The Triumphs of Honor and Industry
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T
he
T
ryumphs of
Honor and Induſtry .
A Solemnity performed through the
City, at Confirmation and eſtab
liſhment of the Right Honorable, George
Bovvles, In the Office of his Maieſties
Lieuetenant, the Lord Mayor of the fa
mous Citty of London.
Taking beginning at his Lord
ſhips going, and proceeding after his
Returne from receiuing the Oath of Maior
alty at Weſtminſter, on the morrow next
after Simon and Iudes day
October 29. 1617.
Honor and Induſtry .
A Solemnity performed through the
City, at Confirmation and eſtab
liſhment of the Right Honorable, George
Bovvles, In the Office of his Maieſties
Lieuetenant, the Lord Mayor of the fa
mous Citty of London.
Taking beginning at his Lord
ſhips going, and proceeding after his
Returne from receiuing the Oath of Maior
alty at Weſtminſter, on the morrow next
after Simon and Iudes day
October 29. 1617.
LONDON,
Printed by Nicholas OkesThis text has been supplied. Reason: Smudging dating from the original print process. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH).
1617.
Printed by Nicholas OkesThis text has been supplied. Reason: Smudging dating from the original print process. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (CH).
1617.
To the Worthy Deſeruer of all
the Coſts and Triumphs, which the
Noble Society of Grocers in bounteous mea
ſure beſtow on him, the Right Honourable,
George Bovvles, Lord Mayor of
the famous City of London.
ſeruice,
T. M.
the Coſts and Triumphs, which the
Noble Society of Grocers in bounteous mea
ſure beſtow on him, the Right Honourable,
George Bovvles, Lord Mayor of
the famous City of London.
Right Honorable,
OVt of the ſlighteſt la
bours and imploy
ments there may that
Vertue ſometimes a
riſe, that may enligh
ten the beſt part of man, nor haue
theſe kind of Tryumphs an idle Rel
liſh, eſpecially if they be Artfully
accompliſht, vnder ſuch an eſteemed
bours and imploy
ments there may that
Vertue ſometimes a
riſe, that may enligh
ten the beſt part of man, nor haue
theſe kind of Tryumphs an idle Rel
liſh, eſpecially if they be Artfully
accompliſht, vnder ſuch an eſteemed
A3
ſlight-
The Epiſtle Dedicatory.
ſlightneſſe may often
lurke that fire
that may ſhame the beſt perfection:
For inſtance, what greater meanes
for the imitation of Vertue and No
bleneſſe can any where preſent it ſelfe
with more Alacrity to the Beholder,
then the Memorable Fames of
thoſe Worthies in the Caſtle, manife
ſted by their Eſcutchions of Armes,
the onely Symboles of Honor and An
tiquity. The Honorable Seate that
is reſerued, all men haue hope, that
your Iuſtice and Goodneſſe will ex
actly merit, to the Honor of which I
commend your Lordſhips Vertues, re
maining
At your Honorsthat may ſhame the beſt perfection:
For inſtance, what greater meanes
for the imitation of Vertue and No
bleneſſe can any where preſent it ſelfe
with more Alacrity to the Beholder,
then the Memorable Fames of
thoſe Worthies in the Caſtle, manife
ſted by their Eſcutchions of Armes,
the onely Symboles of Honor and An
tiquity. The Honorable Seate that
is reſerued, all men haue hope, that
your Iuſtice and Goodneſſe will ex
actly merit, to the Honor of which I
commend your Lordſhips Vertues, re
maining
ſeruice,
T. M.
The
T
he
T
ryumphs of
Honour and Induſtry.
Honour and Induſtry.
IT hath beene twice
my fortune in ſhort
time to haue im
ploiment for this
Noble Societye,
where I haue al
wayes mette with
men of much vn
derſtanding, and
no leſſe bounty,
to whom coſt appeares but as a ſhadow, ſo there
be fulneſſe of content in the performance of the
ſolemnity, which that the world may iudge of,
for whoſe pleaſure & ſatisfaction, cuſtome hath
yeerly framde it, (but chiefly for the honor of the
City) it begins to preſent it ſelfe, not without
forme and order, which is required in the mea
neſt emploiment.
my fortune in ſhort
time to haue im
ploiment for this
Noble Societye,
where I haue al
wayes mette with
men of much vn
derſtanding, and
no leſſe bounty,
to whom coſt appeares but as a ſhadow, ſo there
be fulneſſe of content in the performance of the
ſolemnity, which that the world may iudge of,
for whoſe pleaſure & ſatisfaction, cuſtome hath
yeerly framde it, (but chiefly for the honor of the
City) it begins to preſent it ſelfe, not without
forme and order, which is required in the mea
neſt emploiment.
The
The
triumphs of
The firſt Inuention.
ACompany of Indians, attired according
to
the true Nature of their Country, ſeeming
for the moſt part naked, are ſet at worke in an
Iland of growing ſpices; ſome planting Nutmeg
Trees, ſome other ſpice trees, of all kinds, ſome
gathering the fruits, ſome making vp bags of
Pepper, euery one ſeuerally imploide; Theſe
Indians are al actiue youths, who ceaſing in their
labours, dance about the trees, both to giue con
tent to themſThis text has been supplied. Reason: Smudging dating from the original print process. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)elues and the ſpectators.
the true Nature of their Country, ſeeming
for the moſt part naked, are ſet at worke in an
Iland of growing ſpices; ſome planting Nutmeg
Trees, ſome other ſpice trees, of all kinds, ſome
gathering the fruits, ſome making vp bags of
Pepper, euery one ſeuerally imploide; Theſe
Indians are al actiue youths, who ceaſing in their
labours, dance about the trees, both to giue con
tent to themſThis text has been supplied. Reason: Smudging dating from the original print process. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)elues and the ſpectators.
After this ſhew of dauncing Indians in the
Iland, followes triumphantly a rich perſonage,
preſenting India, (the Seate of Merchandiſe) this
India ſits on the top of an Illuſtrious Chariot,
on the one ſide of her ſits trafficke or merchan
dize, on the other ſide, Induſtry, both fitted and
adorned according to the property of their na
tures, Induſtry holding a golden Ball in her hand
vpon which ſtandsſtāds a Cupid, ſignifying that Induſtry
gets both wealth and loue, and with her aſſociate
Trafficke or Merchandize, who holds a Globe in
her hand, knits loue and This text is the corrected text. The original is peaeepeace amongſt all Na
tions, to the better expreſſing of which, if you
giue attention to Induſtry, that now ſets forward
to ſpeake, it will be yours more exactly.
Iland, followes triumphantly a rich perſonage,
preſenting India, (the Seate of Merchandiſe) this
India ſits on the top of an Illuſtrious Chariot,
on the one ſide of her ſits trafficke or merchan
dize, on the other ſide, Induſtry, both fitted and
adorned according to the property of their na
tures, Induſtry holding a golden Ball in her hand
vpon which ſtandsſtāds a Cupid, ſignifying that Induſtry
gets both wealth and loue, and with her aſſociate
Trafficke or Merchandize, who holds a Globe in
her hand, knits loue and This text is the corrected text. The original is peaeepeace amongſt all Na
tions, to the better expreſſing of which, if you
giue attention to Induſtry, that now ſets forward
to ſpeake, it will be yours more exactly.
The
Honor and
Induſtry.
The ſpeech of Induſtry in the
Chariot.
Chariot.
IWas iealous of the ſhadowing of my grace,
But that I know this is my time and place;
Where ha’s not Induſtry a noble friend,
In this Aſſembly, euen the beſt extend
Their grace and loue to me, (ioyde or amazde)
Who, of true Fame poſſeſt but I haue rayſde,
And after added Honors to his dayes,
For Induſtry is the life-bloud of praiſe,
To riſe without mee, is to ſteale to glory,
And who ſo abiect to leaue ſuch a ſtory,
It is as cleere as Light, as bright as truth,
Fame waytes their age, whom Induſtry their youth.
Behold this Ball of Gold, vpon which ſtands
A golden Cupid wrought with curious hands,
The mighty power of Induſtry it ſhowes,
That gets both wealth, and loue, which ouerflows
With ſuch a ſtreame of Amity and peace,
(Not onely to it ſelfe adding increaſe)
But ſeuerall nations where commerce abounds
Taſte the harmonious peace, ſo ſweetly ſounds,
For inſtance, let your gracious eye be fixt,
Vpon a Ioye, true, though ſo ſtrangely mixt.
B
And
The
triumphs of
And that you may take the better note of
their
adornments, India whoſe ſeate is the moſt emi
nent, for her expreſſion, holdes in her hand a
wedge of golde, trafficke her aſſociate, a Globe,
Induſtry a faire golden Ball in her hand, vpon
which ſtands a goldengoldē Cupid, Fortune expreſt with
a ſiluer wheele, Succeſſe holding a painted Ship
in a Hauen, wealth a golden key where her heart
lyes, Vertue bearing for her manifeſtation, a ſiluer
ſhield, Grace holding in her hand a booke, Perfe
ction, a crowne of gold.
adornments, India whoſe ſeate is the moſt emi
nent, for her expreſſion, holdes in her hand a
wedge of golde, trafficke her aſſociate, a Globe,
Induſtry a faire golden Ball in her hand, vpon
which ſtands a goldengoldē Cupid, Fortune expreſt with
a ſiluer wheele, Succeſſe holding a painted Ship
in a Hauen, wealth a golden key where her heart
lyes, Vertue bearing for her manifeſtation, a ſiluer
ſhield, Grace holding in her hand a booke, Perfe
ction, a crowne of gold.
At which words the Pageant of ſeuerall
Na
tions, which is purpoſely planted neer the ſound
of the words, mooues with a kind of affectionate
ioy, both at the honor of the dayes triumph, and
the proſperity of Loue, which by the vertue of
Traffick, is likely euer to continue, and for a good
Omen of the Euerlaſting continuance of it, on
the top of this curious and triumphant Pageant,
ſhoots vp a Laurell tree the leaues ſpotted with
gold, about which ſit ſix celeſtial figures, preſen
ting Peace, Proſperity, Loue, Vnity, Plenty, & Fide
lity, Peace holding a branch of Palme, Proſperity
a Laurell, Loue, two ioynd hands, Vnity two
Turtles, Plenty holding fruits, Fidelity a ſiluer an
chor. But before I entred ſo far I ſhould haue
ſhowde you the zeale and loue of the French
man and Spaniard, which now I hope will not ap
peare vnſeaſonably, who not content with a ſilent
ioy like the reſt of the Nations, haue a thirſt to
tions, which is purpoſely planted neer the ſound
of the words, mooues with a kind of affectionate
ioy, both at the honor of the dayes triumph, and
the proſperity of Loue, which by the vertue of
Traffick, is likely euer to continue, and for a good
Omen of the Euerlaſting continuance of it, on
the top of this curious and triumphant Pageant,
ſhoots vp a Laurell tree the leaues ſpotted with
gold, about which ſit ſix celeſtial figures, preſen
ting Peace, Proſperity, Loue, Vnity, Plenty, & Fide
lity, Peace holding a branch of Palme, Proſperity
a Laurell, Loue, two ioynd hands, Vnity two
Turtles, Plenty holding fruits, Fidelity a ſiluer an
chor. But before I entred ſo far I ſhould haue
ſhowde you the zeale and loue of the French
man and Spaniard, which now I hope will not ap
peare vnſeaſonably, who not content with a ſilent
ioy like the reſt of the Nations, haue a thirſt to
vtter
Honor and
Induſtry.
vtter their gladneſſe, though vnderſtood of a
ſmall number, which is this.
ſmall number, which is this.
The ſhort ſpeech
deliuered by the Frenchman
in French.
in French.
La multitude
m’ayant monte ſur ce haut lieu, pour
contempler le glorieux triumphe de ceſte Iournee, le
voy quen quelque ſorte la noble dignite de la treſho
norable ſociete des Grociers y eſt repreſentee, dont
meſiouiſſant par deſſus tous, le leur ſouhaite & a
Monſegneur le Mayre le Comble de touttes nobles &
heureuſes fortunes.
contempler le glorieux triumphe de ceſte Iournee, le
voy quen quelque ſorte la noble dignite de la treſho
norable ſociete des Grociers y eſt repreſentee, dont
meſiouiſſant par deſſus tous, le leur ſouhaite & a
Monſegneur le Mayre le Comble de touttes nobles &
heureuſes fortunes.
The ſame in
Engliſh.
IT is my ioy chiefly, (and I ſtand for thou
ſands) to ſee the glory of this triumphant day,
which in ſome meaſure requites the noble wor
thineſſe of the Honourable Society of Grocers,
to whom and to my Lord Mayor I wiſh all good
ſucceſſes.
ſands) to ſee the glory of this triumphant day,
which in ſome meaſure requites the noble wor
thineſſe of the Honourable Society of Grocers,
to whom and to my Lord Mayor I wiſh all good
ſucceſſes.
This Frenchman no ſooner ſets a period to
his
ſpeech, but the Spanyard in zeale as vertuous as
he, vtters himſelfe to the purpoſe of theſe words.
ſpeech, but the Spanyard in zeale as vertuous as
he, vtters himſelfe to the purpoſe of theſe words.
The Spanyards ſpeech in Spaniſh.
Ningunas de todas eſtas naciones conciben maior
y ver dadera alegria en eſte triumphante y glorioſo
dia que yo, no, minguna de todas ellas, porque agora
y ver dadera alegria en eſte triumphante y glorioſo
dia que yo, no, minguna de todas ellas, porque agora
B2
que
The
tryumphs of
que me parece que ſon tan ricas, es ſenal que los de my
naciòn en tratando con ellas receberan, mayor pro
uecho dellas, Al my ſenior Don Maior todas buenas y
dichoſas fortunas, Y a los de la honrada Compania de
Eſpecicros dichoſos deſsi eos, Y aſſi dios guarde a my
ſenior Don Maior, y rogo à dios que todo el anno ſi
guiente, puede ſer tan dichoſo, como eſta entrada ſuya,
a la digmday de la ſeniora, Guarde dios a ſu ſen
noria.
naciòn en tratando con ellas receberan, mayor pro
uecho dellas, Al my ſenior Don Maior todas buenas y
dichoſas fortunas, Y a los de la honrada Compania de
Eſpecicros dichoſos deſsi eos, Y aſſi dios guarde a my
ſenior Don Maior, y rogo à dios que todo el anno ſi
guiente, puede ſer tan dichoſo, como eſta entrada ſuya,
a la digmday de la ſeniora, Guarde dios a ſu ſen
noria.
The ſame in EngliſThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)h.
NOne of all theſe Nations, conceiue more
true ioy at this triumphant day, then my ſelf,
to my Lord Mayor all faire and noble fortunes,
and to the worthy Society of Grocers, all happy
wiſhes, and I pray heauen, that all the yeere fol
lowing may be as happy and ſucceſſefull, as this
firſt entrance to your dignity.
true ioy at this triumphant day, then my ſelf,
to my Lord Mayor all faire and noble fortunes,
and to the worthy Society of Grocers, all happy
wiſhes, and I pray heauen, that all the yeere fol
lowing may be as happy and ſucceſſefull, as this
firſt entrance to your dignity.
This expreſſion of their ioy and loue
hauing
ſpent it ſelfe, I know you cannot part contented,
without their ſeuerall inſcriptions; now the fa
uour and helpe muſt be in you, to conceiue our
breadth and limits, and not to thinke we can in
theſe cuſtomary bounds comprehend all the na
tions, but ſo many as ſhall ſerue to giue content
to the vnderſtander, which thus produce them
ſelues.
ſpent it ſelfe, I know you cannot part contented,
without their ſeuerall inſcriptions; now the fa
uour and helpe muſt be in you, to conceiue our
breadth and limits, and not to thinke we can in
theſe cuſtomary bounds comprehend all the na
tions, but ſo many as ſhall ſerue to giue content
to the vnderſtander, which thus produce them
ſelues.
An
Honor and
Induſtry.
An Engliſhman.
A Frenchman.
An Iriſhman.
A Spanyard.
A Turke.
A Iew.
A Dane.
A Polander.
A Barbarian.
This fully expreſt, I arriue now at that part
of
Tryumph, which my Deſire euer haſtned to
come to, this Caſtle of Fame or Honor, which
Induſtry brings her Sonnes vnto in their Reue
rend Ages.
Tryumph, which my Deſire euer haſtned to
come to, this Caſtle of Fame or Honor, which
Induſtry brings her Sonnes vnto in their Reue
rend Ages.
In the front of this Caſtle, Reward and Indu
ſtry deckt in bright Robes, keepe a Seate be
tweene them for him to whom the Dayes ho
nour is dedicated, ſhewing how many worthy
ſtry deckt in bright Robes, keepe a Seate be
tweene them for him to whom the Dayes ho
nour is dedicated, ſhewing how many worthy
B3
Sonnes
The
tryumphs of
Sonnes of the Citty, and of the ſame Society,
haue by their Truth, Deſert and Induſtry come
to the like honour before him, where on a ſud
den is ſhewne diuerſe of the ſame Right Wor
ſhipfull Society of Grocers, manifeſted both
by their good gouernment in their Times, as
alſo by their Eſcuchions of Armes, as an ex
ample and encouragement to all Vertuous and
Induſtrious deſeruers in time to come: And in
honour of Antiquity is ſhewne that Antient
and Memorable Worthy of the Grocers Com
pany, Andrew Bockrill, who was Maior of
London the ſixteenth yeare of Henry the third,
1231. and continued ſo Mayor ſeuen yeares to
gether.
haue by their Truth, Deſert and Induſtry come
to the like honour before him, where on a ſud
den is ſhewne diuerſe of the ſame Right Wor
ſhipfull Society of Grocers, manifeſted both
by their good gouernment in their Times, as
alſo by their Eſcuchions of Armes, as an ex
ample and encouragement to all Vertuous and
Induſtrious deſeruers in time to come: And in
honour of Antiquity is ſhewne that Antient
and Memorable Worthy of the Grocers Com
pany, Andrew Bockrill, who was Maior of
London the ſixteenth yeare of Henry the third,
1231. and continued ſo Mayor ſeuen yeares to
gether.
Likewiſe for the greater honour of the
Com
pany, is alſo ſhewne in this Caſtle of Fame, the
Noble Allen de la Zouch, Grocer, who was
Maior of London the two and fiftieth yeare of the
ſame Henry the third, which Allen de la Zouch,
for his good Gouernement in the Time of his
Maioralty, was by the ſayd King Henry the third,
made both a Baron of this Realme, and Lord
Chiefe Iuſtice of England: Alſo that Famous
Worthy, Sir Thomas Knoles, Grocer, twice
Maior of this Honorable Citty, which Sir Tho
mas begunne at his owne charge that famous
building of Guild-hall in London, and other
Memorable workes, both in this Citty, and in
his owne Company, ſo much Worthineſſe be
pany, is alſo ſhewne in this Caſtle of Fame, the
Noble Allen de la Zouch, Grocer, who was
Maior of London the two and fiftieth yeare of the
ſame Henry the third, which Allen de la Zouch,
for his good Gouernement in the Time of his
Maioralty, was by the ſayd King Henry the third,
made both a Baron of this Realme, and Lord
Chiefe Iuſtice of England: Alſo that Famous
Worthy, Sir Thomas Knoles, Grocer, twice
Maior of this Honorable Citty, which Sir Tho
mas begunne at his owne charge that famous
building of Guild-hall in London, and other
Memorable workes, both in this Citty, and in
his owne Company, ſo much Worthineſſe be
ing
Honor and
Induſtry.
ing the Luſtre of this Caſtle, and ought indeed
to be the Imitation of the Beholder.
to be the Imitation of the Beholder.
My Lord no ſooner approaches, but Re
ward a Partner with Iuſtice in keeping that Seate
of Honor, as ouer-ioyde at the ſight of him,
appeares too free and forward in the Reſig
nation.
ward a Partner with Iuſtice in keeping that Seate
of Honor, as ouer-ioyde at the ſight of him,
appeares too free and forward in the Reſig
nation.
VVElcome to Fames bright Caſtle, take thy
place,
This ſeate’s reſerud to doe thy vertues grace.
TRue, but not yet to be poſſeſt, heare me,
Iuſtice muſt flow through him, before that bee,
Great works of Grace muſt be requird and done,
Before the honor of this Seate be won.
A whole yeeres reuerend care in righting wrongs,
And guarding Innocence from malicious tongues.
Muſt be imployde in Vertues ſacred right,
Before this place be fild; tis no meane fight,
That wins this Palme, truth, and a vertuous care,
Of the oppreſſed, thoſe the Loadſtones are,
That will gainſt Enuies power drawe him forth,
To take this merit in this ſeat of worth:
Where all the memorable worthies ſhine,
In
The
tryumphs of
In works of brightneſſe, able to refine,
All the beholders minds, and ſtrike new fire,
To kindle an induſtrious deſire,
To imitate their actions, and their Fame,
Which to this Caſtle addes that glorious Name.
Wherefore Reward, free as the Ayre or Light,
There muſt be Merit, or our work’s not right.
IF there were any error twas my loue,
And if it be a fault to be too free,
Reward commits but once ſuch hereſie.
How ere, I know your worth will ſo extend,
Your fame will fill this ſeat at twelue months end.
About this Caſtle of Fame are plaſt many
ho
norable figures, as Truth, Antiquity, Harmony,
Fame, Deſert, Goodworks, on the top of the caſtle,
Honour, Religion, Piety, Commiſeration; the
workes of thoſe whoſe memories ſhine in this
Caſtle.
norable figures, as Truth, Antiquity, Harmony,
Fame, Deſert, Goodworks, on the top of the caſtle,
Honour, Religion, Piety, Commiſeration; the
workes of thoſe whoſe memories ſhine in this
Caſtle.
If you looke vpon Truth firſt, you ſhall finde
her properly expreſt, holding in her right hand a
Sunne, in the other a Fanne of Stars, Antiquity
with a ſcrowle in her hand, as keeper of Honors
Records; Harmony holding a golden Lute, and
Fame not without her ſiluer trumpet, for deſert
tis glorious through her owne brightneſſe, but
her properly expreſt, holding in her right hand a
Sunne, in the other a Fanne of Stars, Antiquity
with a ſcrowle in her hand, as keeper of Honors
Records; Harmony holding a golden Lute, and
Fame not without her ſiluer trumpet, for deſert
tis glorious through her owne brightneſſe, but
holds
Honor and
Induſtry.
holdes nothing; goodworks expreſt with a Col
ledge or Hoſpitall.
ledge or Hoſpitall.
On the toppe of the Caſtle, Honor manifeſted
by a faire Starre in his hand, Religion with a Tem
ple on This text is the corrected text. The original is hether head, Piety with an Altar, Commiſera
tion with a melting or burning Heart.
by a faire Starre in his hand, Religion with a Tem
ple on This text is the corrected text. The original is hether head, Piety with an Altar, Commiſera
tion with a melting or burning Heart.
And not to haue our ſpeakers forgotten, (Re
ward and Iuſtice) with whom wee entred this part
of Triumph, Rewarde holding a wreath of gold,
ready for a deſeruer; and Iuſtice furniſht with her
Sword and ballance.
ward and Iuſtice) with whom wee entred this part
of Triumph, Rewarde holding a wreath of gold,
ready for a deſeruer; and Iuſtice furniſht with her
Sword and ballance.
All this ſeruice is performed befoThis text is the corrected text. The original is r (MK)re the
Feaſt,
ſome in Pauls Church-yard, ſome in Cheap-ſide,
at which place the whole Triumphe meets, both
Caſtle and Iland, that gaue delight vpon the
water, And now (as duety binds me) I commend
my Lord and his right honorable Gueſſe to the
ſolemne pleaſure of the feaſt, from whence I pre
ſume all Epicuriſme is baniſht; for where Honor
is maſter of the feaſt, Moderation and Grauity are
alwayes attendants.
ſome in Pauls Church-yard, ſome in Cheap-ſide,
at which place the whole Triumphe meets, both
Caſtle and Iland, that gaue delight vpon the
water, And now (as duety binds me) I commend
my Lord and his right honorable Gueſſe to the
ſolemne pleaſure of the feaſt, from whence I pre
ſume all Epicuriſme is baniſht; for where Honor
is maſter of the feaſt, Moderation and Grauity are
alwayes attendants.
The feaſt being ended at Guild-hall, my Lord
(as yeerly cuſtome inuites him) goes accompa
nied with the triumphe towards S. Pauls, to per
forme the noble and reuerend ceremonies
which diuine Antiquity vertuouſly ordained, and
is no leſſe then faithfully obſerude, which is no
meane luſtre to the City, Holy ſeruice and cere
monies accompliſht, he returnes by torch-light
to his owne houſe, the whole triumphe plac’t in
(as yeerly cuſtome inuites him) goes accompa
nied with the triumphe towards S. Pauls, to per
forme the noble and reuerend ceremonies
which diuine Antiquity vertuouſly ordained, and
is no leſſe then faithfully obſerude, which is no
meane luſtre to the City, Holy ſeruice and cere
monies accompliſht, he returnes by torch-light
to his owne houſe, the whole triumphe plac’t in
C
comely
The
triumphs of
comely order before him, and at the entrance of
his gate, Honor a glorious perſon, from the top of
the Caſtle giues life to theſe following words.
his gate, Honor a glorious perſon, from the top of
the Caſtle giues life to theſe following words.
THere is no humane glory or renowne,
But haue their euening & their ſure ſun-ſetting,
Which ſhews that we ſhould vpward ſeeke our Crown
And make but vſe of time for our hopes bettering,
So to be truely mindfull of our owne,
Is to performe all parts of good in one;
The cloſe of this triumphant day is come,
And Honor ſtayes to bid you welcome home,
All I deſire for my Grace and good,
Is but to be remembred in your bloud,
With Honor to accompliſh the faire time,
Which power hath put into your hands; A crime
As great as euer came into ſins band,
I doo entitle a too ſparing hand,
Nothing deads Honor more, then to behold
Which ought to be the free life of the yeere,
For bounty twas ordaynd, to make that cleere
Which is the light of goodneſſe and of Fame,
And puts by Honor from the cloude of ſhame.
Great
Honor and Induſtry.
Great coſt and loue hath nobly bin beſtowd,
Vpon thy triumph, (which this day hath ſhowd:
Embrace ’em in thy heart, till times afford
Fuller expresſion: in one abſolute word,
All the content that euer made man bleſt,
This triumph done, make a triumphant breſt.
No ſooner the ſpeech is ended, but the triumph
is diſſolud, and not poſſible to ſcape the hands
of the defacer, things that for their quaintneſſe
(I dare ſo farre commend them) haue not beene
vſually ſeen throgh the City; the credit of which
workmanshipworkmãſhip I muſt iuſtly lay vpon the deſerts of
Mr. Rowland Bucket, chiefe maſter of the work; yet
not forgetting the faithfull care and induſtry of
my well approoued friend, Maſter Henry Wilde,
and Maſter Iacob Challoner, partners in the buſi
neſſe.
is diſſolud, and not poſſible to ſcape the hands
of the defacer, things that for their quaintneſſe
(I dare ſo farre commend them) haue not beene
vſually ſeen throgh the City; the credit of which
workmanshipworkmãſhip I muſt iuſtly lay vpon the deſerts of
Mr. Rowland Bucket, chiefe maſter of the work; yet
not forgetting the faithfull care and induſtry of
my well approoued friend, Maſter Henry Wilde,
and Maſter Iacob Challoner, partners in the buſi
neſſe.
The ſeaſon cuts me off, & after this dayes trou
ble I am as willing to take my reſt.
ble I am as willing to take my reſt.
FINIS.
References
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Early English Books Online (EEBO). Proquest LLC.This item is cited in the following documents:
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EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.]
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MLA citation
The Triumphs of Honor and Industry. The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/TRIU3.htm. Draft.
. Chicago citation
The Triumphs of Honor and Industry.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/TRIU3.htm. Draft.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/TRIU3.htm. Draft.
2022. The Triumphs of Honor and Industry. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Middleton, Thomas ED - Jenstad, Janelle T1 - The Triumphs of Honor and Industry T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/TRIU3.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/TRIU3.xml TY - UNP ER -
TEI citation
<bibl type="mla"><author><name ref="#MIDD12"><surname>Middleton</surname>, <forename>Thomas</forename></name></author>.
<title level="m">The Triumphs of Honor and Industry</title>. <title level="m">The
Map of Early Modern London</title>, Edition <edition>7.0</edition>, edited by <editor><name
ref="#JENS1"><forename>Janelle</forename> <surname>Jenstad</surname></name></editor>,
<publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>,
<ref target="https://mapoflondon.uvic.ca/edition/7.0/TRIU3.htm">mapoflondon.uvic.ca/edition/7.0/TRIU3.htm</ref>.
Draft.</bibl>
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Chris Horne
CH
Research Assistant, 2018-2020. Chris Horne was an honours student in the Department of English at the University of Victoria. His primary research interests included American modernism, affect studies, cultural studies, and digital humanities.Roles played in the project
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Kate LeBere
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Joey Takeda
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Chase Templet
CT
Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.Roles played in the project
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Zaqir Virani
ZV
Research Assistant, 2013-2014. Zaqir Virani completed his MA at the University of Victoria in April 2014. He received his BA from Simon Fraser University in 2012, and has worked as a musician, producer, and author of short fiction. His research focused on the linkage of sound and textual analysis software and the work of Samuel Beckett.Roles played in the project
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Quinn MacDonald
QM
Research Assistant, 2013. Quinn MacDonald was a fourth-year honours English student at the University of Victoria. Her areas of interest included postcolonial theory and texts, urban agriculture, journalism that isn’t lazy, fine writing, and roller derby. She was the director of community relations for The Warren Undergraduate Review and senior editor of Concrete Garden magazine.Roles played in the project
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SM
Research Assistant, 2012-2014. MoEML Research Affiliate. Sarah Milligan completed her MA at the University of Victoria in 2012 on the invalid persona in Elizabeth Barrett Browning’s Sonnets from the Portuguese. She has also worked with the Internet Shakespeare Editions and with Dr. Alison Chapman on the Victorian Poetry Network, compiling an index of Victorian periodical poetry.Roles played in the project
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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MK
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include digital media and humanities; textual editing; game studies; and early modern drama.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Antiquity
Personification of antiquity. Appears as an allegorical character in mayoral shows. See also Philoponia.Antiquity is mentioned in the following documents:
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Bounty
Personification of goodness. Appears as an allegorical character in mayoral shows.Bounty is mentioned in the following documents:
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Sir George Bolles
Sir George Bolles Sheriff Mayor
(d. 1 September 1621)Sheriff of London 1608-1609. Mayor 1617-1618. Member of the Grocers’ Company. Knighted on 31 May 1618.Sir George Bolles is mentioned in the following documents:
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Jacob Challoner is mentioned in the following documents:
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Commiseration
Personification of commiseration. Appears as an allegorical character in mayoral shows.Commiseration is mentioned in the following documents:
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Desert
Personification of worthiness. Appears as an allegorical character in mayoral shows.Desert is mentioned in the following documents:
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Fame
Personification of fame. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Fame is mentioned in the following documents:
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Virtue
Personification of virtue. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London. See also Arete.Virtue is mentioned in the following documents:
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Andrew Bukerel is mentioned in the following documents:
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Religion
Personification of religion. Appears as an allegorical character in mayoral shows.Religion is mentioned in the following documents:
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Justice
Personification of lawfulness and fairness. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London.Justice is mentioned in the following documents:
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Industry
Personification of industry. Appears as an allegorical character in mayoral shows.Industry is mentioned in the following documents:
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Fidelity
Personification of fidelity. Appears as an allegorical character in mayoral shows.Fidelity is mentioned in the following documents:
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Fortune
Personification of fortune. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Fortune is mentioned in the following documents:
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Goodworks
Personification of Christian actions and deeds. Appears as an allegorical character in mayoral shows.Goodworks is mentioned in the following documents:
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Grace
Personification of grace. Appears as an allegorical character in mayoral shows.Grace is mentioned in the following documents:
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Gravity
Personification of graveness. Appears as an allegorical character in mayoral shows.Gravity is mentioned in the following documents:
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Harmony
Personification of harmony. Appears as an allegorical character in mayoral shows.Harmony is mentioned in the following documents:
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Henry III
Henry This numeral is a Roman numeral. The Arabic equivalent is 3III King of England
(b. 1 October 1207, d. 16 November 1272)Henry III is mentioned in the following documents:
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Honour
Personification of honour. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Honour is mentioned in the following documents:
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India
Personification of the geographic area and culture of India. Appears as an allegorical character in mayoral shows.India is mentioned in the following documents:
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Sir Thomis Knolles is mentioned in the following documents:
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Love
Personification of love. Appears as an allegorical character in mayoral shows.Love is mentioned in the following documents:
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Thomas Middleton is mentioned in the following documents:
Thomas Middleton authored or edited the following items in MoEML’s bibliography:
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Bawcutt, N.W., ed.
Introduction.
The Changeling. By Thomas Middleton and William Rowley. London: Methuen, 1958. Print. -
Brissenden, Alan.
Introduction.
A Chaste Maid in Cheapside. By Thomas Middleton. 2nd ed. New Mermaids. London: A&C Black; New York: Norton, 2002. xi–xxxv. Print. -
Daalder, Joost, ed.
Introduction.
The Changeling. By Thomas Middleton and William Rowley. London: A&C Black, 1990. xii-xiii. Print. -
Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Holdsworth, R.V., ed.
Introduction.
A Fair Quarrel. By Thomas Middleton and William Rowley. London: Ernest Benn, 1974. xi-xxxix. Print. -
Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Middleton, Thomas. A Chaste Maid in Cheapside. Ed. Alan Brissenden. 2nd ed. New Mermaids. London: Benn, 2002.
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Middleton, Thomas. Civitatis Amor. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1202–8.
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Middleton, Thomas. The Triumphs of Honour and Industry. London: Printed by Nicholas Okes, 1617. STC 17899.
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Middleton, Thomas. The Triumphs of Integrity. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1766–1771.
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Middleton, Thomas. The Triumphs of Love and Antiquity. London: Printed by Nicholas Okes, 1619. STC 17902.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. Ed. David M. Bergeron. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Clarendon, 2007. 968–976.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17903. [Differs from STC 17904 in that it does not contain the additional entertainment.]
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17904. [Differs from STC 17903 in that it contains an additional entertainment celebrating Hugh Middleton’s New River project, known as the Entertainment at Amwell Head.]
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Middleton, Thomas. The Works of Thomas Middleton, now First Collected with Some Account of the Author and notes by The Reverend Alexander Dyce. Ed. Alexander Dyce. London: E. Lumley, 1840. Print.
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Taylor, Gary, and John Lavagnino, eds. Thomas Middleton: The Collected Works. By Thomas Middleton. Oxford: Oxford UP, 2007. The Oxford Middleton. Print.
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Moderation
Personification of moderation. Appears as an allegorical character in mayoral shows.Moderation is mentioned in the following documents:
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Nicholas Okes is mentioned in the following documents:
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Perfection
Personification of perfection. Appears as an allegorical character in mayoral shows.Perfection is mentioned in the following documents:
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Piety
Personification of piety. Appears as an allegorical character in mayoral shows.Piety is mentioned in the following documents:
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Plenty
Personification of abundance. Appears as an allegorical character in mayoral shows.Plenty is mentioned in the following documents:
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Prosperity
Personification of prosperity. Appears as an allegorical character in mayoral shows.Prosperity is mentioned in the following documents:
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Reward
Personification of reward. Appears as an allegorical character in mayoral shows.Reward is mentioned in the following documents:
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Success
Personification of success. Appears as an allegorical character in mayoral shows.Success is mentioned in the following documents:
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Traffic
Personification of traffic and merchandise. Appears as an allegorical character in mayoral shows.Traffic is mentioned in the following documents:
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Unity
Personification of unity. Appears as an allegorical character in mayoral shows.Unity is mentioned in the following documents:
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Wealth
Personification of wealth. Appears as an allegorical character in mayoral shows.Wealth is mentioned in the following documents:
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Henry Wilde is mentioned in the following documents:
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Alan de la Zouche is mentioned in the following documents:
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Frenchman
Character representing the French. Appears in mayoral shows.Frenchman is mentioned in the following documents:
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Spaniard
Character representing the Spanish. Appears in mayoral shows.Spaniard is mentioned in the following documents:
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Englishman
Character representing the English. Appears in mayoral shows.Englishman is mentioned in the following documents:
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Irishman
Character representing the Irish. Appears in mayoral shows.Irishman is mentioned in the following documents:
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Turk
Character representing the Turkish. Appears in mayoral shows.Turk is mentioned in the following documents:
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Jew
Character representing the Jewish. Appears in mayoral shows.Jew is mentioned in the following documents:
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Dane
Character representing the Danish. Appears in mayoral shows.Dane is mentioned in the following documents:
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Polander
Character representing the Polish. Appears in mayoral shows.Polander is mentioned in the following documents:
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Barbarian
Character representing the barbarians. Appears in mayoral shows.Barbarian is mentioned in the following documents:
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Russian
Character representing the Russians and Moscowians. Appears in mayoral shows.Russian is mentioned in the following documents:
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Rowland Bucket is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Westminster Palace is mentioned in the following documents:
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Guildhall is mentioned in the following documents:
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St. Paul’s Churchyard
Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).St. Paul’s Churchyard is mentioned in the following documents:
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
Organizations
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Grocers’ Company
Worshipful Company of Grocers
The Grocers’ Company (previously the Pepperers’ Company) was one of the twelve great companies of London. The Grocers were second in the order of precedence established in 1515. The Worshipful Company of Grocers is still active and maintains a website at https://grocershall.co.uk/ that includes a history of the company.This organization is mentioned in the following documents: