The Dolphin (Temple Bar)
Agas MapThe Dolphin in Temple Bar was in existence at least by 1544 (Carlin and Belcher 72). The location was immedately to the east of Temple Bar on the north side of Fleet Street.
This location has been added to the MoEML gazetteer on the authority of Carlin and
Belcher’s gazetteer of 1520 London.
References
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Citation
Carlin, Martha, and Victor Belcher.Gazetteer to the c.1270 and c.1520 Maps with Historical Notes.
The British Atlas of Historic Towns. Vol. 3. The City of London From Prehistoric Times to c.1520. Ed. Mary D. Lobel and W.H. Johns. Oxford: Oxford UP in conjunction with The Historic Towns Trust, 1989. Print. [Also available online at British Historic Towns Atlas. Gazetteer part 1. Gazetteer part 2. Gazetteer part 3.]This item is cited in the following documents:
Cite this page
MLA citation
The Dolphin (Temple Bar).The Map of Early Modern London, Edition 6.6, edited by , U of Victoria, 30 Jun. 2021, mapoflondon.uvic.ca/edition/6.6/DOLP3.htm. INP.
Chicago citation
The Dolphin (Temple Bar).The Map of Early Modern London, Edition 6.6. Ed. . Victoria: University of Victoria. Accessed June 30, 2021. mapoflondon.uvic.ca/edition/6.6/DOLP3.htm. INP.
APA citation
2021. The Dolphin (Temple Bar). In (Ed), The Map of Early Modern London (Edition 6.6). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/6.6/DOLP3.htm. INP.
RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC ED - Jenstad, Janelle T1 - The Dolphin (Temple Bar) T2 - The Map of Early Modern London ET - 6.6 PY - 2021 DA - 2021/06/30 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/6.6/DOLP3.htm UR - https://mapoflondon.uvic.ca/edition/6.6/xml/standalone/DOLP3.xml TY - UNP ER -
TEI citation
<bibl type="mla"> <title level="a">The Dolphin (Temple Bar)</title>. <title level="m">The
Map of Early Modern London</title>, Edition <edition>6.6</edition>, edited by <editor><name
ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
<publisher>U of Victoria</publisher>, <date when="2021-06-30">30 Jun. 2021</date>,
<ref target="https://mapoflondon.uvic.ca/edition/6.6/DOLP3.htm">mapoflondon.uvic.ca/edition/6.6/DOLP3.htm</ref>.
INP.</bibl>
Personography
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Lucas Simpson
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Research Assistant, 2018-present. Lucas Simpson is a student at the University of Victoria.Roles played in the project
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Tracey El Hajj
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Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course onArtificial Intelligence and Everyday Life.
Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.Roles played in the project
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Joey Takeda
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Chase Templet
CT
Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.Roles played in the project
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Brooke Isherwood
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Research Assistant, 2016-2018. Brooke Isherwood was a graduate student in the Department of English at the University of Victoria, concentrating on medieval and early modern Literature. She had a special interest in Shakespeare as well as lesser-known works from the Renaissance.Roles played in the project
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Janelle Jenstad
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Locations
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Temple Bar
Temple Bar was one of the principle entrances to the city of London, dividing the Strand to the west and Fleet Street to the east. It was an ancient right of way and toll gate. Walter Thornbury dates the wooden gate structure shown in the Agas Map to the early Tudor period, and describes a number of historical pageants that processed through it, including the funeral procession of Henry V, and it was the scene of King James I’s first entry to the city (Thornbury 1878). The wooden structure was demolished in 1670 and a stone gate built in its place (Sugden 505).Temple Bar is mentioned in the following documents:
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Fleet Street
Fleet Street runs east-west from Temple Bar to Fleet Hill or Ludgate Hill, and is named for the Fleet River. The road has existed since at least the 12th century (Sugden 195) and known since the 14th century as Fleet Street (Beresford 26). It was the location of numerous taverns including the Mitre and the Star and the Ram.Fleet Street is mentioned in the following documents:
Variant spellings
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Documents using the spelling
The Dolphin
