Excerpts from The Devil Is an Ass
Gap in transcription. Reason: (KL)⁂
SAT. For what? the laming a poore Cow, or two?
Entring a Sow, to make her cast her farrow?
Or crossing of a Mercat-womans Mare,
Twixt this, and Totnam? these were wont to be
Your maine atchieuements, Pug, You haue some plot, now,
Vpon a tonning of Ale, to stale the yest,
Or keepe the churne so, that the buttter come not;
Spight o’the housewiues cord, or her hot spit?
Or some good Ribibe, about Kentish Towne,
Or Hogsden, you would hang now, for a witch,
Because shee will not let you play round Robbin: Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
INI. Child of hell, this is nothing! I will fetch thee a leape
And lead thee a daunce, through the streets without faile,
Like a needle of Spaine, with a thred at my tayle.
We will suruay the Suburbs, and make forth our sallyes,
Downe Petticoate-lane, and vp the Smock-allies,
To drinke with the Dutch there, and take forth their patternes:
From thence, wee will put in at Custome-house key there,
And see, how the Factors, and Prentizes play there,
False with their Masters; and gueld many a full packe,
To spend it in pies, at the Dagger, and the Wool-sacke.
INI. Nay, boy, I wil bring thee to the Bawds, and the Roysters,
At Belins-gate, feasting with claret-wine, and oysters,
And see, there the gimblets, how they make their entry!
Or, if thou hadst rather, to the Strand downe to fall,
’Gainst the Lawyers come dabled from Westminster-hall
And marke how they cling, with their clyents together,
Like Iuie to Oake; so Veluet to Leather:
Ha, boy, I would shew thee. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)[…] So, this morning,
There is a handsome Cutpurse hang’d at Tiborne,
Whose spirit departed, you may enter his body: Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
Sit it he view, salute all my acquaintance,
Rise vp betweene the Acts, let fall my cloake,
Publish a handsome man, and a rich suite
(As that’s a speciall end, why we goe thither,
All that pretend, to stand for ’t o’the Stage)
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
Doth leaue you, quitting heere his proper circle,
For a much-worse i’ the walks of Lincolnes Inne,
Vnder the Elmes, t’ expect the feind in vaine, there
Will confesse for you.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
For her and you to take the ayre in: yes,
Into Hide-parke, and thence into Black-Fryers,
Visit the painters, where you may see pictures,
And note the properest limbs, and how to make ’hem. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
MER. Tell Mr. Wood-cock, I’ll not faile to meet him
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
At the Gentlemans chamber-window in Lincolnes-Inne there,
That opens to my gallery: else, I sweare
T’ acquaint my husband with his folly, and leaue him
To the iust rage of his offended iealousie. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
We liue, by finding fooles out, to be trusted.
Our shop-bookes are our pastures, our corn-grounds,
We lay ’hem op’n, for them to come into:
And when wee haue ’hem there, wee driue ’hem vp
In t’ one of our two Pounds, the Compters,2 streight,
And this is to make you a Gentleman! Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
And lose the laudable meanes, thou hast at home, heere,
T’ aduance, and make him a young Alderman?
Buy him a Captaines place, for shame; and let him
Into the world, early, and with his plume,
And by the vertue’ of those, draw downe a wife
There from a windo’, worth ten thousand pound!
Get him the posture booke, and ’s leaden men,
To set vpon a table, ’gainst his Mistresse
Chance to come by, that hee may draw her in,
And shew her Finsbury battells.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
MER. VVhy, I ha’ told you o’ this. This comes of wearing
Scarlet, gold lace, and cut-works! your fine gartring!
VVith your blowne roses, Cousin! and your eating
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
But, these same Citizens, they are such sharks!
There’s an old debt of forty, I ga’ my word
For one is runne away, to the Bermudas,
And he will hooke in that, or he wi’ not doe.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
MER. I knew, thou must take, after some body!
Thou could’st not be else. This was no shop-looke!
I’ll ha’ thee Captaine Guilt-head, and march vp,
And take in Pimlico,, and kill the bush,
At euery tauerne! Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
But there’s not so much gold in all the row, he saies—
Till ’t come fro’ the Mint. ’Tis tane vp for the gamesters.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
Coach it to Pimlico; daunce the Saraband;
Heare, and talke bawdy; laugh as loud, as a larum;
Squeake, spring, do any thing.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
VVIT. VVee’ll see her Sir, at home, and leaue you here,
To be made Duke o’ Shore-ditch with a proiect.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
(For feare it might arriue at some body’s eare,
It should not) trust my selfe to a common house;
But got the Gentlewoman to goe with me,
And carry her bedding to a Conduit-head,
Hard by the place toward Tyborne, which they call
My L. Majors Banqueting-house. Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
The Gentlewomans shoes (with a paire of roses,
And garters, I had giuen her for the businesse)
So as that made vs stay, till it was darke.
For I was faine to lend her mine, and walke
In a rug, by her, barefoote, to Saint Giles’es.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
Discredited in me! What a lost fiend
Shall I be, on returne? Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
The charriot of Triumph, which most of them are.
And in the meane time, to be greazy, and bouzy,
And nasty, and filthy, and ragged and louzy,
With dam’n me, renounce me, and all the fine phrases;
That bring, vnto Tiborne, the plentifull gazes.
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)[…] DIV. Gap in transcription. Reason: (KL)[…] But, that I would not such a damn’d dishonor
Sticke on our state, as that the diuell were hang’d;
And could not saue a body, that he tooke
From Tyborne, but it must come thither againe:
You should e’en ride. But, vp away with him—
Gap in transcription. Reason: (KL)⁂
Gap in transcription. Reason: (KL)⁂
A great piece of the prison is rent downe! Gap in transcription. Reason: (KL)[…]
Gap in transcription. Reason: (KL)⁂
And left vs the dead body. But withall, Sir,
Such an infernall stincke, and steame behinde,
You cannot see St. Pulchars Steeple, yet.
They smell’t as farre as Ware, as the wind lies,
By this time, sure.
Gap in transcription. Reason: (KL)⁂
Notes
- See
Shooting the Bridge
for more information. (KL)↑ - I.e., either the Compter, Poultry or the Compter, Bread Street. (KL)↑
- I.e., victualling houses such as the Globe Tavern and Mermaid Tavern. (KL)↑
References
-
.
Executions.
The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/EXEC1.htm.
Cite this page
MLA citation
Excerpts from The Devil Is an Ass.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/DEVI1.htm.
Chicago citation
Excerpts from The Devil Is an Ass.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/DEVI1.htm.
APA citation
The Devil Is an Ass. In (Ed), The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/DEVI1.htm.
2022. Excerpts from RIS file (for RefMan, RefWorks, EndNote etc.)
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TEI citation
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<title level="a">Excerpts from <title level="m">The Devil Is an Ass</title></title>.
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<ref target="https://mapoflondon.uvic.ca/edition/7.0/DEVI1.htm">mapoflondon.uvic.ca/edition/7.0/DEVI1.htm</ref>.</bibl>
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Kate LeBere
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Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
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The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
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Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
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Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Ben Jonson is mentioned in the following documents:
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Chapman, George, Ben Jonson, and John Marston. Eastvvard hoe. London: George Eld for William Aspley, 1605. STC 4973.
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Chapman, George, Ben Jonson, and John Marston. Eastward Ho! Ed. R.W. Van Fossen. New York: Manchester UP, 1999. Print.
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Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Gifford, William, ed. The Works of Ben Jonson. By Ben Jonson. Vol. 1. London: Nichol, 1816. Remediated by Internet Archive.
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Jonson, Ben. The Alchemist. London: New Mermaids, 1991. Print.
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Jonson, Ben. Bartholomew Fair. Ed. E.A. Horsman. Manchester: Manchester UP, 1979. Revels Plays. Print.
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Jonson, Ben. Bartholomew Fair. Ed. Suzanne Gossett, based on The Revels Plays edition ed. E.A. Horsman. Manchester: Manchester UP, 2000. Revels Student Editions. Print.
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Jonson, Ben. Ben: Ionson’s execration against Vulcan. London: J. Okes for John Benson and A. Crooke, 1640. STC 14771.
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Jonson, Ben. B. Ion: his part of King Iames his royall and magnificent entertainement through his honorable cittie of London, Thurseday the 15. of March. 1603 so much as was presented in the first and last of their triumphall arch’s. London, 1604. STC 14756.
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Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter, Jr. New York: New York UP, 1963. Print.
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Jonson, Ben. The Complete Poetry of Ben Jonson. Ed. William B. Hunter. Stuart Edtions. New York: New YorkUP, 1963.
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Jonson, Ben. The Devil is an Ass. Ed. Peter Happé. Manchester and New York: Manchester UP, 1996. Revels Plays. Print.
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Jonson, Ben. Epicene. Ed. Richard Dutton. Revels Plays. Manchester: Manchester UP, 2004. Print.
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Jonson, Ben. Every Man Out of His Humour. Ed. Helen Ostovich. Manchester: Manchester UP, 2001. Print.
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Jonson, Ben. The First, of Blacknesse, Personated at the Court, at White-hall, on the Twelfth Night, 1605. The Characters of Two Royall Masques: The One of Blacknesse, the Other of Beautie. Personated by the Most Magnificent of Queenes Anne Queene of Great Britaine, &c. with her Honorable Ladyes, 1605 and 1608 at White-hall. London : For Thomas Thorp, and are to be Sold at the Signe of the Tigers Head in Paules Church-yard, 1608. Sig. A3r-C2r. STC 14761.
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Jonson, Ben. Oberon, The Faery Prince. The Workes of Benjamin Jonson. Vol. 1. London: Will Stansby, 1616. Sig. 4N2r-2N6r.
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Jonson, Ben. The Staple of Newes. The Works. Vol. 2. London: Printed by I.B. for Robert Allot, 1631. Sig. 2A1r-2J2v.
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Jonson, Ben. The Staple of News. Ed. Anthony Parr. Manchester; New York: Manchester UP, 1999. Revels Plays. Print.
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Jonson, Ben.
To Penshurst.
The Norton Anthology of English Literature. Ed. Stephen Greenblatt, Carol T. Christ, Alfred David, Barbara K. Lewalski, Lawrence Lipking, George M. Logan, Deidre Shauna Lynch, Katharine Eisaman Maus, James Noggle, Jahan Ramazani, Catherine Robson, James Simpson, Jon Stallworthy, Jack Stillinger, and M. H. Abrams. 9th ed. Vol. B. New York: W.W. Norton & Company, 2012. 1547. -
Jonson, Ben. Underwood. Cambridge: Cambridge UP, 1905. Remediated by Internet Archive.
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Jonson, Ben. The vvorkes of Beniamin Ionson. Containing these playes, viz. 1 Bartholomew Fayre. 2 The staple of newes. 3 The Divell is an asse. London, 1641. STC 14754.
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Satan is mentioned in the following documents:
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Pug
Dramatic character in Ben Jonson’s The Devil is an Ass.Pug is mentioned in the following documents:
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Ambler
Dramatic character in Ben Jonson’s The Devil is an Ass.Ambler is mentioned in the following documents:
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Iniquity
Dramatic character in Ben Jonson’s The Devil is an Ass.Iniquity is mentioned in the following documents:
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Fabian Fitzdottrel
Dramatic character in Ben Jonson’s The Devil is an Ass.Fabian Fitzdottrel is mentioned in the following documents:
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Mistress Fitzdottrel
Dramatic character in Ben Jonson’s The Devil is an Ass.Mistress Fitzdottrel is mentioned in the following documents:
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Everill
Dramatic character in Ben Jonson’s The Devil is an Ass.Everill is mentioned in the following documents:
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Captain Guilthead
Dramatic character in Ben Jonson’s The Devil is an Ass.Captain Guilthead is mentioned in the following documents:
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Wittipol
Dramatic character in Ben Jonson’s The Devil is an Ass.Wittipol is mentioned in the following documents:
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Meercraft
Dramatic character in Ben Jonson’s The Devil is an Ass.Meercraft is mentioned in the following documents:
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Ingine
Dramatic character in Ben Jonson’s The Devil is an Ass.Ingine is mentioned in the following documents:
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Shackles
Dramatic character in Ben Jonson’s The Devil is an Ass.Shackles is mentioned in the following documents:
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Woodcock
Appears in Ben Jonson’s The Devil is an Ass.Woodcock is mentioned in the following documents:
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John Beale is mentioned in the following documents:
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Bernard Alsop is mentioned in the following documents:
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Thomas Fawcett is mentioned in the following documents:
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James Dawson
Printer. -
Richard Meighen
Bookseller. -
Thomas Walkley
Bookseller.
Locations
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Tottenham is mentioned in the following documents:
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Hoxton
This location has been added to the MoEML gazetteer on the authority of Carlin and Belcher’s gazetteer of 1520 London.Hoxton is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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The Standard (Cheapside) is mentioned in the following documents:
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Cheap Ward
Cheap Ward is west of Bassinghall Ward and Coleman Street Ward. Both the ward and its main street, Cheapside, are named after West Cheap (the market).Cheap Ward is mentioned in the following documents:
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Hog Lane is mentioned in the following documents:
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PLACEHOLDER LOCATION
PLACEHOLDER LOCATION ITEM. The purpose of this item is to allow encoders to link to a location item when they cannot add a new location file for some reason. MoEML may still be seeking information regarding this entry. If you have information to contribute, please contact the MoEML team.PLACEHOLDER LOCATION is mentioned in the following documents:
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Shoreditch
A suburban neighbourhood located just north of Moorfields and outside Londonʼs City Wall, Shoreditch was a focal point of early modern theatrical culture. Following a boom in Londonʼs population from 1550 to 1600, the neighbourhood became a prime target for development. The building of the Theatre in 1576 and the Curtain in the following year established Shoreditchʼs reputation as Londonʼs premier entertainment district, and the neigbourhood also featured a growing number of taverns, alehouses, and brothels. These latter establishments were often frequented by local players, of whom many prominent members were buried on the grounds of nearby St. Leonardʼs Church. Today, Shoreditch faces the potential revival of its early modern theatrical culture through the efforts of the Museum of London Archaeology and the Tower Hamlets Theatre Company.Shoreditch is mentioned in the following documents:
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Whitechapel
Whitechapel was a street running east-west to the Aldgate Bars from the east. Stow comments that the street, like Aldgate Street, wasfully replenished with buildings outward, & also pestered with diuerse Allyes, on eyther side
(Stow).Whitechapel is mentioned in the following documents:
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St. Katherine’s Hospital
St. Katherine’s Hospital was a religious hospital founded in 1148. According to Stow, the hospital was founded by Queen Matilda. The hospital, the grounds of which contained a church, gardens, orchards, and residences, was at the southern end of St. Katherine’s Lane and north of the St. Katherine Steps, all of which is east of the Tower of London. Stow praised the choir of the hospital, noting how itwas not much inferior to that of [St.] Paules [Cathedral]
(Stow).St. Katherine’s Hospital is mentioned in the following documents:
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Custom Key is mentioned in the following documents:
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Woolsack is mentioned in the following documents:
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Billingsgate
Billingsgate (Bylynges gate or Belins Gate), a water-gate and harbour located on the north side of the Thames between London Bridge and the Tower of London, was London’s principal dock in Shakespeare’s day. Its age and the origin of its name are uncertain. It was probably built ca. 1000 in response to the rebuilding of London Bridge in the tenth or eleventh century.Billingsgate is mentioned in the following documents:
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London Bridge
As the only bridge in London crossing the Thames until 1729, London Bridge was a focal point of the city. After its conversion from wood to stone, completed in 1209, the bridge housed a variety of structures, including a chapel and a growing number of shops. The bridge was famous for the cityʼs grisly practice of displaying traitorsʼ heads on poles above its gatehouses. Despite burning down multiple times, London Bridge was one of the few structures not entirely destroyed by the Great Fire of London in 1666.London Bridge is mentioned in the following documents:
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Three Cranes Tavern
Three Cranes Tavern was a popular tavern in early modern London, located on Three Cranes Lane.Three Cranes Tavern is mentioned in the following documents:
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Vintry Ward
Vintry Ward is west of Dowgate Ward. The ward is named after the Vintners’ Company and the Vintry,a part of the banks of the Riuer of Thames
within Vintry Ward used by the merchants of Bordeaux for the transporting and selling of their wines (Stow 1603).Vintry Ward is mentioned in the following documents:
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The Strand
Named for its location on the bank of the Thames, the Strand leads outside the City of London from Temple Bar through what was formerly the Duchy of Lancaster to Charing Cross in what was once the city of Westminster. There were three main phases in the evolution of the Strand in early modern times: occupation by the bishops, occupation by the nobility, and commercial development.The Strand is mentioned in the following documents:
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Westminster Hall
Westminster Hall isthe only surviving part of the original Palace of Westminster
(Weinreb and Hibbert 1011) and is located on the west side of the Thames. It is located on the bottom left-hand corner of the Agas map, and is labelled asWeſtmynſter hall.
Originally built as an extension to Edward the Confessor’s palace in 1097, the hall served as the setting for banquets through the reigns of many kings.Westminster Hall is mentioned in the following documents:
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Tyburn
Tyburn is best known as the location of the principal gallows where public executions were carried out from the late twelfth century until the eighteenth (Drouillard, Wikipedia). It was a village to the west of the city, near the present-day location of Marble Arch (beyond the boundary of the Agas Map). Its name derives from a stream, and its significance to Stow was primarily as one of the sources of piped water for the city; he describes howIn the yeare 1401. this priſon houſe called the Tunne was made a Ceſterne for ſweete water conueyed by pipes of Leade frõ the towne of Tyborne, and was from thence forth called the conduite vpon Cornhill Gap in transcription. Reason: Editorial omission for reasons of length or relevance. Use only in quotations in born-digital documents.[…] (Stow 1598, sig. L3r)
.Tyburn is mentioned in the following documents:
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Blackfriars Theatre
The history of the two Blackfriars theatres is long and fraught with legal and political struggles. The story begins in 1276, when King Edward I gave to the Dominican order five acres of land.Blackfriars Theatre is mentioned in the following documents:
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Lincoln’s Inn
Lincoln’s Inn was one of the four Inns of Court.Lincoln’s Inn is mentioned in the following documents:
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Hyde Park
According to Weinreb, Hibbert, Keay, and Keay, Hyde Park was the largest of the royal parks. The land was used as a hunting ground from 1536 to 1768, Henry VIII adopting Hyde Park for personal use after the dissolution of the monasteries. In the early seventeenth century, the park was opened for public use (Weinreb, Hibbert, Keay, and Keay 423).Hyde Park is mentioned in the following documents:
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Royal Exchange
Located in Broad Street Ward and Cornhill Ward, the Royal Exchange was opened in 1570 to make business more convenient for merchants and tradesmen (Harben 512). The construction of the Royal Exchange was largely funded by Sir Thomas Gresham (Weinreb, Hibbert, Keay, and Keay 718).Royal Exchange is mentioned in the following documents:
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St. Martin’s Lane (Strand)
St. Martin’s Lane (Strand) was located in Westminster and ran north-south between Tottenham Ct. Road and the westernmost end of the Strand by Charing Cross. It is not to be confused with St. Martin’s Lane (le Grand) or St. Martin’s Lane (Bridge Within Ward).St. Martin’s Lane (Strand) is mentioned in the following documents:
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The Compter (Poultry) is mentioned in the following documents:
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The Compter (Bread Street)
Stow mentions two compters existing in his time: The Compter (Poultry) and The Compter (Bread Street). With relevance to the mobility of the place, Harben records that theWood Street Counter had been removed there from Bread Street in 1555
(Harben 166). Tracing its history back ever further, Carlin and Belcher note that the prison was initially located in the Broken Seld around 1412 (Carlin and Belcher 70).The Compter (Bread Street) is mentioned in the following documents:
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Cornhill
Cornhill was a significant thoroughfare and was part of the cityʼs main major east-west thoroughfare that divided the northern half of London from the southern half. The part of this thoroughfare named Cornhill extended from St. Andrew Undershaft to the three-way intersection of Threadneedle, Poultry, and Cornhill where the Royal Exchange was built. The nameCornhill
preserves a memory both of the cornmarket that took place in this street, and of the topography of the site upon which the Roman city of Londinium was built.Note: Cornhill and Cornhill Ward are nearly synonymous in terms of location and nomenclature - thus, it can be a challenge to tell one from the other. Topographical decisions have been made to the best of our knowledge and ability.Cornhill is mentioned in the following documents:
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Finsbury Field
Finsbury Field is located in northen London outside the London Wall. Note that MoEML correctly locates Finsbury Field, which the label on the Agas map confuses with Mallow Field (Prockter 40). Located nearby is Finsbury Court. Finsbury Field is outside of the city wards within the borough of Islington (Mills 81).Finsbury Field is mentioned in the following documents:
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London is mentioned in the following documents:
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Globe Tavern is mentioned in the following documents:
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Mermaid Tavern (Bread Street)
The Mermaid Tavern was a drinking and dining establishment located between lower Bread Street and Friday Street, with entrances to both. Its location corresponds to the place between these two streets on current day London’s Cannon Street (Glinert). John Stow records in his Survey of London that Bread Street was a location ofdiuers faire Innes
and that the area waswholely inhabited by rich Marchants
(Stow 1598, sig. T5r). The Mermaid Tavern was not far from Old Fish Street and the Blackfriars Theatre (Chalfant).Mermaid Tavern (Bread Street) is mentioned in the following documents:
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Banqueting House is mentioned in the following documents:
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St. Giles in the Fields
St. Giles in the Fields was a hospital and parish church. It is marked near the western edge of the Agas map with the labelS. Gyles in the Fyeld.
According to Stow, St. Giles in the Fields was founded as a leprosy house by Matilda of Scotland during the reign of Henry I. The hospital was eventually suppressed by Henry VIII (Stow 1598, sig. 2D6v).St. Giles in the Fields is mentioned in the following documents:
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Newgate
The gaol at Newgate, a western gate in the Roman Wall of London, was constructed in the twelfth century specifically to detainfellons and trespassors
awaiting trial by royal judges (Durston 470; O’Donnell 25; Stow 1598, sig. C8r). The gradual centralisation of the English criminal justice system meant that by the reign of Elizabeth I, Newgate had become London’s most populated gaol. In the early modern period, incarceration was rarely conceived of as a punishment in itself; rather, gaols like Newgate were more like holding cells, where inmates spent time until their trials or punishments were effected, or their debts were paid off.Newgate is mentioned in the following documents:
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St. Sepulchre is mentioned in the following documents: