The Great Boobee.
To a pleasant new Tune: Or, Salengers round.
MY Friends if you will understand
my fortunes what they are,
I once had Cattel, house and Land,
but now I am never the near,
My Father left a good estate,
as I may tell to thee,
I cozened was of all I had,
like a great Boobee.
I went to School with a good intent,
and for to learn my book,
And all the day I went to play,
in it I never did look:
Full seven years, or very nigh,
as I may tell to thee,
I could hardly say my Christ Cross row1
like a great Boobee.
My Father then in all the haste,
did set me to the Plow,
And for to lash the horse about,
indeed I knew not how:
My Father took his Whip in his hand,
and soundly lashed me,
He call’d me Fool and Country Clown,
and great Boobee.
But I did from my Father run,
for I will plow no more,
Because he hath so slashed me,
and made my side so sore:
But I will go to London Town,
some vashions for to see
When I came there they call’d me (Clown,
and great Boobee.
But as I went along the street,
I carried my Hat in my hand,
And to every one that I did meet,
I bravely bust my hand:
Some did laugh, and some did scoff,
and some did mock at me,
And some did say I was a Woodcock,
and a great Boobee.
Then did I walk in haste to Pauls,
the Steeple for to view
Because I heard some people say,
it should be builded new:
Then I got up unto the top,
the City for to see,
It was so high it made me cry,
like a great Boobee.
FRom thence I went to Wesminster,
and for to see the Tombs,
Oh, said I, what a house is here,
with an infinite sight of Rooms?
Sweetly the Abby Bells did ring
it was a fine sight to see,
Me thoughts I was going to heaven in (a string,
like a great Boobee.
But as I went along the street,
the most part of the day,
Many gallants did I meet,
me thoughts they were very gay:
I blew my Nose, and pist my Hose,
some people did me see,
They said I was a beastly fool,
and a great Boobee.
Next day I through Pie-corner past,
the Roast-meat on the stall,
Invited me to take a taste
my money was but small:
The meat I pickt, the Cook me kickt
as I may tell to thee,
He beat me sore, and made me rore
like a great Boobee.
As I through Smithfield lately walkt,
a gallant Lass I met,
Familiarly with me she talk,
which I cannot forget;
She proffered me a pint of Wine,
me thought she was wondrous free,
To the Tavern then I went with her,
like a great Boobee.
She told me we were near of kin,
and call’d for Wine good store,
Before the reckoning was brought in,
my Cousin prov’d a Whore
My Purse she pickt, and went away,
my Cousin cozened me.
The Vintner kickt me out of door,
like a great Boobee.
At the Exchange when I came there,
I saw most gallant things,
I thought the Pictures living were
of all our English Kings;
I doft my hat, and made a leg,
and kneeled on my knee;
The people laught, and call’d me fool,
and great Boobee.
To Paris Garden then I went,
where there is great resort,
My pleasure was my punishment,
I did not like the sport.
The Garden bull with his stout horns,
on high then tossed me,
I did bewray my self with fear,
like a great Boobee.
The This text has been supplied. Reason: Smudging dating from the original print process.
Evidence: The text has been supplied based on evidence internal to this text (context,
etc.). (MR)B2ear-heard went to save me then
the people flockt about,
I told the Bear-garden men,
my guts were almost out;
They said I stunk most grievously
no man would pitty me,
They cal’d me witlesse fool and asse,
and great Boobee.
Then ore the Water did I passe,
as you shall understand,
I dropt into the Thames alass,
before I came to Land;
The Water-man did help me out,
and thus thus did say to me,
’Tis not thy fortune to be drown’d,
thou great Boobee.
But I have learned so much Wit,
shall shorten all my cares,
If I can but a license get
to play before the Bears,
’Twill be a gallant place indeed
as I may tell to thee
Then who dare call me fool or Ass,
or great Boobee?
Finis.
Notes
Cite this page
MLA citation
The Great Boobee.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/GREA5.htm.
Chicago citation
The Great Boobee.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/GREA5.htm.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/GREA5.htm.
. 2022. The Great Boobee. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - , ED - Jenstad, Janelle T1 - The Great Boobee T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/GREA5.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/GREA5.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#ANON2"><name ref="#ANON2">Anonymous</name></name></author>.
<title level="a">The Great Boobee</title>. <title level="m">The Map of Early Modern
London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/GREA5.htm">mapoflondon.uvic.ca/edition/7.0/GREA5.htm</ref>.</bibl>
Personography
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Molly Rothwell
MR
Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell was an undergraduate student at the University of Victoria, with a double major in English and History. During her time at MoEML, Molly primarily worked on encoding and transcribing the 1598 and 1633 editions of Stow’s Survey, adding toponyms to MoEML’s Gazetteer, researching England’s early-modern court system, and standardizing MoEML’s Mapography.Roles played in the project
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Lucas Simpson
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Kate LeBere
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Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project
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Tracey El Hajj
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Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course onArtificial Intelligence and Everyday Life.
Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.Roles played in the project
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Joey Takeda
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Tye Landels-Gruenewald
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Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.Roles played in the project
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Michael Stevens
MS
Research Assistant, 2012-2013. Michael Stevens began his MA at Trinity College Dublin and then transferred to the University of Victoria, where he completed it in early 2013. His research focused on transnational modernism and geospatial considerations of literature. He prepared a digital map of James Joyce’s Ulysses for his MA project. Michael was a talented photographer and was responsible for taking most of the MoEML team photographs appearing on this site.Roles played in the project
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Sarah Milligan
SM
Research Assistant, 2012-2014. MoEML Research Affiliate. Sarah Milligan completed her MA at the University of Victoria in 2012 on the invalid persona in Elizabeth Barrett Browning’s Sonnets from the Portuguese. She has also worked with the Internet Shakespeare Editions and with Dr. Alison Chapman on the Victorian Poetry Network, compiling an index of Victorian periodical poetry.Roles played in the project
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Benjamin Barber
BB
Benjamin Barber is a PhD student at the University of Ottawa. His recently completed MA research at the University of Victoria analyzed the role of mimetic desire, honour, and violence in Heywood’s Edward IV Parts 1 and 2 and Shakespeare’s The Winter’s Tale. Barber’s current research explores the influence of Shakespearian protagonists on Lord Byron’s characterization of Childe Harold and Don Juan. He has articles forthcoming in Literature and Theology (Oxford UP) and Contagion: Journal of Violence Mimesis and Culture (Michigan State UP). He has also contributed an article to Anthropoetics: The Journal of Generative Anthropology (UCLA).Roles played in the project
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Francis Coles is mentioned in the following documents:
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Anonymous
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Locations
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London is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Westminster Abbey
Westminster Abbey was and continues to be a historically significant church. One of its many notable features isPoets’ Corner.
Located in the south transept of the church, it is the final resting place of Geoffrey Chaucer, Ben Jonson, Francis Beaumont, and many other notable authors; in 1740, a monument for William Shakespeare was erected in Westminster Abbey (ShaLT). The church is located on the bottom-left corner of the Agas map.Westminster Abbey is mentioned in the following documents:
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Pie Corner is mentioned in the following documents:
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Smithfield
Smithfield was an open, grassy area located outside the Wall. Because of its location close to the city centre, Smithfield was used as a site for markets, tournaments, and public executions. From 1123 to 1855, the Bartholomew’s Fair took place at Smithfield (Weinreb, Hibbert, Keay, and Keay 842).Smithfield is mentioned in the following documents:
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Royal Exchange
Located in Broad Street Ward and Cornhill Ward, the Royal Exchange was opened in 1570 to make business more convenient for merchants and tradesmen (Harben 512). The construction of the Royal Exchange was largely funded by Sir Thomas Gresham (Weinreb, Hibbert, Keay, and Keay 718).Royal Exchange is mentioned in the following documents:
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Paris Garden Manor House is mentioned in the following documents:
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Bear Garden
The Bear Garden was never a garden, but rather a polygonal bearbaiting arena whose exact locations across time are not known (Mackinder and Blatherwick 18). Labelled on the Agas map asThe Bearebayting,
the Bear Garden would have been one of several permanent structures—wooden arenas, dog kennels, bear pens—dedicated to the popular spectacle of bearbaiting in the sixteenth and seventeenth centuries.Bear Garden is mentioned in the following documents:
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The Thames
Perhaps more than any other geophysical feature, the Thames river has directly affected London’s growth and rise to prominence; historically, the city’s economic, political, and military importance was dependent on its riverine location. As a tidal river, connected to the North Sea, the Thames allowed for transportation to and from the outside world; and, as the longest river in England, bordering on nine counties, it linked London to the country’s interior. Indeed, without the Thames, London would not exist as one of Europe’s most influential cities. The Thames, however, is notable for its dichotomous nature: it is both a natural phenomenon and a cultural construct; it lives in geological time but has been the measure of human history; and the city was built around the river, but the river has been reshaped by the city and its inhabitants.The Thames is mentioned in the following documents:
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Vine Street is mentioned in the following documents:
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Hatton Garden is mentioned in the following documents: