Excerpts from Epicœne, or the Silent Woman
Gap in transcription. Reason: (KL)⁂
PROLOGVE.
Gap in transcription. Reason: (KL)[…] The Poet prayes you then, with better thought
To sit; and, when his cares are all in brought,
Though there be none far fet, there will deare-bought
Be fit for ladies: some for lords, knights, squires,
Some for your waiting wench, and citie-wires,
Some for your men, and daughters of White-Friars.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
TRV. Gap in transcription. Reason: (KL)[…] you see guilders will not worke, but inclos’d. They must not discouer, how little
serues, with the helpe of art, to adorne a great deale. How long did the canuas hang
afore
Ald-gate? were the people suffer’d to see the cities Loue, and Charitie, while they were rude stone, before they were painted, and burnish’d? No. No more should seruants approch their mistresses, but when they are compleat, and finish’d.
Ald-gate? were the people suffer’d to see the cities Loue, and Charitie, while they were rude stone, before they were painted, and burnish’d? No. No more should seruants approch their mistresses, but when they are compleat, and finish’d.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
TRV. S’lid, I would be the author of more, to vexe him, that purpose, deserues it: it
giues thee law of plaguing him. I’ll tell thee what I would doe. I would make a false
almanack; get it printed: and then ha’ him drawne out on a coronation day to the tower-wharfe, and kill him with the noise of the ordinance. Dis-inherit thee! hee cannot, man.
Art not thou next of bloud, and his sisters sonne?
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
CLE. I, and he will know you too, if ere he saw you but once, though you should meet
him at church in the midst of praiers. Hee is one of the Braueries, though he be none o’ the Wits. He will salute a Iudge vpon the bench, and a Bishop in the pulpit, a Lawyer when
hee is pleading at the barre, and a Lady when shee is dauncing in a masque, and put
her out. He do’s giue playes, and suppers, and inuites his guests to ’hem, aloud,
out of his windore, as they ride by in coaches. He has a lodging in the Strand for the purpose. Or to watch when ladies are gone to the China houses, or the Exchange, that hee may meet ’hem by chance, and giue ’hem presents, some two or three hundred
pounds-worth of toyes, to be laught at. He is neuer without a spare banquet, or sweet-meats
in his chamber, for their women to alight at, and come vp to, for a bait.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
CLE. Sir AMOROVS! you haue very much honested my lodging, with your presence.
LA-F. Good faith, it is a fine lodging! almost, as delicate a lodging, as mine.
CLE. Not so, sir.
LA-F. Excuse me, sir, if it were i’ the Strand, I assure you. I am come, master CLERIMONT, to entreat you wait vpon two or three ladies, to dinner, to day.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
TRV. Mary, your friends doe wonder, sir, the Thames being so neere, wherein you may drowne so handsomely; or London-bridge, at a low fall, with a fine leape, to hurry you downe the streame; or, such a delicate
steeple, i’the towne, as Bow, to vault from; or, a brauer height, as Pauls, or, if you affected to doe it neerer home, and a shorter way, an excellent garret
windore, into the street; or, a beame, in the said garret, with this halter; which
they haue sent, and desire, that you would sooner commit your graue head to this knot,
then to the wed-lock nooze; or, take a little sublimate, and goe out of the world,
like a rat; or a flie (as one said) with a straw i’ your arse: any way, rather, then
to follow this goblin matrimony. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
MOR. Gap in transcription. Reason: (KL)[…] Your knighthood it selfe shall come on it’s knees, and it shall be reiected; it shall
bee sued for it’s fees to execution, and not bee redeem’d; it shall cheat at the tweluepeny
ordinary, it knighthood, for it’s diet all the terme time, and tell tales for it in
the vacation, to the hostesse: or it knighthood shall doe worse; take sanctuary in
Coleharbor, and fast. It shall fright all it friends, with borrowing letters; and when one of
the foure-score hath brought it knighthood ten shillings, it knighthood shall go to
the Cranes, or the Beare at the Bridge-foot, and be drunk in feare: it shal not haue money to discharge one tauerne reckoning,
to inuite the old creditors, to forbeare it knighthood; or the new, that should be,
to trust it knighthood. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
TRV. Why sir? hee has beene a great man at the beare-garden in his time: and from that subtle sport, has tane the witty denomination of his chiefe
carousing cups. One he calls his bull, another his beare, another his horse. And then
hee has his lesser glasses, that hee calls his deere, and his ape; and seuerall degrees
of ’hem too: and neuer is well, nor thinkes any intertainement perfect, till these
be brought out, and set o’the cupbord.
Gap in transcription. Reason: (KL)⁂
OTT. Not so, Princesse, neither, but vnder correction, sweete Princesse, gi’me leaue—these
things I am knowne to the courtiers by. It is reported to them for my humor, and they
receiue it so, and doe expect it. TOM OTTERS bull, beare, and horse is knowne all ouer England, in rerum natura.
Mrs. OT. Fore me, I wil na-ture ’hem ouer to Paris-garden, and na-ture you thether too, if you pronounce ’hem againe. Is a beare a fit beast, or a bull,
to mixe in society with great ladies? thinke i’ your discretion, in any good politie.
OTT. The horse then, good Princesse.
Mrs OT. Well, I am contented for the horse: they loue to bee well hors’d, I know. I loue
it my selfe.
OTT. And it is a delicate fine horse this. Poetarum Pegasus. Vnder correction, Princesse, IVPITER did turne himselfe into a—Taurus, or Bull, vnder correction, good Princesse.
Mrs. OT. By my integritie, I’ll send you ouer to the banke-side, I’ll commit you to the Master of the garden, if I heare but a syllable more. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
CLE. I, shee must heare argument. Did not PASIPHAE, who was a queene, loue a bull? and was not CALISTO, the mother of ARCAS, turn’d into a beare, and made a starre, mistris VRSVLA,1 i’ the heauens?
OTT. O God! that I could ha’ said as much! I will haue these stories painted i’ the beare-garden, ex Ouidij metamorphosi.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
MOR. You can speake then!
EPI. Yes, sir.
MOR. Speake out I meane.
EPI. I sir. Why, did you thinke you had married a statue? or a motion, onely? one of
the French puppets, with the eyes turn’d with a wire? or some innocent out of the hospitall,2 that would stand with her hands thus, and a playse mouth, and looke vpon you.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
DAV. O, hold me vp a little, I shall goe away i’ the iest else. Hee has got on his whole
nest of night-caps, and lock’d himselfe vp, i’ the top o’ the house, as high, as euer
he can climbe from the noise. I peep’d in at a crany, and saw him fitting ouer a crosse-beame
o’ the roofe, like him o’ the sadlers horse in Fleetstreet, vp-right: and he will sleepe there.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
TRV. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)[…] Then if shee be couetous and crauing, doe you promise any thing, and performe sparingly: so shall you keepe her in appetite still. Seeme as you would giue, but be like a barren field that yeelds little, or vnlucky dice, to foolish, and hoping gamesters. Let your gifts be slight, and daintie, rather then pretious. Let cunning be aboue cost. Giue cherries at time of yeere, or apricots; and say they were sent you out o’ the countrey, though you bought ’hem in Cheap-side. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)[…] Then if shee be couetous and crauing, doe you promise any thing, and performe sparingly: so shall you keepe her in appetite still. Seeme as you would giue, but be like a barren field that yeelds little, or vnlucky dice, to foolish, and hoping gamesters. Let your gifts be slight, and daintie, rather then pretious. Let cunning be aboue cost. Giue cherries at time of yeere, or apricots; and say they were sent you out o’ the countrey, though you bought ’hem in Cheap-side. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
OTT. Agreed. Now you shall ha’ the beare, cousin, and sir IOHN DAW the horse, and I’ll ha’ the bull still. Sound Tritons o’ the Thames. Nunc est bibendum, nunc pede libero—
Gap in transcription. Reason: (KL)⁂
OTT. A most vile face! and yet shee spends me fortie pound a yeere in mercury, and hogs-bones. All her teeth were made i’ the Blacke-Friers: both her eye-browes i’ the Strand, and her haire in Siluer-street. Euery part o’ the towne ownes a peece of her.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
MOR. Mrs. MARY AMBREE, your examples are dangerous. Rogues, Hell-hounds, Stentors, out of my dores, you sonnes of noise and tumult, begot on an ill May-day, or when the Gally-foist is a-floate to Westminster! A trumpetter could not be conceiu’d, but then!
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
CEN. Let him allow you your coach, and foure horses, your woman, your chamber-maid, your
page, your gentleman-vsher, your french cooke, and foure groomes.
CEN. It will open the gate to your fame.
MAV. I, shee has done the miracle of the kingdome.
EPI. But ladies, doe you count it lawfull to haue such pluralitie of seruants, and doe
’hem all graces?
HAV. Why not? why should women denie their fauours to men? Are they the poorer, or the
worse?
LA-F. Or a torch, for lighting many torches?
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
DAV. Mary, god forbid, sir, that you should geld your selfe, to anger your wife.
MOR. So it would rid me of her! and, that I did supererogatorie penance, in a bellfry,
at Westminster-hall, i’ the cock-pit, at the fall of a stagge; the tower-wharfe (what place is there else?) London-bridge, Paris-garden, Belins-gate, when the noises are at their height and lowdest. Nay, I would sit out a play, that
were nothing but fights at sea, drum, trumpet, and target!
Gap in transcription. Reason: (KL)⁂
Notes
- Personification of the constellation Ursa Major, the
Great Bear.
(KL)↑ - I.e., Bethlehem Hospital. (KL)↑
Cite this page
MLA citation
Excerpts from Epicœne, or the Silent Woman.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/EPIC1.htm.
Chicago citation
Excerpts from Epicœne, or the Silent Woman.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/EPIC1.htm.
APA citation
Epicœne, or the Silent Woman. In (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/EPIC1.htm.
2022. Excerpts from RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Jonson, Ben ED - Jenstad, Janelle T1 - Excerpts from Epicœne, or the Silent Woman T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/EPIC1.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/EPIC1.xml ER -
TEI citation
<bibl type="mla"><author><name ref="#JONS1"><surname>Jonson</surname>, <forename>Ben</forename></name></author>.
<title level="a">Excerpts from <title level="m">Epicœne, or the Silent Woman</title></title>.
<title level="m">The Map of Early Modern London</title>, Edition <edition>7.0</edition>,
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<publisher>U of Victoria</publisher>, <date when="2022-05-05">05 May 2022</date>,
<ref target="https://mapoflondon.uvic.ca/edition/7.0/EPIC1.htm">mapoflondon.uvic.ca/edition/7.0/EPIC1.htm</ref>.</bibl>
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Kate LeBere
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Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
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Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Pasiphaë is mentioned in the following documents:
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Callisto is mentioned in the following documents:
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Madame Haughty
Dramatic character in Ben Jonson’s Epicœne.Madame Haughty is mentioned in the following documents:
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Mistress Mavis
Dramatic character in Ben Jonson’s Epicœne.Mistress Mavis is mentioned in the following documents:
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Ben Jonson is mentioned in the following documents:
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Chapman, George, Ben Jonson, and John Marston. Eastvvard hoe. London: George Eld for William Aspley, 1605. STC 4973.
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Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Gifford, William, ed. The Works of Ben Jonson. By Ben Jonson. Vol. 1. London: Nichol, 1816. Remediated by Internet Archive.
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Jonson, Ben. The Alchemist. London: New Mermaids, 1991. Print.
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Jonson, Ben. Bartholomew Fair. Ed. E.A. Horsman. Manchester: Manchester UP, 1979. Revels Plays. Print.
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Jonson, Ben. Bartholomew Fair. Ed. Suzanne Gossett, based on The Revels Plays edition ed. E.A. Horsman. Manchester: Manchester UP, 2000. Revels Student Editions. Print.
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Jonson, Ben. Ben: Ionson’s execration against Vulcan. London: J. Okes for John Benson and A. Crooke, 1640. STC 14771.
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Jonson, Ben. B. Ion: his part of King Iames his royall and magnificent entertainement through his honorable cittie of London, Thurseday the 15. of March. 1603 so much as was presented in the first and last of their triumphall arch’s. London, 1604. STC 14756.
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Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter, Jr. New York: New York UP, 1963. Print.
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Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter. Stuart Edtions. New York: New YorkUP, 1963.
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Jonson, Ben. The Devil is an Ass. Ed. Peter Happé. Manchester and New York: Manchester UP, 1996. Revels Plays. Print.
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Jonson, Ben. Epicene. Ed. Richard Dutton. Revels Plays. Manchester: Manchester UP, 2004. Print.
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Jonson, Ben. Every Man Out of His Humour. Ed. Helen Ostovich. Manchester: Manchester UP, 2001. Print.
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Jonson, Ben. The First, of Blacknesse, Personated at the Court, at White-hall, on the Twelfth Night, 1605. The Characters of Two Royall Masques: The One of Blacknesse, the Other of Beautie. Personated by the Most Magnificent of Queenes Anne Queene of Great Britaine, &c. with her Honorable Ladyes, 1605 and 1608 at White-hall. London : For Thomas Thorp, and are to be Sold at the Signe of the Tigers Head in Paules Church-yard, 1608. Sig. A3r-C2r. STC 14761.
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Jonson, Ben. Oberon, The Faery Prince. The Workes of Benjamin Jonson. Vol. 1. London: Will Stansby, 1616. Sig. 4N2r-2N6r.
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Jonson, Ben. The Staple of Newes. The Works. Vol. 2. London: Printed by I.B. for Robert Allot, 1631. Sig. 2A1r-2J2v.
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Jonson, Ben. The Staple of News. Ed. Anthony Parr. Manchester; New York: Manchester UP, 1999. Revels Plays. Print.
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Jonson, Ben.
To Penshurst.
The Norton Anthology of English Literature. Ed. Stephen Greenblatt, Carol T. Christ, Alfred David, Barbara K. Lewalski, Lawrence Lipking, George M. Logan, Deidre Shauna Lynch, Katharine Eisaman Maus, James Noggle, Jahan Ramazani, Catherine Robson, James Simpson, Jon Stallworthy, Jack Stillinger, and M. H. Abrams. 9th ed. Vol. B. New York: W.W. Norton & Company, 2012. 1547. -
Jonson, Ben. Underwood. Cambridge: Cambridge UP, 1905. Remediated by Internet Archive.
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Jonson, Ben. The vvorkes of Beniamin Ionson. Containing these playes, viz. 1 Bartholomew Fayre. 2 The staple of newes. 3 The Divell is an asse. London, 1641. STC 14754.
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Sir John Browne
Bookseller and bookbinder. Not to be confused with Sir John Brown, John Brown, John Brown, John Browne, or John Browne.Sir John Browne is mentioned in the following documents:
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Jupiter is mentioned in the following documents:
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William Stansby
(b. in or before 8 July 1572, d. between 9 September 1638 and 14 September 1638)Printer.William Stansby is mentioned in the following documents:
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Triton is mentioned in the following documents:
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Mary Ambree is mentioned in the following documents:
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Morose
Dramatic character in Ben Jonson’s Epicœne.Morose is mentioned in the following documents:
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Epicœne
Dramatic character in Ben Jonson’s Epicœne.Epicœne is mentioned in the following documents:
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Ned Clerimont
Dramatic character in Ben Jonson’s Epicœne.Ned Clerimont is mentioned in the following documents:
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Sir Dauphine Eugenie
Dramatic character in Ben Jonson’s Epicœne.Sir Dauphine Eugenie is mentioned in the following documents:
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Truewit
Dramatic character in Ben Jonson’s Epicœne.Truewit is mentioned in the following documents:
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Thomas Otter
Dramatic character in Ben Jonson’s Epicœne.Thomas Otter is mentioned in the following documents:
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Mistress Otter
Dramatic character in Ben Jonson’s Epicœne.Mistress Otter is mentioned in the following documents:
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Sir Amorous La Foole
Dramatic character in Ben Jonson’s Epicœne.Sir Amorous La Foole is mentioned in the following documents:
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Sir John Daw
Dramatic character in Ben Jonson’s Epicœne.Sir John Daw is mentioned in the following documents:
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Madame Centaure
Dramatic character in Ben Jonson’s Epicœne.Madame Centaure is mentioned in the following documents:
Locations
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Whitefriars
This page points to the district known as Whitefriars. For the theatre, see Whitefriars Theatre.Whitefriars is mentioned in the following documents:
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Aldgate
Aldgate was the easternmost gate into the walled city. The nameAldgate
is thought to come from one of four sources: Æst geat meaningEastern gate
(Ekwall 36), Alegate from the Old English ealu meaningale,
Aelgate from the Saxon meaningpublic gate
oropen to all,
or Aeldgate meaningold gate
(Bebbington 20–21).Aldgate is mentioned in the following documents:
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Tower Wharf
Henry Harben describes the location of Tower Wharf in noting that it is[s]outh out of and fronting the Tower
(Harben 588). The antiquated spelling of the name isTowre Wharf.
(Harben 588). Victor Belcher and Martha Carlin trace the toponomy of the location back further, noting that it was previouslyKing’s quay,
orkaia regis
circa 1228 (Carlin and Belcher 96).Tower Wharf is mentioned in the following documents:
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The Strand
Named for its location on the bank of the Thames, the Strand leads outside the City of London from Temple Bar through what was formerly the Duchy of Lancaster to Charing Cross in what was once the city of Westminster. There were three main phases in the evolution of the Strand in early modern times: occupation by the bishops, occupation by the nobility, and commercial development.The Strand is mentioned in the following documents:
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New Exchange
The construction of the New Exchange in 1608–1609 demonstrated the efficiency of London development under the supervision of Lord Treasurer Sir Robert Cecil, established a significant competitor to John Gresham’s Royal Exchange, and expanded London fashion westward. Nicknamed Britain’s Burse by King James I during a christening entertainment staged by Ben Jonson, the New Exchange became a symbol of commercial strength in a consolidated British kingdom, as well as a new indoor model of shopping that invited more women into the sphere of luxury sales and consumption throughout the seventeenth century.New Exchange is mentioned in the following documents:
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The Thames
Perhaps more than any other geophysical feature, the Thames river has directly affected London’s growth and rise to prominence; historically, the city’s economic, political, and military importance was dependent on its riverine location. As a tidal river, connected to the North Sea, the Thames allowed for transportation to and from the outside world; and, as the longest river in England, bordering on nine counties, it linked London to the country’s interior. Indeed, without the Thames, London would not exist as one of Europe’s most influential cities. The Thames, however, is notable for its dichotomous nature: it is both a natural phenomenon and a cultural construct; it lives in geological time but has been the measure of human history; and the city was built around the river, but the river has been reshaped by the city and its inhabitants.The Thames is mentioned in the following documents:
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London Bridge
As the only bridge in London crossing the Thames until 1729, London Bridge was a focal point of the city. After its conversion from wood to stone, completed in 1209, the bridge housed a variety of structures, including a chapel and a growing number of shops. The bridge was famous for the cityʼs grisly practice of displaying traitorsʼ heads on poles above its gatehouses. Despite burning down multiple times, London Bridge was one of the few structures not entirely destroyed by the Great Fire of London in 1666.London Bridge is mentioned in the following documents:
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St. Mary Le Bow is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Coldharbour
Coldharbour was a mansion dating back to at least the reign of Edward II (Harben). It is not marked on the Agas map, but its location can be discerned from the position of All Hallows the Less. After 1543, the eastern portion of the house was leased to the Watermen’s Company (Harben). It ceased to function as a private residence in 1593 and became a tenement house (Harben). Nevertheless, it remained a distinctive site and is mentioned in dramatic works well into the seventeenth century (Sugden). It was destroyed in the Fire, after which a brewery was built on the site (Harben).Coldharbour is mentioned in the following documents:
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Three Cranes Tavern
Three Cranes Tavern was a popular tavern in early modern London, located on Three Cranes Lane.Three Cranes Tavern is mentioned in the following documents:
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Bear Inn (Basinghall Street)
Bear Inn (Basinghall Street) was on Basinghall Street. It is not marked on the Agas map but is next to the Girdler’s Hall on the 1520 map (A Map of Tudor London, 1520).Bear Inn (Basinghall Street) is mentioned in the following documents:
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Bear Garden
The Bear Garden was never a garden, but rather a polygonal bearbaiting arena whose exact locations across time are not known (Mackinder and Blatherwick 18). Labelled on the Agas map asThe Bearebayting,
the Bear Garden would have been one of several permanent structures—wooden arenas, dog kennels, bear pens—dedicated to the popular spectacle of bearbaiting in the sixteenth and seventeenth centuries.Bear Garden is mentioned in the following documents:
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Paris Garden Manor House is mentioned in the following documents:
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Bankside
Described by Weinreb asredolent of squalor and vice
(Weinreb 39), London’s Bankside district in Southwark was known for its taverns, brothels and playhouses in the early modern period. However, in approximately 50 BCE its strategic location on the south bank of the Thames enticed the Roman army to use it as a military base for its conquering of Britain. From Bankside, the Romans built a bridge to the north side of the river and established the ancient town of Londinium. The Bankside district is mentioned in a variety of early modern texts, mostly in reference to the bawdy reputation of its citizens. Today, London’s Bankside is known as an arts district and is considered essential to the culture of the city.Bankside is mentioned in the following documents:
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Bethlehem Hospital
Although its name evokes the pandemonium of the archetypal madhouse, Bethlehem (Bethlem, Bedlam) Hospital was not always an asylum. As Stow tells us, Saint Mary of Bethlehem began as aPriorie of Cannons with brethren and sisters,
founded in 1247 by Simon Fitzmary,one of the Sheriffes of London
(Stow 1:164). We know from Stow’s Survey that the hospital, part of Bishopsgate ward (without), resided on the west side of Bishopsgate Street, just north of St. Botolph without Bishopsgate (Stow 1:165).Bethlehem Hospital is mentioned in the following documents:
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Fleet Street
Fleet Street runs east-west from Temple Bar to Fleet Hill or Ludgate Hill, and is named for the Fleet River. The road has existed since at least the twelfth century (Sugden 195) and known since the fourteenth century as Fleet Street (Beresford 26). It was the location of numerous taverns including the Mitre and the Star and the Ram.Fleet Street is mentioned in the following documents:
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Blackfriars (Farringdon Within)
The largest and wealthiest friary in England, Blackfriars was not only a religious institution but also a cultural, intellectual, and political centre of London. The friary housed London’s Dominican friars (known in England as the Black friars) after their move from the smaller Blackfriars precincts in Holborn. The Dominicans’ aquisition of the site, overseen by Robert Kilwardby, began in 1275. Once completed, the precinct was second in size only to St. Paul’s Churchyard, spanning eight acres from the Fleet to St. Andrew’s Hill and from Ludgate to the Thames. Blackfriars remained a political and social hub, hosting councils and even parlimentary proceedings, until its surrender in 1538 pursuant to Henry VIII’s Dissolution of the Monasteries (Holder 27–56).Blackfriars (Farringdon Within) is mentioned in the following documents:
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Silver Street
Silver Street was a small but historically significant street that ran east-west, emerging out of Noble Street in the west and merging into Addle Street in the east. Monkwell Street (labelledMuggle St.
on the Agas map) lay to the north of Silver Street and seems to have marked its westernmost point, and Little Wood Street, also to the north, marked its easternmost point. Silver Street ran through Cripplegate Ward and Farringdon Within Ward. It is labelled asSyluer Str.
on the Agas map and is drawn correctly. Perhaps the most noteworthy historical fact about Silver Street is that it was the location of one of the houses in which William Shakespeare dwelled during his time in London.Silver Street is mentioned in the following documents:
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Westminster Palace is mentioned in the following documents:
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Westminster Hall
Westminster Hall isthe only surviving part of the original Palace of Westminster
(Weinreb and Hibbert 1011) and is located on the west side of the Thames. It is located on the bottom left-hand corner of the Agas map, and is labelled asWeſtmynſter hall.
Originally built as an extension to Edward the Confessor’s palace in 1097, the hall served as the setting for banquets through the reigns of many kings.Westminster Hall is mentioned in the following documents:
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The Cockpit
The Cockpit, also known as the Phoenix, was an indoor commercial playhouse planned and built by the theatre entrepreneur and actor Christopher Beeston. The title pages of plays performed at the Cockpit usually refer to its locationin Drury Lane,
but G. E. Bentley offers a more precise description:Beeston’s property lay between Drury Lane and Great Wild Street, north-west of Princes’ Street in the parish of St Giles in the Fields
(Bentley vi 49). Herbert Berry adds that the playhouse wasthree-eights of a mile west of the western boundary of the City of London at Temple Bar
(Berry 624), and Frances Teague notes that it wason the east side of Drury Lane
and that[t]he site was long preserved by the name of Cockpit Alley, afterwards Pitt Court
(Teague 243).The Cockpit is mentioned in the following documents:
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Billingsgate
Billingsgate (Bylynges gate or Belins Gate), a water-gate and harbour located on the north side of the Thames between London Bridge and the Tower of London, was London’s principal dock in Shakespeare’s day. Its age and the origin of its name are uncertain. It was probably built ca. 1000 in response to the rebuilding of London Bridge in the tenth or eleventh century.Billingsgate is mentioned in the following documents:
Organizations
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Dyers’ Company
Worshipful Company of Dyers
The Dyers’ Company was one of the lesser livery companies of London. The Worshipful Company of Dyers is still active and maintains a website at https://www.dyerscompany.co.uk/ that includes a history of the company.This organization is mentioned in the following documents: