Thirty-Pound Gentlemen and the Jacobean Inflation of Honours
The term thirty-pound gentlemen refers to the men who were able to buy their way into the gentry by purchasing titles.
This practice was instituted by King James, and, as David Riggs notes, his
Scottish cronieswere often the ones who
collected the Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] bribes(Riggs 123). In the case of this particular phrase, the title of gentleman would have cost thirty pounds. However, the monetary figure varies, and thus so does the term for those who moved upwards on the social scale by way of making a payment. In addition to these terms, the phrase
inflation of honoursis also used by modern historians to denote this practice (Stone 24). As Lawrence Stone notes,
the most fundamental dichotomy within the society was between the gentleman and the non-gentleman, a division that was based essentially upon the distinction between those who did, and those who did not, have to work with their hands(Stone 17). This distinction explains the desire of commoners to become gentlemen. Upon acquiring a title, one would move up considerably in social standing. James was able to capitalize on this desire for social climbing, using the money he collected to finance his own spending (Stone 47–48).
The 1605 play by Ben Jonson, George Chapman, and John Marston entitled Eastward Ho! satirizes this new class of gentleman. Sir Petronel Flash is a debauched knight who, had it not been for his bought title, would have remained
the unimpressive-sounding Mr. Flash (Riggs 122). In this instance, he has bought a knighthood for thirty pounds. This point is made
clear in the following exchange between two gentlemen in Eastward Ho!:
First Gentleman: I ken the man weel, he’s one of my thirty-pound knights.Second Gentleman: No, no, this is he that stole his knighthood o’ the grand day for four pound.(Chapman 4.1.197–200)
Riggs explains that
lest anyone fail to grasp the reference to James, First Gentleman turns into a comic Scotsman with a heavy brogue while speaking the line that refers to(Riggs 123). The passage assumes that something that can be bought can also be stolen, like any other commodity.histhirty-pound knights
During James’ reign, the practice of selling knighthoods became popular. Stone records that
there was a remarkable increase in the number of the upper class, which trebled at a period when the total population barely doubled(Stone 23–24). He identifies the growth of each level of the upper class:
the number of peers rose from 60 to 160; of baronets and knights from 500 to 1,400; of squires from perhaps 800 to 3,000; of armigerous gentry [gentlemen allowed to wear a coat of arms] from perhaps 5,000 to around 15,000(Stone 24). While Stone does qualify that these increases resulted from a variety of factors—the extremely high rate of reproduction among the gentry, as well as the creation of new wealth due to trade—these increases were in large part influenced by the practice of the inflation of honours (Stone 24). Kevin Sharpe notes that, historically, scholars have not paid enough attention to the impact that the inflation of honours had on early Stuart society (Sharpe 322).
The practice of buying titles had a significant impact on the way in which the monarchy
was perceived. In
The Inflation of Honours 1558–1641,Stone calls the
open sale of titlesin the seventeenth century
a crying scandal,and suggests that the titles bestowed in such a way were no longer viewed as legitimate. The decision to sell titles betrayed the system of bestowing honours as
fundamental[ly] artificialand exposed it to
public contempt and ridicule(Stone 45). This mockery of the inflation of honours is clear in the above passage from Eastward Ho!
Naturally, as a result of the increase in the number of gentlemen, the cachet associated
with being a gentleman waned. By 1682 Sir William Dugdale reluctantly agreed that
these Marks of Honour Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] are now by most people grown of little esteem(qtd. in Stone 48). The enormous growth of the lowest titled rank—armigerous gentry—from 5,000 to 15,000 would have greatly debased the prestige of having this title (Stone 24). The increase in the number of armigerous gentry made those belonging to the nobility (the upper ranks of the gentry) increasingly concerned about the exclusivity of their positions.
There was some debate surrounding the sale of the title of esquire and the consequences
of this practice. Originally the title was used only for the younger sons of peers
and their male heirs, knights’ male heirs, and judges, sheriffs, and justices of the
peace. But Sir Robert Knollys suggested that the title of esquire should be sold in a similar fashion to the title
of gentleman (Stone 48). However, this move was blocked by aristocrats (the elite members of the gentry)
who were fearful of losing their prestigious position in society. This decision to
block the sale of esquiries demonstrates the alternative view about the selling of
titles. For those without titles, the ability to purchase the ticket into honourable
society was positive. For those who already possessed titles, the inflation of honours
represented a threat to their elite
gentleman’s club.
References
-
Citation
Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.This item is cited in the following documents:
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Citation
Riggs, David. Ben Jonson: A Life. Cambridge: Harvard UP, 1989. Print.This item is cited in the following documents:
-
Citation
Sharpe, Kevin.Crown, Parliament and Locality: Government and Communication in Early Stuart England.
The English Historical Review 101.399 (1986): 321–350. doi:10.1093/ehr/CI.CCCXCIX.321.This item is cited in the following documents:
-
Citation
Stone, Lawrence.The Inflation of Honours 1558–1641.
Past and Present 14.1 (1958): 45–70. doi:10.1093/past/14.1.45.This item is cited in the following documents:
-
Citation
Stone, Lawrence.Social Mobility in England, 1500–1700.
Past and Present 33.1 (1966): 16–55. doi:10.1093/past/33.1.16.This item is cited in the following documents:
Cite this page
MLA citation
Jacobean Inflation of Honours.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/THIR1.htm.
Chicago citation
Jacobean Inflation of Honours.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/THIR1.htm.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/THIR1.htm.
2022. Jacobean Inflation of Honours. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Mann, Paisley ED - Jenstad, Janelle T1 - Jacobean Inflation of Honours T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/THIR1.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/THIR1.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#MANN1"><surname>Mann</surname>, <forename>Paisley</forename></name></author>.
<title level="a">Jacobean Inflation of Honours</title>. <title level="m">The Map of
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<publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>,
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Kate LeBere
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Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
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Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Paisley Mann
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Student contributor enrolled in English 520: Representations of London in Early Modern Literature and Culture at the University of Victoria in Summer 2008. Paisley Mann completed her MA at the University of Victoria and went on to doctoral work at the University of British Columbia. Her work on Thomas Heywood’s 2 If You Know Not MeYou Know Nobody began with a term paper on the play’s portrayal of illicit French sexuality, a topic she has also researched for the website Representing France and the French in Early Modern English Drama. This topic interests her, although she specializes in Victorian literature, because she frequently works on how Victorian literature portrays France and French culture. She is also a contributor for Routledge’s online database Annotated Bibliography of English Studies.Roles played in the project
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George Chapman is mentioned in the following documents:
George Chapman authored or edited the following items in MoEML’s bibliography:
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Chapman, George, Ben Jonson, and John Marston. Eastvvard hoe. London: George Eld for William Aspley, 1605. STC 4973.
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Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.
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Sir William Dugdale is mentioned in the following documents:
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Sir Petronel Flash is mentioned in the following documents:
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James VI and I
James This numeral is a Roman numeral. The Arabic equivalent is 6VI This numeral is a Roman numeral. The Arabic equivalent is 1I King of Scotland King of England King of Ireland
(b. 1566, d. 1625)James VI and I is mentioned in the following documents:
James VI and I authored or edited the following items in MoEML’s bibliography:
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James VI and I. Letters of King James VI and I. Ed. G.P.V. Akrigg. Berkeley: U of California P, 1984. Print.
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Rhodes, Neill, Jennifer Richards, and Joseph Marshall, eds. King James VI and I: Selected Writings. By James VI and I. Aldershot: Ashgate, 2004.
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Ben Jonson is mentioned in the following documents:
Ben Jonson authored or edited the following items in MoEML’s bibliography:
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Chapman, George, Ben Jonson, and John Marston. Eastvvard hoe. London: George Eld for William Aspley, 1605. STC 4973.
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Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Gifford, William, ed. The Works of Ben Jonson. By Ben Jonson. Vol. 1. London: Nichol, 1816. Remediated by Internet Archive.
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Jonson, Ben. The Alchemist. London: New Mermaids, 1991. Print.
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Jonson, Ben. Bartholomew Fair. Ed. E.A. Horsman. Manchester: Manchester UP, 1979. Revels Plays. Print.
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Jonson, Ben. Bartholomew Fair. Ed. Suzanne Gossett, based on The Revels Plays edition ed. E.A. Horsman. Manchester: Manchester UP, 2000. Revels Student Editions. Print.
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Jonson, Ben. Ben: Ionson’s execration against Vulcan. London: J. Okes for John Benson and A. Crooke, 1640. STC 14771.
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Jonson, Ben. B. Ion: his part of King Iames his royall and magnificent entertainement through his honorable cittie of London, Thurseday the 15. of March. 1603 so much as was presented in the first and last of their triumphall arch’s. London, 1604. STC 14756.
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Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter, Jr. New York: New York UP, 1963. Print.
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Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter. Stuart Edtions. New York: New YorkUP, 1963.
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Jonson, Ben. The Devil is an Ass. Ed. Peter Happé. Manchester and New York: Manchester UP, 1996. Revels Plays. Print.
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Jonson, Ben. Epicene. Ed. Richard Dutton. Revels Plays. Manchester: Manchester UP, 2004. Print.
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Jonson, Ben. Every Man Out of His Humour. Ed. Helen Ostovich. Manchester: Manchester UP, 2001. Print.
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Jonson, Ben. The First, of Blacknesse, Personated at the Court, at White-hall, on the Twelfth Night, 1605. The Characters of Two Royall Masques: The One of Blacknesse, the Other of Beautie. Personated by the Most Magnificent of Queenes Anne Queene of Great Britaine, &c. with her Honorable Ladyes, 1605 and 1608 at White-hall. London : For Thomas Thorp, and are to be Sold at the Signe of the Tigers Head in Paules Church-yard, 1608. Sig. A3r-C2r. STC 14761.
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Jonson, Ben. Oberon, The Faery Prince. The Workes of Benjamin Jonson. Vol. 1. London: Will Stansby, 1616. Sig. 4N2r-2N6r.
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Jonson, Ben. The Staple of Newes. The Works. Vol. 2. London: Printed by I.B. for Robert Allot, 1631. Sig. 2A1r-2J2v.
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Jonson, Ben. The Staple of News. Ed. Anthony Parr. Manchester; New York: Manchester UP, 1999. Revels Plays. Print.
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Jonson, Ben.
To Penshurst.
The Norton Anthology of English Literature. Ed. Stephen Greenblatt, Carol T. Christ, Alfred David, Barbara K. Lewalski, Lawrence Lipking, George M. Logan, Deidre Shauna Lynch, Katharine Eisaman Maus, James Noggle, Jahan Ramazani, Catherine Robson, James Simpson, Jon Stallworthy, Jack Stillinger, and M. H. Abrams. 9th ed. Vol. B. New York: W.W. Norton & Company, 2012. 1547. -
Jonson, Ben. Underwood. Cambridge: Cambridge UP, 1905. Remediated by Internet Archive.
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Jonson, Ben. The vvorkes of Beniamin Ionson. Containing these playes, viz. 1 Bartholomew Fayre. 2 The staple of newes. 3 The Divell is an asse. London, 1641. STC 14754.
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Sir Robert Knolles
(d. 1407)First Earl of Banbury. Led a large group of London citizens to Smithfield to assist Richard II during the Peasant’s Revolt of 1381. Husband of Constance Knolles. Buried at Whitefriars Church.Sir Robert Knolles is mentioned in the following documents:
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John Marston is mentioned in the following documents:
John Marston authored or edited the following items in MoEML’s bibliography:
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Chapman, George, Ben Jonson, and John Marston. Eastvvard hoe. London: George Eld for William Aspley, 1605. STC 4973.
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Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.