>, <forename>Sarah</forename></name></author>.
<title level="a">The Rose</title>. <title level="m">The Map of Early Modern London</title>,
edited by <editor><name ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
<publisher>U of Victoria</publisher>, <date when="2020-09-15">15 Sep. 2020</date>,
<ref target="https://mapoflondon.uvic.ca/ROSE6.htm">mapoflondon.uvic.ca/ROSE6.htm</ref>.
INP.</bibl>
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Joey Takeda
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Kim McLean-Fiander
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Director of Pedagogy and Outreach, 2015–present. Associate Project Director, 2015–present. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad is a member of the following organizations and/or groups:
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Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed. Web.
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Edgar Mao
EM
Edgar Yuanbo Mao received his B.A in English Language and Literature from Peking University, China, and his M.Phil in English (Literary Studies) from the Chinese University of Hong Kong. He is currently a D.Phil candidate in English literature (1500-1800) in the Faculty of English, University of Oxford. His doctoral research focuses on the literary and historical contexts of the Rose playhouse on the Bankside, London (1587- c.1606). His wider research interests include cultural and literary theory, early modern English drama, theatre history, and the multiple facets of the intellectual history as well as the rich material culture of the early modern period.Roles played in the project
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Stewart Arneil
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC) who maintained the Map of London project between 2006 and 2011. Stewart was a co-applicant on the SSHRC Insight Grant for 2012–16.Roles played in the project
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Sarah Mead-Willis
SMW
Student contributor enrolled in English 520: Representations of London in Early Modern Literature and Culture at the University of Victoria in Summer 2008. BA English, University of Alberta. MA Library and Information Science, University of Alberta. MA English, University of Victoria; Sarah Mead-Willis won the Lieutenant Governor’s Silver Medal (top master’s other than thesis, all faculties). After her graduation in 2009, she returned to the University of Alberta as a rare book cataloguer.Roles played in the project
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Thomas Dekker is mentioned in the following documents:
Thomas Dekker authored or edited the following items in MoEML’s bibliography:
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Bevington, David. Introduction.
The Shoemaker’s Holiday.
By Thomas Dekker. English Renaissance Drama: A Norton Anthology. Ed. David Bevington, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen. New York: Norton, 2002. 483–487. Print. -
Dekker, Thomas. Britannia’s Honor.
The Dramatic Works of Thomas Dekker.
Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1961. Print. -
Dekker, Thomas. The Dead Tearme. Or Westminsters Complaint for long Vacations and short Termes. Written in Manner of a Dialogue betweene the two Cityes London and Westminster. 1608. The Non-Dramatic Works of Thomas Dekker. Ed. Rev. Alexander B. Grosart. 5 vols. 1885. Reprint. New York: Russell and Russell, 1963. 4.1–84.
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Dekker, Thomas. The Gull’s Horn-Book: Or, Fashions to Please All Sorts of Gulls. Thomas Dekker: The Wonderful Year, The Gull’s Horn-Book, Penny-Wise, Pound-Foolish, English Villainies Discovered by Lantern and Candelight, and Selected Writings. Ed. E.D. Pendry. London: Edward Arnold, 1967. 64–109. The Stratford-upon-Avon Library 4.
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Dekker, Thomas. The Gul’s Horne-booke. London: [Nicholas Okes] for R. S[ergier?], 1609. Rpt. EEBO. Web.
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Dekker, Thomas. If it be not good, the Diuel is in it A nevv play, as it hath bin lately acted, vvith great applause, by the Queenes Maiesties Seruants: at the Red Bull. London: Printed by Thomas Creede for John Trundle, 1612. STC 6507. EEBO.
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Dekker, Thomas. Lantern and Candlelight. 1608. Ed. Viviana Comensoli. Toronto: Centre for Reformation and Renaissance Studies, 2007. Publications of the Barnabe Riche Society.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
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Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
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Dekker, Thomas. London’s Tempe. The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge UP, 1961. Print.
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Dekker, Thomas. The magnificent entertainment giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, upon the day of his Majesties triumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: with the speeches and songes, deliuered in the severall pageants. London: Printed by Thomas Creede for Thomas Man the younger, 1604. EEBO. Reprint. Subscr.
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Dekker, Thomas. The Magnificent Entertainment: Giuen to King James, Queene Anne his wife, and Henry Frederick the Prince, ypon the day of his Majesties Triumphant Passage (from the Tower) through his Honourable Citie (and Chamber) of London being the 15. Of March. 1603. London: T. Man, 1604. Treasures in full: Renaissance Festival Books. British Library. Web. Open.
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Dekker, Thomas? The Owles almanacke prognosticating many strange accidents which shall happen to this kingdome of Great Britaine this yeere, 1618 : calculated as well for the meridian mirth of London, as any other part of Great Britaine : found in an Iuy-bush written in old characters / and now published in English by the painefull labours of Mr. Iocundary Merry-braines. London, 1618. EEBO. Reprint. Subscr.
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Dekker, Thomas. Penny-wise pound foolish or, a Bristow diamond, set in two rings, and both crack’d Profitable for married men, pleasant for young men, and a rare example for all good women. London, 1631. EEBO. Reprint. Subscr.
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Dekker, Thomas. The Second Part of the Honest Whore, with the Humors of the Patient Man, the Impatient Wife: the Honest Whore, perswaded by strong Arguments to turne Curtizan againe: her braue refuting those Arguments. London: Printed by Elizabeth All-de for Nathaniel Butter, 1630. STC 6506. EEBO.
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Dekker, Thomas. The seuen deadly sinnes of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. London, 1606. EEBO. Reprint. Subscr.
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Dekker, Thomas. The Shoemaker’s Holiday. Ed. R.L. Smallwood and Stanley Wells. Manchester: Manchester UP, 1979. The Revels Plays.
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Dekker, Thomas. The Shomakers Holiday: or, The Gentle Craft With the Humorous Life of Simon Eyre, Shoomaker, and Lord Maior of London. London, 1600. EEBO. Reprint. Subscr.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–79.
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Dekker, Thomas. Troia-Noua Triumphans. London: Nicholas Okes, 1612. STC 6530. DEEP 578. Greg 302a. Copy: Chapin Library; Shelfmark: 01WIL_ALMA.
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Dekker, Thomas. Westward Ho! The Dramatic Works of Thomas Dekker. Vol. 2. Ed. Fredson Bowers. Cambridge: Cambridge UP, 1964.
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Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Smith, Peter J.
Glossary.
The Shoemakers’ Holiday. By Thomas Dekker. London: Nick Hern, 2004. 108–110. Print.
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Philip Henslowe is mentioned in the following documents:
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Christopher Marlowe is mentioned in the following documents:
Christopher Marlowe authored or edited the following items in MoEML’s bibliography:
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Marlowe, Christopher. The Troublesome Raigne and Lamentable Death of Edward the Second, King of England. London: William Jones, dwelling neere Holbourne conduit, at the signe of the Gunne, 1594. Rpt. EEBO. Web.
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William Shakespeare is mentioned in the following documents:
William Shakespeare authored or edited the following items in MoEML’s bibliography:
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Munday, Anthony, Henry Chettle, Thomas Dekker, Thomas Heywood, and William Shakespeare. Sir Thomas More. Ed. Vittorio Gabrieli and Giorgio Melchiori. Revels Plays. Manchester; New York: Manchester UP, 1990. Print.
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Shakespeare, William. All’s Well That Ends Well. Ed. Helen Ostovich. Internet Shakespeare Editions. Open.
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Shakespeare, William. Antony and Cleopatra. Ed. Randall Martin. Internet Shakespeare Editions. Open.
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Shakespeare, William. The Comedy of Errors. Ed. Matthew Steggle. Internet Shakespeare Editions. Open.
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Shakespeare, William. The first part of the contention betwixt the two famous houses of Yorke and Lancaster with the death of the good Duke Humphrey: and the banishment and death of the Duke of Suffolke, and the tragicall end of the proud Cardinall of VVinchester, vvith the notable rebellion of Iacke Cade: and the Duke of Yorkes first claime vnto the crowne. London, 1594. STC26099. [Transcription available from Internet Shakespeare Editions. Web.]
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Shakespeare, William. Henry IV, Part 1. Ed. Rosemary Gaby. Internet Shakespeare Editions. 11 May 2012. Open.
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Shakespeare, William. Henry V. Ed. James D. Mardock. Internet Shakespeare Editions. 11 May 2012. Open.
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Shakespeare, William. King Lear. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 1201–54.
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Shakespeare, William. King Richard III. Ed. James R. Siemon. London: Methuen, 2009. The Arden Shakespeare.
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Shakespeare, William. The Life of King Henry the Eighth. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 919–64.
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Shakespeare, William. Measure for Measure. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 414–54.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. Open.
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Shakespeare, William. A Midsummer Night’s Dream. Ed. Suzanne Westfall. Internet Shakespeare Editions. Open.
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Shakespeare, William. Mr. VVilliam Shakespeares comedies, histories, & tragedies Published according to the true originall copies. London, 1623. STC 22273. [Book facsimiles available from Internet Shakespeare Editions. Web.]
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Shakespeare, William. Much Ado About Nothing. Ed. Grechen Minton. Internet Shakespeare Editions. 11 May 2012. Open.
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Shakespeare, William. The Passionate Pilgrim. Ed. Hardy M. Cook. Internet Shakespeare Editions. Open.
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Shakespeare, William. The Phoenix and the Turtle. Ed. Hardy M. Cook. Internet Shakespeare Editions. Open.
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Shakespeare, William. Richard II. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 740–83.
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Shakespeare, William. Richard the Third (Modern). Ed. Adrian Kiernander. Internet Shakespeare Editions. 6 March 2012. Open.
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Shakespeare, William. The Second Part of King Henry the Sixth. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 552–984.
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Shakespeare, William. The Tempest. Ed. Brent Whitted and Paul Yachnin. Internet Shakespeare Editions. Open.
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Shakespeare, William. Titus Andronicus. The Complete Works of Shakespeare. Ed. David Bevington. 5th ed. New York: Pearson Longman, 2004. 966–1004.
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Shakespeare, William. Troilus and Cressida. Ed. W. L. Godshalk. Internet Shakespeare Editions. Open.
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Shakespeare, William. Twelfth Night. Ed. David Carnegie and Mark Houlahan. Internet Shakespeare Editions. Open.
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Shakespeare, William. Two Gentlemen of Verona. Ed. Melissa Walter. Internet Shakespeare Editions. Open.
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Locations
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Bankside
Bankside ran along the south bank of the Thames from Winchester house to the place where Blackfriars Bridge would later be built. Described by Weinreb asredolent of squalor and vice,
the nameBankside
became associated with the district consisting mainly of brothels, bear baiting arenas, and warehouses within the street’s proximity (Weinreb 39).Bankside is mentioned in the following documents:
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The Fortune
According to Weinreb, Hibbert, Keay, and Keay, the Fortune was built for Edward Alleyn and Philip Henslow in 1600. Above the door, there was a statue of the Goddess of Fortune (Weinreb, Hibbert, Keay, and Keay 305).The Fortune is mentioned in the following documents:
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The Globe
For information about the Globe, a modern map marking the site where the it once stood, and a walking tour that will take you to the site, visit the Shakespearean London Theatres (ShaLT) article on the Globe.The Globe is mentioned in the following documents:
Variant spellings
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Documents using the spelling
Rose
- Thomas Middleton (playwright)
- Henslowe’s Diary
- Our Pedagogical Partners
- 19 September 2014: Pedagogical Partnership expands as MoEML Director visits Washington College, MD
- Falcon Inn
- The Curtain
- The Cockpit
- Shoreditch
- The Swan
- London Bridge
- The Rose
- St. Saviour (Southwark) (Parish)
- Blackfriars Theatre
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Documents using the spelling
the Rose
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Documents using the spelling
The Rose
