Teaching with MoEML: Three Parts of King Henry IV
¶Note by MoEML
Sujata Iyengar from the University of Georgia was one of twenty-five enthusiastic participants who
attended Kim McLean-Fiander’s
Teaching Shakespeare to Undergraduates Using the Map of Early Modern Londonworkshop on 14 June 2016 at the Folger Shakespeare Library. The MoEML workshop was one of nine offered in association with National Endowment for the Humanitiesʼ (NEH) micro-grants scheme. The workshops were designed to provide scholars and librarians, who were part of the various First Folio Tour teams from across the US, innovative ways to inject new life into their Shakespeare teaching. (KMF)
¶Pedagogical Reflection
Teaching a completely online, asynchronous, cohort-based class split between undergraduates
and graduate students this summer for the first time, I was determined to use as many
internet-based, open-access, multimedia open educational resources (OERs) as possible.
We hear many complaints about the
distractibilityof students raised with social media, the world wide web, and internet search engines, but I don’t think that what some call
the rabbit-hole1 of Google or the labyrinth of hyperlinks are in themselves bad things. On the contrary, I think that these distractions can encourage intellectual curiosity in students and in faculty and occasionally foster that sense of immersion in another world that we can derive from the activity we call
browsing―whether we are browsing print books on a library shelf, photographs of early books projected in a microfilm reader, or web-pages and hyperlinks within an online text.
MoEML provides an excellent space for this kind of productive and immersive distraction.
Its easily browsable interface (which more than one student likened to Google Maps)
and pop-up windows from the Encyclopedia conceal the real intellectual and historical
travailof archival work behind the façade of virtual
travel.It permits students to synthesize their learning by letting them create new maps and mark them up for their own purposes. For example, one student, finding Doctors’ Commons missing from the MoEML, collated the Agas map with another early modern guide to London and then went back to MoEML and created a map of her own that included where she thought Doctors’ Commons ought to appear, based on her additional archival reading.2
My institution adheres to the
Quality Mattersrubric for online learning and likes us to include elements from Bloom’s taxonomy (and the revised taxonomy by Lorin Anderson) in our online classes as
objectivesand
outcomesfor student learning.3 I generated a three-part scaffolded discussion assignment for my online students that I hoped would encourage the following course objectives through the various outcomes or written, drawn, audio, or video products made by students:
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Expository Writing Demonstrate comprehension, application, analysis, and synthesis by producing two to three 150-300 word postings explaining how you used the map, applying it to find a location, extending it to direct a character, and critiquing a classmate’s directions.
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Creativity Demonstrate creation and synthesis by producing screencast, podcast, blank verse, or prose imaginary scenarios directing fictional characters from one space in early modern London to another.
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Content Demonstrate comprehension, application, analysis, and synthesis of the geo-spatial contexts for Shakespeare’s 1 Henry IV and 2 Henry IV by using MoEML.
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Close Reading Demonstrate your close attention to the texts of the plays (which we read in the Bedford Shakespeare, edited by Lena Cowen Orlin and the late Russ McDonald) by including references to the texts of the plays and by analyzing and contrasting the different settings of the plays.
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Evaluation and Application: Demonstrate that you can evaluate your classmates’ directions by applying them to a route that their character takes and seeing where and how the route they suggest proves difficult, easy, or counter-intuitive to navigate.
I also like to include
Social and Emotionallearning outcomes, although these are not measured on Bloom’s taxonomy, because it seems to me that humanities classes excel in these so-called
soft skills.4 The social and emotional learning objectives I wanted this assignment to include encompassed:
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Engagement Demonstrate your caring and your engagement with your learning community by writing a post responding in detail to a classmate’s assignment
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Metacognition Demonstrate that you are learning how to learn by writing about what challenged you in this assignment and how you might approach it another time
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Reflection and Integrated Learning Demonstrate that you are learning how to learn by reviewing, reflecting, and perhaps revising your original assignment in light of what you have learned by following a classmate’s directions.
The outcomes of this three-part assignment included, then, at least three written
documents of between 150 and 300 words each; at least three two-minute screencasts
or set of three screen captures; and (for some of the graduate and undergraduate students)
a potentially publishable piece of creative or archival scholarship.
For the full text of the assignment I gave to my students, see . My students Kara Joyce and Jennifer Guyre took me up on the proposal to write her directions in blank verse and gave me permission
to share their work with MoEML.
¶Student Responses
¶Kara Joyce
I tried my hand at using blank verse! The scenario I’ve imagined is that Falstaff is drunk as a skunk in a bar near Eastcheap, and has sent a note via some pageboy to Mistress Quickly in the hopes that she’ll come rescue him and return him to the Boar’s Head Tavern. I had Falstaff guide her entirely by churches so that he could get in a dig at her character in the same moment that he pleaded
for her help.
My Mistress, Hostess, Quickly, come at once
Away from your sweet warm and cushioned stool.
A left onto Knight Ryder Street, and then,
Swift, bustle past St. Nich’las Cole Abbey.
Go on, go on, turn left at Baptist John’s
Then right–for Candlewick does call your feet.
Keep east towards Eastcheap, then you’ll find you’re here.
I hope you noted that I named places
Wherein you might find some salvation from
Your tendency to break the tenets of
God’s holy rules of hospitality.
Please come for me, for I have lost my way
And all my coins I meant to use for food.
My love for beer has bested me once more,
And yet my love for you has yet to die.
Be quick, be quick! Please start along your way.
I am in need of a more faithful friend
Than liquor has been to me as of late.
Your fav’rite old fat man and all his flaws,
¶Jen Guyre
I decided to try my hand at Iambic Pentameter in redirecting Bardolph from Eastcheap to Bell’s Inn. Here goes
My dear Bardolph,
’Pon some consideration of thy state,
Methinks thou shouldst complete avoid Cheapside,
Since the allure thereof might’st prove thy doom.
Instead thou should’st take Cand’wick Street to Budge,
Passing along the way the London Stone,
That old and ancient relic of Roman birth.
From Budge pass straight to Watling Street, and then
Keep on until it ends at old St. Paul’s;
Whereat thou may’st consider looking for
New gainful employ, knowing as thou must
That old Falstaff will likely waste his life
Out of his years with drink and whores quite soon.
Or if thou art quite satisfied with him,
Thou mayest purchase books t’enrich your mind,
Since I quite fear for the poor state of it.
Eight churches in addition to St. Paul’s
Wilt thou forsooth along thy way pass by;
I recommend you take advantage of them,
Lest through neglect your soul be damnèd quite.
Once past St. Paul’s turn right and thank Our Lady,
Ave Maria passing through, and thence
Up Warwick Lane and into the Bell’s Inn,
Which, standing on thy left, is plain to see.
I will await thee there; please be not late.
Thine sincerely, and thy future King,
Hal
Click here to view map of Bardolph’s route to Hal’s location.
Notes
- Kathryn Schulz has written a charming essay on the figure of the
rabbit-hole
for online distractibility:The Rabbit-Hole rabbit-hole,
The New Yorker, http://www.newyorker.com/culture/cultural-comment/the-rabbit-hole-rabbit-hole, accessed 6 July 2016. (SI)↑ - MoEML has since used this student’s research to create a Encylopedia entry for Doctors’ Commons and draw it on the Agas map. (JJ)↑
- Patricia Armstrong at Vanderbilt University’s Center for Teaching and Learning provides a useful overview of the original and revised taxonomies at https://cft.vanderbilt.edu/guides-sub-pages/blooms-taxonomy/, accessed 6 July 2016. (SI)↑
- I adapted my social and emotional learning outcomes from L. Dee Fink’s guide to designing
courses with
significant learning
; his useful diagram appears in many places online, including at BYU-Idaho’s siteSignificant Learning,
http://www.byui.edu/outcomes-and-assessment-old/the-basics/step-1-articulate-outcomes/dee-finks-taxonomy-of-significant-learning, accessed 6 July 2016. (SI)↑
Cite this page
MLA citation
Teaching with MoEML: Three Parts of King Henry IV.The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/BLOG21.htm.
Chicago citation
Teaching with MoEML: Three Parts of King Henry IV.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/BLOG21.htm.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/BLOG21.htm.
, , & 2022. Teaching with MoEML: Three Parts of King Henry IV. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Iyengar, Sujata A1 - Joyce, Kara A1 - Guyre, Jen ED - Jenstad, Janelle T1 - Teaching with MoEML: Three Parts of King Henry IV T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/BLOG21.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/BLOG21.xml ER -
TEI citation
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<title level="a">Teaching with MoEML: Three Parts of King Henry IV</title>. <title
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Personography
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Joey Takeda
JT
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Tye Landels-Gruenewald
TLG
Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.Roles played in the project
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Jen Guyre
JG
Jen Guyre was a graduate student in the Middle Grades Education program at the University of Georgia. She received her undergraduate degree from UGA in English in 2011.Roles played in the project
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Kara Joyce
KJ
Kara Joyce was a third-year undergraduate student majoring in International Affairs and English at the University of Georgia. A fun fact about Kara is that she was in one of the co-ed a cappella groups on UGA’s campus, the EcoTones! Her experience with Shakespeare came mostly from performing and staging, as she was in theatre in high school and her teacher loved the Bard.Roles played in the project
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Sujata Iyengar
SI
Sujata Iyengar is Professor of English at the University of Georgia (UGA). Her books include Shades of Difference: Mythologies of Skin Color in the Early Modern Period (U of Penn Press, 2005, author), Shakespeare’s Medical Language (Arden/ Bloomsbury, 2011, author) and Disability, Health, and Happiness in the Shakespearean Body (Routledge, 2015, editor). Her teaching honours at UGA include the Special Sandy Beaver Award for Excellence in Teaching and fellowships from the Office of Service-Learning and the Office of Online Learning. She has also team-taught with two different Study Abroad programs at UGA, with the UGA/Augusta University Medical Partnership, and with individual faculty from the College of Public Health, the Department of History, the Lamar Dodd School of Art, and the Grady College of Journalism. Read her faculty homepage at UGA for additional information.Roles played in the project
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Falstaff
Dramatic character in William Shakespeare’s Henry IV, Part 1, Henry IV, Part 2, and The Merry Wives of Windsor. Mentioned in Henry V.Falstaff is mentioned in the following documents:
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Mistress Quickly is mentioned in the following documents:
Locations
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Eastcheap
Eastcheap Street ran east-west, from Tower Street to St. Martin’s Lane. West of New Fish Street/Gracechurch Street, Eastcheap was known asGreat Eastcheap.
The portion of the street to the east of New Fish Street/Gracechurch Street was known asLittle Eastcheap.
Eastcheap (Eschepe or Excheapp) was the site of a medieval food market.Eastcheap is mentioned in the following documents:
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Boar’s Head Tavern is mentioned in the following documents:
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Knightrider Street
Knightrider Street ran east-west from Dowgate Street to Addle Hill, crossing College Hill, Garlick Hill, Trinity Lane, Huggin Lane, Bread Street, Old Fish Street Hill, Lambert or Lambeth Hill, St. Peter’s Hill, and Paul’s Chain. Significant landmarks included: the College of Physicians and Doctors’ Commons.Knightrider Street is mentioned in the following documents:
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St. Nicholas Cole Abbey is mentioned in the following documents:
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St. John the Baptist (Walbrook) is mentioned in the following documents:
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Candlewick Street
Candlewick, Candlewright, or, later, Cannon Street, ran east-west from Walbrook Street in the west to the beginning of Eastcheap at its eastern terminus. Candlewick Street became Eastcheap somewhere around St. Clements Lane, and led into a great meat market (Stow 1:217). Together with streets such as Budge Row, Watling Street, and Tower Street, which all joined into each other, Candlewick Street formed the main east-west road through London between Ludgate and Posterngate.Candlewick Street is mentioned in the following documents:
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Bell Tavern (Warwick Street) is mentioned in the following documents:
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Cheapside Street
Cheapside Street, one of the most important streets in early modern London, ran east-west between the Great Conduit at the foot of Old Jewry to the Little Conduit by St. Paul’s churchyard. The terminus of all the northbound streets from the river, the broad expanse of Cheapside Street separated the northern wards from the southern wards. It was lined with buildings three, four, and even five stories tall, whose shopfronts were open to the light and set out with attractive displays of luxury commodities (Weinreb and Hibbert 148). Cheapside Street was the centre of London’s wealth, with many mercers’ and goldsmiths’ shops located there. It was also the most sacred stretch of the processional route, being traced both by the linear east-west route of a royal entry and by the circular route of the annual mayoral procession.Cheapside Street is mentioned in the following documents:
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Budge Row
Budge Row ran east-west through Cordwainer Street Ward. It passed through the ward from Soper Lane in the west to Walbrook Street in the east. Beyond Soper Lane, Budge Row became Watling Street. Before it came to be known as Budge Row, it once formed part of Watling Street, one of the Roman roads (Weinreb and Hibbert 107).Budge Row is mentioned in the following documents:
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London Stone
London Stone was, literally, a stone that stood on the south side of what is now Cannon Street (formerly Candlewick Street). Probably Roman in origin, it is one of London’s oldest relics. On the Agas map, it is visible as a small rectangle between Saint Swithin’s Lane and Walbrook Street, just below thend
consonant cluster in the labelLondonſton.
London Stone is mentioned in the following documents:
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Watling Street
Watling Street ran east-west between St. Sythes Lane in Cordwainer Street Ward and Old Change in Bread Street Ward. It is visible on the Agas map under the labelWatlinge ſtreat.
Stow records that the street is also commonly known asNoble Street
(Stow 1598, sig. O4v). This should not lead to confusion with Noble Street in Aldersgate Ward. There is an etymological explanation for this crossover of names. According to Ekwall, the nameWatling
ultimately derives from an Old English word meaningking’s son
(Ekwall 81-82). Watling Street remains distinct from the Noble Street in Aldersgate Ward.Watling Street is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
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Warwick Lane
Warwick Lane or Eldenese Lane ran north-south from Newgate Street to Paternoster Row. Its name is derived from Warwick’s Inn, a structure built by one of the Earls of Warwick about the 28th year of Henry VI’s reign (Stow 1633, sig. 2L2v).Warwick Lane is mentioned in the following documents: