The Sun in Aries
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THE SVNNE
in Aries. A NOBLE
SOLEMNITY PER
formed through the Citie, at the ſole
coſt and charges of the Honourable and anci
ent Fraternity of Drapers, at the confirmation
and eſtabliſhment of their moſt VVorthy Brother
the Right Honourable, Edvvard Barkham,
in the high Office of his Maieſties Lieute
nant, the Lord Maior of the famous
Citie of LONDON. Taking beginning at his Lordſhips
going, and perfecting it ſelfe after his returne
from receiuing the Oath of Maioralty at VVest
minster, on the morrow after Simon
Ivdes day, being the 29. of
October. 1621.
in Aries. A NOBLE
SOLEMNITY PER
formed through the Citie, at the ſole
coſt and charges of the Honourable and anci
ent Fraternity of Drapers, at the confirmation
and eſtabliſhment of their moſt VVorthy Brother
the Right Honourable, Edvvard Barkham,
in the high Office of his Maieſties Lieute
nant, the Lord Maior of the famous
Citie of LONDON. Taking beginning at his Lordſhips
going, and perfecting it ſelfe after his returne
from receiuing the Oath of Maioralty at VVest
minster, on the morrow after Simon
Ivdes day, being the 29. of
October. 1621.
TO
THE HONOVR
OF HIM, TO VVHOM
THE NOBLE FRATERNITY
of Drapers, his worthy Brothers haue dedica
ted their loues in coſtly Triumphes, the Right
Honourable, Edvvard Barkham, Lord
Maior of this renowned
Citie.
THE HONOVR
OF HIM, TO VVHOM
THE NOBLE FRATERNITY
of Drapers, his worthy Brothers haue dedica
ted their loues in coſtly Triumphes, the Right
Honourable, Edvvard Barkham, Lord
Maior of this renowned
Citie.
Y
Our Honour being the Center, where the Lines
Of this Dayes glorious circle meetes and ioynes;
Loue, Ioy, Coſt, Triumph, all by You made bleſt;
There do’s my Seruice too, desire to reſt:
At your Lordſhips
command,
Tho. Middleton.
command,
A3
THE SVNNE
IN ARIES.
IN ARIES.
PIſces, being the last of the Signes,
and the VVayne of the Sunnes
Glory; how fitly and deſired
ly now the Sunne enters into
Aries, for the comfort and re
freſhing of the Creatures, and
may bee properly called the
Spring time of Right and Iu
ſtice; obſerued by the Shepheards Kalender in the
Mountaine, to proue a happy Yeare for poore mens
cauſes, VViddowes, & Orphans Comforts; ſo much
to make good the Sunnes Entrance into that noble
SignThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)e; I doubt not but the Beames of his Iuſtice will
make good themſelues.
and the VVayne of the Sunnes
Glory; how fitly and deſired
ly now the Sunne enters into
Aries, for the comfort and re
freſhing of the Creatures, and
may bee properly called the
Spring time of Right and Iu
ſtice; obſerued by the Shepheards Kalender in the
Mountaine, to proue a happy Yeare for poore mens
cauſes, VViddowes, & Orphans Comforts; ſo much
to make good the Sunnes Entrance into that noble
SignThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)e; I doubt not but the Beames of his Iuſtice will
make good themſelues.
And firſt, to begin with the VVorthy loue of his
Honourable Societie to his Lordſhip, after his Ho
nours returne from VVeſtminster, hauing receiued
ſome ſeruice vpon the waterThis text is the corrected text. The original is : (MK): the first Tryumph by
land attends his Lordſhips moſt wiſhed arriuall, in
Pauls Church-yard, which is a Chariot moſt Artful
ly framed & adorned, bearing the Title of the Cha
riot of Honour: In which Chariot many VVorthies
are plac’d, that haue got Trophies of Honour by their
Honourable Societie to his Lordſhip, after his Ho
nours returne from VVeſtminster, hauing receiued
ſome ſeruice vpon the waterThis text is the corrected text. The original is : (MK): the first Tryumph by
land attends his Lordſhips moſt wiſhed arriuall, in
Pauls Church-yard, which is a Chariot moſt Artful
ly framed & adorned, bearing the Title of the Cha
riot of Honour: In which Chariot many VVorthies
are plac’d, that haue got Trophies of Honour by their
Labours
The Sunne in Aries.
Labours & Deserts, such as Iaſon, whoſe Illuſtration
of Honour is the Golden Fleece, Hercules with his
Ne plus vltra, vpon Pilaſters of Siluer, a fayre Globe,
for conquering Alexander; a Gilt Lawrell for tri
umphant Cæſar, &c. Iaſon at the approach of his
Lordſhip, being the Perſonage moſt proper (by his
Manifeſtation) for the Societies Honour, lends a
voyce to theſe following words.
of Honour is the Golden Fleece, Hercules with his
Ne plus vltra, vpon Pilaſters of Siluer, a fayre Globe,
for conquering Alexander; a Gilt Lawrell for tri
umphant Cæſar, &c. Iaſon at the approach of his
Lordſhip, being the Perſonage moſt proper (by his
Manifeſtation) for the Societies Honour, lends a
voyce to theſe following words.
The Speech preſented by Jaſon.
BE fauourable Fates! and a faire Skie
Smile on this Expedition, Phœbus Eye
Looke cheerefully,—the Barke is vnder Sayle
For a Yeares voyage, and a bleſſed Gale
Be euer with it; ’Tis for Iuſtice bound,
A Coaſt, that’s not by euery Compaſſe found;
And goes for Honour, Lifes moſt precious Trading,
May it returne with moſt Illustrious Lading;
A Thing both wiſht and hop’te for;—I am Hee
To all Aduenturous Voyages, a free
And bountifull well-wiſher, by my Name
Hight Iaſon, firſt Aduenturer for Fame,
Which now rewards my danger, and ovreo’re-tops
The Memory of all Perill, or her ſtops;
Aſsiſted by the noble Hopes of Greece,
’Twas I from Colchis fetcht the Golden Fleece;
Am One of the firſt Brothers (on Record)
Of Honour got by Danger: So, great Lord!
There is no Voyage ſet forth to Renowne,
That do’s not ſometimes meete with Skies that frowne,
With
The Sunne in Aries.
With Guſts of Enuie, Billowes of deſpight,
Which makes the Purchaſe once atchieu’d, more bright:
"State is a Sea; he muſt be wiſe indeede
"That ſounds It’s Depth, or can the Quick ſands heede,
And Honour is ſo nice and rare a Prize,
’Tis watcht by Dragons, Venamous Enemies;
Then no ſmall care belongs too’t,—but as I
With my aſsiſting Argonautes,
did try
The Vtmoſt of Aduenture, and with bold
And conſtant Courage, brought the Fleece of Gold;
Whoſe Illuſtration decks my Memory
Through all Poſterities, naming but Mee:
So, Man of Merit, neuer faint or feare,
Thou haſt th’ Aſsiſtance of Graue Senators,
here,
Thy Worthy Brethren; ſome of which haue paſt
All dangerous Gulfes, and in their bright Fames
plac’t,
They can Inſtruct and guide thee; and each one
That muſt aduenture, and are comming on
To this great Expedition, They will bee
Cheerefull and forward to Encourage Thee;
And Bleſsings fall in a moſt infinite Summe
Both on thoſe paſt, Thy Selfe, and thoſe to come.
Paſſing from this, and more to encourage the labour of the
Magiſtrate, hee is now conducted to the Maſter-Triumph cal
led the Tower of Vertue, which for the ſtrength, ſafety and per
petuity, beares the Name of the Brazen Tower; of which, Inte
grety keepes the Keyes, Vertue being indeed as a Brazen wall
to a City or Common-wealth, & to Illuſtrate the proſperity it
brings to a Kingdome, the Top-Turrets or Pinacles of this Bra
zen Tower ſhine bright like Golde, and vpon the Gilded Bat
tlements thereof, ſtand 6. Knights, 3. in Siluered, and 3. in Gilt
Armour, as Vertues Standerbearers or Champions, holding 6.
little Streamers, or ſiluer Bannerets, in each of which are diſ
Magiſtrate, hee is now conducted to the Maſter-Triumph cal
led the Tower of Vertue, which for the ſtrength, ſafety and per
petuity, beares the Name of the Brazen Tower; of which, Inte
grety keepes the Keyes, Vertue being indeed as a Brazen wall
to a City or Common-wealth, & to Illuſtrate the proſperity it
brings to a Kingdome, the Top-Turrets or Pinacles of this Bra
zen Tower ſhine bright like Golde, and vpon the Gilded Bat
tlements thereof, ſtand 6. Knights, 3. in Siluered, and 3. in Gilt
Armour, as Vertues Standerbearers or Champions, holding 6.
little Streamers, or ſiluer Bannerets, in each of which are diſ
B
played
The Sunne in Aries.
played the Armes of a Noble Brother and Benefactor, Fame
ſounding forth their praiſes to the world, for the Encourage
ment of after Ages, and Antiquity the Regiſter of Fame con
taining in her Golden Legend, their Names & Titles; as that of
Sir Henry Fitz-Alwin Draper, L. Maior foure and Twenty
yeares together; Sir Iohn Norman, the firſt that was rowed in
Barge to Weſtminster with Siluer Oares, at his owne coſt and
charges; Sir Francis Drake, the Sonne of Fame, who in two
Yeares and tenne Monthes, did caſt a Girdle about the world:
The vnparaleld, Sir Symon Eyre, who built Leaden Hall (at his
owne coſtThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)) a Storehouſe for the Poore both in the vpper Lofts
and lower; the Generous & memorable Sir Richard Champion,
and Sir Iohn Milborne, two bountifull Benefactors; Sir Ri
chard Hardell in the Seat of Magiſtracy 6. yeares together, Sir
Iohn Poultney, 4. yeares, which Sir Iohn founded a Colledge
in the Pariſh of St. Lawrence Poultney, by Candlewicke ſtreete,
Iohn Hinde, a Reedifier of the Pariſh Church of St. Swithin by
London Stone. Sir Richard Pipe, who being Free of the Lea
ther ſellers, was alſo from them tranſlated to the Ancient and
Honorable Society of Drapers; and many whoſe names for
breuities cauſe I muſt omit, and haſten to the Honour and Ser
uice of the Time preſent: From the Tower, Fame a perſonage
properly adorned, thus ſalutes the Great Mr. of the Day and
Triumph.
ſounding forth their praiſes to the world, for the Encourage
ment of after Ages, and Antiquity the Regiſter of Fame con
taining in her Golden Legend, their Names & Titles; as that of
Sir Henry Fitz-Alwin Draper, L. Maior foure and Twenty
yeares together; Sir Iohn Norman, the firſt that was rowed in
Barge to Weſtminster with Siluer Oares, at his owne coſt and
charges; Sir Francis Drake, the Sonne of Fame, who in two
Yeares and tenne Monthes, did caſt a Girdle about the world:
The vnparaleld, Sir Symon Eyre, who built Leaden Hall (at his
owne coſtThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)) a Storehouſe for the Poore both in the vpper Lofts
and lower; the Generous & memorable Sir Richard Champion,
and Sir Iohn Milborne, two bountifull Benefactors; Sir Ri
chard Hardell in the Seat of Magiſtracy 6. yeares together, Sir
Iohn Poultney, 4. yeares, which Sir Iohn founded a Colledge
in the Pariſh of St. Lawrence Poultney, by Candlewicke ſtreete,
Iohn Hinde, a Reedifier of the Pariſh Church of St. Swithin by
London Stone. Sir Richard Pipe, who being Free of the Lea
ther ſellers, was alſo from them tranſlated to the Ancient and
Honorable Society of Drapers; and many whoſe names for
breuities cauſe I muſt omit, and haſten to the Honour and Ser
uice of the Time preſent: From the Tower, Fame a perſonage
properly adorned, thus ſalutes the Great Mr. of the Day and
Triumph.
The Salutation of Fame.
Thou art nThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)ot onely ſThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)afe, but glThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
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text has been supplied based on evidence internal to this text (context, etc.). (MK)ous, heere;
It is a Tower of Brightnes; ſuch is Truth,
Whoſe Strength and Grace feeles a perpetuall Youth;
The Walls are Braſſe, the Pyramid’s fine Gold;
Which ſhowes, ’tis Safeties and Proſperities Hold;
Cleare Conſcience, is Lieutenant; Prouidence, there,
Are the ſixe Warders; keepe the Watch-Tower ſure,
That nothing enters but what’s iuſt and pure,
For
The Sunne in Aries.
For which effect, both to affright and ſhame
All ſlothfull Blouds, that bluſh to looke on Fame,
An Enſigne of good Actions Each diſplayes,
That worthy Workes may iuſtly owne their Praiſe;
And which is clearelieſt to be vnderſtood,
Thine, ſhines amidſt thy Glorious Brotherhood,
Circled with Armes of Honour, by thoſe, paſt,
As now with Loues Armes, by the Preſent,
grac’t,
And how thy VVord do’s thy true VVorth diſplay;
Fortunæ Mater, Diligentia,
Faire Fortunes Mother (all may reade, and ſee)
Is Diligence, endeuouring Induſtrie:
See here the Glory of Illuſtrious Acts
All of thy owne Fraternity, whoſe Tracts
’Tis comely to purſue all Thy Lifes Race,
Taking their Vertues, as thou hold’ſt their place:
Some, Colledge Founders, Temple-Beautifiers,
Whoſe bleſt Soules ſing now in cæleſtiall Quires;
Erecters ſome, of Granaries for the Poore,
Though now conuerted to ſome Rich mens Store
(The more the Ages miſery) ſome ſo rare
For this Fam’d Citties Gouernment, and Care,
They kept the Seate foure Yeares, with a faire name,
Some ſixe; but One, (the Miracle of Fame)
Which no Society, or Time can match,
Twenty foure Yeares compleate, he was Truths
Watch,
He went ſo right and Euen; and the Hand
Of that faire Motion, Bribe could ne’re make ſtand:
And as Men ſeThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (CH)t their Watches by the Sunne,
Set IuſtiThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)ce but by that which Hee ha’s done,
And keepe it Euen, ſo, from Men to Men,
No Magiſtrate neede ſtirre the Worke agen:
B2
It
The Sunne in Aries.
It lights into a Noble hand to Day,
And ha’s paſt many; Many more, it may.
By this Tower of Vertue, his
Lordship being grace
fully conducted toward the new Standard, one in a cloudy
Ruinous Habit Leaning vpon the Turret, at a Trumpets
ſounding, ſuddenly starts and wakes, and in Amazement
throwes off his vnseemely Garments.
fully conducted toward the new Standard, one in a cloudy
Ruinous Habit Leaning vpon the Turret, at a Trumpets
ſounding, ſuddenly starts and wakes, and in Amazement
throwes off his vnseemely Garments.
What Noyſe is this? wakes me from Ruines Wombe,
Hah? bleſſe me, (Time) how braue am I become?
Fame fixt vpon my Head? beneath me, round,
The Figures of Illuſtrious PrinThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)ces, crownde
As well for Goodnes, as for State by Birth,
Which makes e’m true Heires both to Heauen and Earth?
Iuſt 6 in Number; and all bleſſed Names,
(That Ioy of honest Hearts;) and there behold
His honour’d Subſtitute, whom Worth makes bold
To vndergoe the Weight of this Degree;
Vertues faire Ædifice rais’d
vp like mee:
Why here’s the Cities Goodnes; ſhowen in either,
To raiſe two worthy Buildings both together;
For when they made that Lords Election free
I geſſe, that Time their
charge did perfect Mee:
Nay note the Cities Bountie in both, ſtill,
When they reſtore a Ruine, ’tis their Will
To be ſo Noble in their Coſt and Care
All blemiſh is forgot, when they repaire:
For what ha’s beene Reedified alate
But lifts it’s Head vp, in more glorious State:
"’Tis Growen a Principle; Ruines, built agen,
"Come betterd both in Monuments and Men:
The
The Sunne in Aries.
The Inſtance is apparent; On then, Lord,
Ee’n at thy Entrænce thou’dſt a Great mans Word;
The nobleſt Testimonie of faire Worth
That euer Lord had, when he firſt ſtood forth
Preſented by the Citie: Looſe not then
A Praiſe ſo deere, beſtowde not on all Men;
Striue to preſerue this Famous Citties peace
Begun by yon’ firſt King, which dThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)o’s encreaſe
Now by the last; from Henry that ioynde Roſes
To Iames that Vnites Kingdomes, who encloſes
All in the Armes of Loue, Malic’t of None,
Our Hearts find that, whenwhẽNeighbouring Kingdoms grone;
Which in the Magiſtrates Duty, may well moue
A Zealous Care, in all, a Thankfull Loue.
After this, for the full cloſe of the Fore-noones Tri
umph; neere S. Lawrence Lane, ſtands a Mountaine Art
fully rayſde and repleniſht with fine woolly Creatures;
Phœbus on the Top ſhining in a full Glory, being circled
with the 12. Cæleſtiall Signes, Aries plac’t neere the prin
cipall Rayes, the proper Signe for Illustration; thus greetes
his Lordſhip.
umph; neere S. Lawrence Lane, ſtands a Mountaine Art
fully rayſde and repleniſht with fine woolly Creatures;
Phœbus on the Top ſhining in a full Glory, being circled
with the 12. Cæleſtiall Signes, Aries plac’t neere the prin
cipall Rayes, the proper Signe for Illustration; thus greetes
his Lordſhip.
Bright Thoughts, Ioy and Alacrity of Heart
Bleſſe thy great Vndertakings, ’tis the part
And property of Phœbus, with his Rayes,
To cheere and to Illumine Good-mens Wayes;
Eagle-Eyde Actions, that dare behold
His Sparkling Globe, depart, tryed all like Gold;
’Tis Bribery and Iniuſtice, Deedes of Night
That flye the Sunne-beame, which makes good Works bright
Thine looke vppon’t, Vndazled, as one Beame
Faces another, as wee match a Iem
B3
With
The Sunne in Aries.
With her Refulgent fellow; from Thy Worth
Example Sparkles, as a Starre ſhootes forth:
This Mount, the Type of Eminence and place,
Reſembles Magiſtracies Seate, and Grace;
The Sunne, the Magiſtrate himſelfe, Implyes;
Theſe woolly Creatures, all that Part which Lyes
Vnder His charge and office, (not vnfit)
Since Kings and Rulers are (in holy Writ)
With Shepheards paraleld, nay from Shepheards Rear’d,
And People and the Flock as oft cohærd;
Now, as it is the Bounty of the Sunne
To ſpread his Splendors, and make Gladnes runne
Ouer the drooping Creatures; it ought ſo
To be His proper Vertue, that do’s owe
To Iuſtice his lifes Flame, (ſhot from Aboue)
To cheere oppreſſed Right with lookes of Loue,
Which nothing doubted; Truths reward light on you,
The Beames of all cleare Comforts ſhine vpon You.
The Great Feaſt ended, the whole ſtate of the Triumph at
tends vpon his Lordſhip both to Paules, and homeward; and
neare the Entrance of his Lordſhips House, two Partes of the
Triumph ſtand ready planted, viz. The Brazen Tower, and
the Triple-Crowned Fountaine of Iuſtice; this Fountaine be
ing adorn’d with the liuely Figures of all thoſe Graces and Ver
tues which belong to the faithfull diſcharging of ſo high an Of
fice; as Iuſtice, Sincerity, Meeknes, Wiſedome, Prouidence,
Æquality, Induſtry, Truth, Peace, Patience, Hope, Harmony;
all Illuſtrated by proper Emblems and expreſſions; as Iuſtice,
by a Sword; Sincerity, by a Lambe; Meeknes, by a Doue; Wiſ
This text is the corrected text. The original is d me (MK)dome by a Serpent; ProuiThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)dence, by an Ægle; Æquality, by a
ſiluerd Ballance: Induſtry, by a golden Ball, on which ſtands a
Cupid; intimating, that Induſtry brings both Wealth and Loue;
Truth with a Fanne of Starres, with which ſhe chaſes away Er
tends vpon his Lordſhip both to Paules, and homeward; and
neare the Entrance of his Lordſhips House, two Partes of the
Triumph ſtand ready planted, viz. The Brazen Tower, and
the Triple-Crowned Fountaine of Iuſtice; this Fountaine be
ing adorn’d with the liuely Figures of all thoſe Graces and Ver
tues which belong to the faithfull diſcharging of ſo high an Of
fice; as Iuſtice, Sincerity, Meeknes, Wiſedome, Prouidence,
Æquality, Induſtry, Truth, Peace, Patience, Hope, Harmony;
all Illuſtrated by proper Emblems and expreſſions; as Iuſtice,
by a Sword; Sincerity, by a Lambe; Meeknes, by a Doue; Wiſ
This text is the corrected text. The original is d me (MK)dome by a Serpent; ProuiThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The text has been supplied based on evidence internal to this text (context, etc.). (MK)dence, by an Ægle; Æquality, by a
ſiluerd Ballance: Induſtry, by a golden Ball, on which ſtands a
Cupid; intimating, that Induſtry brings both Wealth and Loue;
Truth with a Fanne of Starres, with which ſhe chaſes away Er
ror;
The Sunne in Aries.
ror; Peace, with a Branch of Laurell; Patience, a Sprig of
Palme; Hope, by a ſiluer’d Anchor; Harmony, by a Swan; Each
at Night holding a bright burning Tapor in her hand, as a Ma
nifeſtation of Purity: His Lordſhip being in ſight, and drawing
neare to his Entrance; Fame, from the Brazen Tower cloſes vp
the Triumph, his Lordſhips honourable welcome, with the
noble Demonſtration of his worthy Fraternities Affection; in
this concluding Speech.
Palme; Hope, by a ſiluer’d Anchor; Harmony, by a Swan; Each
at Night holding a bright burning Tapor in her hand, as a Ma
nifeſtation of Purity: His Lordſhip being in ſight, and drawing
neare to his Entrance; Fame, from the Brazen Tower cloſes vp
the Triumph, his Lordſhips honourable welcome, with the
noble Demonſtration of his worthy Fraternities Affection; in
this concluding Speech.
Fame.
I Cannot better the CThis text has been supplied. Reason: Type not (sufficiently) inked. Evidence: The
text has been supplied based on evidence internal to this text (context, etc.). (MK)ompariſon
Of thy faire Brotherhoods Loue, then to the Sunne
After a great Ecclipſe; for as the Sphære
Of that Cæleſtiall Motion, ſhines more cheere
After the Interpoſing Part is ſpent,
Then to the Eye before the Darknes went
Ouer the bright Orbe; so Their Loue is ſhowne
With a Content paſt Expectation:
A Care that ha’s beene comely, and a Coſt
That ha’s beene Decent; cheerefull, which is moſt;
Fit for the Seruice of ſo great a State,
So fam’d a Cittie, and a Magiſtrate
So worthy of it all, ha’s beene beſtowde
Vpon thy Triumph, which ha’s clearely ſhowde
The Loues of thy Fraternity, as great;
For thy firſt Welcome to thy honour’d Seate:
And happily is Cost requited then,
"When Men Grace Triumphs, more then Triumphs, Men;
"Diamonds will ſhine though ſet in Lead, True worth
"Stands alwayes in leaſt neede of ſetting forth:
What makes Leſſe Noyſe then Merit? or Leſſe Showe
Then Vertue? ’tis the Vndeſeruers, owe
All to Vaine-glory, and to Rumour, ſtill;
Building their Praiſes on the Vulgar Will;
All
The Sunne in Aries.
All their Good, is without e’m, not their owne,
When wiſe men to their Vertues are beſt Knowne:
Behold yon’ Fountaine with the Tripled Crowne,
And through a Cloude the Sunne-beame piercing downe,
So is the worthy Magiſtrate made vp;
Thoſe three Cæleſtiall Siſters, the Cloude too
That’s Care, and yet you ſee the Beame ſtrikes through;
A Care diſcharg’d with Honour, it preſages,
And may it ſo continue, to all Ages;
It is thy Brotherhoods Armes, how well it fits
Both Thee, and All, that for Truthes Honour ſits:
The Time of Reſt drawes neere; Triumph muſt ceaſe
Ioy to thy Heart, to all a Bleſſed peace.
FINIS.
FOr the Frame-VVorke of the whole
Triumph;
with all the proper Beauties of VVorkmanſhip,
the Credit of that, iuſtly appertaines to the deſerts
of Maſter Garret Criſmas, a Man excellent in his Art,
and faithfull in his Performances.
with all the proper Beauties of VVorkmanſhip,
the Credit of that, iuſtly appertaines to the deſerts
of Maſter Garret Criſmas, a Man excellent in his Art,
and faithfull in his Performances.
References
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Citation
Early English Books Online (EEBO). Proquest LLC.This item is cited in the following documents:
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Citation
EEBO-TCP (EEBO Text Creation Partnership). [The Text Creation Partnership offers searchable diplomatic transcriptions of many EEBO items.]
Cite this page
MLA citation
The Sun in Aries. The Map of Early Modern London, Edition 7.0, edited by , U of Victoria, 05 May 2022, mapoflondon.uvic.ca/edition/7.0/ARIE1.htm. Draft.
. Chicago citation
The Sun in Aries.The Map of Early Modern London, Edition 7.0. Ed. . Victoria: University of Victoria. Accessed May 05, 2022. mapoflondon.uvic.ca/edition/7.0/ARIE1.htm. Draft.
APA citation
The Map of Early Modern London (Edition 7.0). Victoria: University of Victoria. Retrieved from https://mapoflondon.uvic.ca/editions/7.0/ARIE1.htm. Draft.
2022. The Sun in Aries. In (Ed), RIS file (for RefMan, RefWorks, EndNote etc.)
Provider: University of Victoria Database: The Map of Early Modern London Content: text/plain; charset="utf-8" TY - ELEC A1 - Middleton, Thomas ED - Jenstad, Janelle T1 - The Sun in Aries T2 - The Map of Early Modern London ET - 7.0 PY - 2022 DA - 2022/05/05 CY - Victoria PB - University of Victoria LA - English UR - https://mapoflondon.uvic.ca/edition/7.0/ARIE1.htm UR - https://mapoflondon.uvic.ca/edition/7.0/xml/standalone/ARIE1.xml TY - UNP ER -
TEI citation
<bibl type="mla"><author><name ref="#MIDD12"><surname>Middleton</surname>, <forename>Thomas</forename></name></author>.
<title level="m">The Sun in Aries</title>. <title level="m">The Map of Early Modern
London</title>, Edition <edition>7.0</edition>, edited by <editor><name ref="#JENS1"><forename>Janelle</forename>
<surname>Jenstad</surname></name></editor>, <publisher>U of Victoria</publisher>,
<date when="2022-05-05">05 May 2022</date>, <ref target="https://mapoflondon.uvic.ca/edition/7.0/ARIE1.htm">mapoflondon.uvic.ca/edition/7.0/ARIE1.htm</ref>.
Draft.</bibl>
Personography
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Chris Horne
CH
Research Assistant, 2018-2020. Chris Horne was an honours student in the Department of English at the University of Victoria. His primary research interests included American modernism, affect studies, cultural studies, and digital humanities.Roles played in the project
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Kate LeBere
KL
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Research Assistant, 2018-2020. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. She published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. During her time at MoEML, Kate made significant contributions to the 1598 and 1633 editions of Stow’s Survey of London, old-spelling anthology of mayoral shows, and old-spelling library texts. She authored the MoEML’s first Project Management Manual andquickstart
guidelines for new employees and helped standardize the Personography and Bibliography. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.Roles played in the project
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Tracey El Hajj
TEH
Junior Programmer 2018-2020. Research Associate 2020-2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019-20 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course onArtificial Intelligence and Everyday Life.
Tracey was also a member of the Linked Early Modern Drama Online team, between 2019 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.Roles played in the project
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Joey Takeda
JT
Programmer, 2018-present. Junior Programmer, 2015-2017. Research Assistant, 2014-2017. Joey Takeda was a graduate student at the University of British Columbia in the Department of English (Science and Technology research stream). He completed his BA honours in English (with a minor in Women’s Studies) at the University of Victoria in 2016. His primary research interests included diasporic and indigenous Canadian and American literature, critical theory, cultural studies, and the digital humanities.Roles played in the project
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Joey Takeda authored or edited the following items in MoEML’s bibliography:
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Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print.
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Chase Templet
CT
Research Assistant, 2017-2019. Chase Templet was a graduate student at the University of Victoria in the Medieval and Early Modern Studies (MEMS) stream. He was specifically focused on early modern repertory studies and non-Shakespearean early modern drama, particularly the works of Thomas Middleton.Roles played in the project
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Tye Landels-Gruenewald
TLG
Data Manager, 2015-2016. Research Assistant, 2013-2015. Tye completed his undergraduate honours degree in English at the University of Victoria in 2015.Roles played in the project
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Cameron Butt
CB
Research Assistant, 2012–2013. Cameron Butt completed his undergraduate honours degree in English at the University of Victoria in 2013. He minored in French and has a keen interest in Shakespeare, film, media studies, popular culture, and the geohumanities.Roles played in the project
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Quinn MacDonald
QM
Research Assistant, 2013. Quinn MacDonald was a fourth-year honours English student at the University of Victoria. Her areas of interest included postcolonial theory and texts, urban agriculture, journalism that isn’t lazy, fine writing, and roller derby. She was the director of community relations for The Warren Undergraduate Review and senior editor of Concrete Garden magazine.Roles played in the project
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Kim McLean-Fiander
KMF
Director of Pedagogy and Outreach, 2015–2020. Associate Project Director, 2015. Assistant Project Director, 2013-2014. MoEML Research Fellow, 2013. Kim McLean-Fiander comes to The Map of Early Modern London from the Cultures of Knowledge digital humanities project at the University of Oxford, where she was the editor of Early Modern Letters Online, an open-access union catalogue and editorial interface for correspondence from the sixteenth to eighteenth centuries. She is currently Co-Director of a sister project to EMLO called Women’s Early Modern Letters Online (WEMLO). In the past, she held an internship with the curator of manuscripts at the Folger Shakespeare Library, completed a doctorate at Oxford on paratext and early modern women writers, and worked a number of years for the Bodleian Libraries and as a freelance editor. She has a passion for rare books and manuscripts as social and material artifacts, and is interested in the development of digital resources that will improve access to these materials while ensuring their ongoing preservation and conservation. An avid traveler, Kim has always loved both London and maps, and so is particularly delighted to be able to bring her early modern scholarly expertise to bear on the MoEML project.Roles played in the project
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Mark Kaethler
MK
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include digital media and humanities; textual editing; game studies; and early modern drama.Roles played in the project
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Janelle Jenstad
JJ
Janelle Jenstad is Associate Professor of English at the University of Victoria, Director of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. She has taught at Queen’s University, the Summer Academy at the Stratford Festival, the University of Windsor, and the University of Victoria. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media (Routledge). She has prepared a documentary edition of John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Renaissance and Reformation,Journal of Medieval and Early Modern Studies, Early Modern Literary Studies, Elizabethan Theatre, Shakespeare Bulletin: A Journal of Performance Criticism, and The Silver Society Journal. Her book chapters have appeared (or will appear) in Institutional Culture in Early Modern Society (Brill, 2004), Shakespeare, Language and the Stage, The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Studies (Arden/Thomson Learning, 2005), Approaches to Teaching Othello (Modern Language Association, 2005), Performing Maternity in Early Modern England (Ashgate, 2007), New Directions in the Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early Modern Studies and the Digital Turn (Iter, 2016), Teaching Early Modern English Literature from the Archives (MLA, 2015), Placing Names: Enriching and Integrating Gazetteers (Indiana, 2016), Making Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies (Routledge, 2018).Roles played in the project
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Janelle Jenstad is a member of the following organizations and/or groups:
Janelle Jenstad is mentioned in the following documents:
Janelle Jenstad authored or edited the following items in MoEML’s bibliography:
-
Jenstad, Janelle and Joseph Takeda.
Making the RA Matter: Pedagogy, Interface, and Practices.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities. Ed. Jentery Sayers. Minnesota: University of Minnesota Press, 2018. Print. -
Jenstad, Janelle.
Building a Gazetteer for Early Modern London, 1550-1650.
Placing Names. Ed. Merrick Lex Berman, Ruth Mostern, and Humphrey Southall. Bloomington and Indianapolis: Indiana UP, 2016. 129-145. -
Jenstad, Janelle.
The Burse and the Merchant’s Purse: Coin, Credit, and the Nation in Heywood’s 2 If You Know Not Me You Know Nobody.
The Elizabethan Theatre XV. Ed. C.E. McGee and A.L. Magnusson. Toronto: P.D. Meany, 2002. 181–202. Print. -
Jenstad, Janelle.
Early Modern Literary Studies 8.2 (2002): 5.1–26..The City Cannot Hold You
: Social Conversion in the Goldsmith’s Shop. -
Jenstad, Janelle.
The Silver Society Journal 10 (1998): 40–43.The Gouldesmythes Storehowse
: Early Evidence for Specialisation. -
Jenstad, Janelle.
Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside.
Journal of Medieval and Early Modern Studies 34 (2004): 373–403. doi:10.1215/10829636–34–2–373. -
Jenstad, Janelle.
Public Glory, Private Gilt: The Goldsmiths’ Company and the Spectacle of Punishment.
Institutional Culture in Early Modern Society. Ed. Anne Goldgar and Robert Frost. Leiden: Brill, 2004. 191–217. Print. -
Jenstad, Janelle.
Smock Secrets: Birth and Women’s Mysteries on the Early Modern Stage.
Performing Maternity in Early Modern England. Ed. Katherine Moncrief and Kathryn McPherson. Aldershot: Ashgate, 2007. 87–99. Print. -
Jenstad, Janelle.
Using Early Modern Maps in Literary Studies: Views and Caveats from London.
GeoHumanities: Art, History, Text at the Edge of Place. Ed. Michael Dear, James Ketchum, Sarah Luria, and Doug Richardson. London: Routledge, 2011. Print. -
Jenstad, Janelle.
Versioning John Stow’s A Survey of London, or, What’s New in 1618 and 1633?.
Janelle Jenstad Blog. https://janellejenstad.com/2013/03/20/versioning-john-stows-a-survey-of-london-or-whats-new-in-1618-and-1633/. -
Shakespeare, William. The Merchant of Venice. Ed. Janelle Jenstad. Internet Shakespeare Editions. U of Victoria. http://internetshakespeare.uvic.ca/Library/Texts/MV/.
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Stow, John. A SVRVAY OF LONDON. Contayning the Originall, Antiquity, Increase, Moderne estate, and description of that Citie, written in the yeare 1598. by Iohn Stow Citizen of London. Also an Apologie (or defence) against the opinion of some men, concerning that Citie, the greatnesse thereof. With an Appendix, containing in Latine, Libellum de situ & nobilitate Londini: written by William Fitzstephen, in the raigne of Henry the second. Ed. Janelle Jenstad and the MoEML Team. MoEML. Transcribed.
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Martin D. Holmes
MDH
Programmer at the University of Victoria Humanities Computing and Media Centre (HCMC). Martin ported the MOL project from its original PHP incarnation to a pure eXist database implementation in the fall of 2011. Since then, he has been lead programmer on the project and has also been responsible for maintaining the project schemas. He was a co-applicant on MoEML’s 2012 SSHRC Insight Grant.Roles played in the project
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Martin D. Holmes is mentioned in the following documents:
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Edward Allde is mentioned in the following documents:
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Antiquity
Personification of antiquity. Appears as an allegorical character in mayoral shows. See also Philoponia.Antiquity is mentioned in the following documents:
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Sir Edward Barkham
Sir Edward Barkham Sheriff Mayor
Sheriff of London 1611-1612. Mayor 1621-1622. Member of the Leathersellers’ Company and Drapers’ Company. Knighted on 16 June 1622.Sir Edward Barkham is mentioned in the following documents:
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Sir Francis Drake is mentioned in the following documents:
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Edward VI
Edward This numeral is a Roman numeral. The Arabic equivalent is 6VI King of England King of Ireland
(b. 12 October 1537, d. 6 July 1553)Edward VI is mentioned in the following documents:
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Elizabeth I
Elizabeth This numeral is a Roman numeral. The Arabic equivalent is 1I Queen of England Queen of Ireland Gloriana Good Queen Bess
(b. 7 September 1533, d. 24 March 1603)Queen of England and Ireland 1558-1603.Elizabeth I is mentioned in the following documents:
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Sir Simon Eyre
Sir Simon Eyre Sheriff Mayor
(b. 1395, d. 1458)Sheriff of London 1434-1435. Mayor 1445-1446. Member of the Drapers’ Company. Husband of Alice Eyre. Father of Thomas Eyre. Son of John Eyre and Amy Eyre.Sir Simon Eyre is mentioned in the following documents:
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Sir Henry fitz-Alwine
Sir Henry fitz-Alwine Mayor
(d. 1212)First mayor of London 1189–1212. Possible member of the Drapers’ Company. Buried at Holy Trinity Priory.Sir Henry fitz-Alwine is mentioned in the following documents:
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Fame
Personification of fame. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Fame is mentioned in the following documents:
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Virtue
Personification of virtue. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London. See also Arete.Virtue is mentioned in the following documents:
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Ralph Hardel
Ralph Hardel Sheriff Mayor
Sheriff of London 1249-1250. Mayor 1254-1258. Possible member of the Drapers’ Company or Vintners’ Company.Ralph Hardel is mentioned in the following documents:
-
Justice
Personification of lawfulness and fairness. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London.Justice is mentioned in the following documents:
-
Wisdom
Personification of wisdom. Appears as an allegorical character in mayoral shows.Wisdom is mentioned in the following documents:
-
Industry
Personification of industry. Appears as an allegorical character in mayoral shows.Industry is mentioned in the following documents:
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Fortune
Personification of fortune. Appears as an allegorical character in mayoral shows, Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Fortune is mentioned in the following documents:
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Henry Gosson is mentioned in the following documents:
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Harmony
Personification of harmony. Appears as an allegorical character in mayoral shows.Harmony is mentioned in the following documents:
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Henry VII
Henry This numeral is a Roman numeral. The Arabic equivalent is 7VII King of England
(b. 1457, d. 1509)Henry VII is mentioned in the following documents:
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Honour
Personification of honour. Appears as an allegorical character in mayoral shows and Richard Johnson’s Nine Worthies of London and John Stow’s Survey of London.Honour is mentioned in the following documents:
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James VI and I
James This numeral is a Roman numeral. The Arabic equivalent is 6VI This numeral is a Roman numeral. The Arabic equivalent is 1I King of Scotland King of England King of Ireland
(b. 1566, d. 1625)James VI and I is mentioned in the following documents:
James VI and I authored or edited the following items in MoEML’s bibliography:
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James VI and I. Letters of King James VI and I. Ed. G.P.V. Akrigg. Berkeley: U of California P, 1984. Print.
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Rhodes, Neill, Jennifer Richards, and Joseph Marshall, eds. King James VI and I: Selected Writings. By James VI and I. Aldershot: Ashgate, 2004.
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Love
Personification of love. Appears as an allegorical character in mayoral shows.Love is mentioned in the following documents:
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Mary I
Mary This numeral is a Roman numeral. The Arabic equivalent is 1I Queen of England Queen of Ireland
(b. 18 February 1516, d. 17 November 1558)Mary I is mentioned in the following documents:
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Thomas Middleton is mentioned in the following documents:
Thomas Middleton authored or edited the following items in MoEML’s bibliography:
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Bawcutt, N.W., ed.
Introduction.
The Changeling. By Thomas Middleton and William Rowley. London: Methuen, 1958. Print. -
Brissenden, Alan.
Introduction.
A Chaste Maid in Cheapside. By Thomas Middleton. 2nd ed. New Mermaids. London: A&C Black; New York: Norton, 2002. xi–xxxv. Print. -
Daalder, Joost, ed.
Introduction.
The Changeling. By Thomas Middleton and William Rowley. London: A&C Black, 1990. xii-xiii. Print. -
Dekker, Thomas, Stephen Harrison, Ben Jonson, and Thomas Middleton. The Whole Royal and Magnificent Entertainment of King James through the City of London, 15 March 1604, with the Arches of Triumph. Ed. R. Malcolm Smuts. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 219–279. Print.
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Holdsworth, R.V., ed.
Introduction.
A Fair Quarrel. By Thomas Middleton and William Rowley. London: Ernest Benn, 1974. xi-xxxix. Print. -
Middleton, Thomas, and Thomas Dekker. The Roaring Girl. Ed. Paul A. Mulholland. Revels Plays. Manchester: Manchester UP, 1987. Print.
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Middleton, Thomas. A Chaste Maid in Cheapside. Ed. Alan Brissenden. 2nd ed. New Mermaids. London: Benn, 2002.
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Middleton, Thomas. Civitatis Amor. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1202–8.
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Middleton, Thomas. The Triumphs of Honour and Industry. London: Printed by Nicholas Okes, 1617. STC 17899.
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Middleton, Thomas. The Triumphs of Integrity. Ed. David Bergeron. Thomas Middleton: The Collected Works. Gen. ed. Gary Taylor and John Lavagnino. Oxford: Oxford UP, 2007. 1766–1771.
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Middleton, Thomas. The Triumphs of Love and Antiquity. London: Printed by Nicholas Okes, 1619. STC 17902.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. Ed. David M. Bergeron. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Clarendon, 2007. 968–976.
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17903. [Differs from STC 17904 in that it does not contain the additional entertainment.]
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Middleton, Thomas. The Triumphs of Truth. London, 1613. STC 17904. [Differs from STC 17903 in that it contains an additional entertainment celebrating Hugh Middleton’s New River project, known as the Entertainment at Amwell Head.]
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Middleton, Thomas. The Works of Thomas Middleton, now First Collected with Some Account of the Author and notes by The Reverend Alexander Dyce. Ed. Alexander Dyce. London: E. Lumley, 1840. Print.
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Taylor, Gary, and John Lavagnino, eds. Thomas Middleton: The Collected Works. By Thomas Middleton. Oxford: Oxford UP, 2007. The Oxford Middleton. Print.
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Sir John Milborne
Sir John Milborne Sheriff Mayor
(d. 1535)Sheriff of London 1510-1511. Mayor 1521-1522. Member of the Drapers’ Company. Husband of Dame Joanne Milborne and Dame Margaret Milborne. Buried at St. Edmund, Lombard Street.Sir John Milborne is mentioned in the following documents:
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Sir John Norman
Sir John Norman Sheriff Mayor
(fl. 1461-68)Sheriff of London 1443-1444. Mayor 1453-1454. Member of the Drapers’ Company. Not to be confused with John Norman.Sir John Norman is mentioned in the following documents:
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Sir Richard Pype is mentioned in the following documents:
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Julius Caesar is mentioned in the following documents:
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Care
Personification of care. Appears as an allegorical character in mayoral shows.Care is mentioned in the following documents:
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Sir Richard Champion
Sir Richard Champion Sheriff Mayor
Sheriff of London 1558-1559. Mayor 1565-1566. Member of the Drapers’ Company. Monument at St. Dunstan in the East.Sir Richard Champion is mentioned in the following documents:
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Gerard Christmas is mentioned in the following documents:
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Faith
Personification of faith. Appears as an allegorical character in mayoral shows.Faith is mentioned in the following documents:
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Hercules is mentioned in the following documents:
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Hope
Personification of hope. Appears as an allegorical character in mayoral shows. -
Providence
Personification of providence. Appears as an allegorical character in mayoral shows.Providence is mentioned in the following documents:
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Sir John de Pulteney
Sir John de Pulteney Mayor
(d. 8 June 1349)Mayor of London 1330-1334 and 1336-1337. Member of the Drapers’ Company. Husband of Margaret de Pulteney. Father of William de Pulteney. Son of Adam de Pulteney and Margaret de Pulteney. Donated funds to the prisoners of Newgate in 1337.Sir John de Pulteney is mentioned in the following documents:
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Zeale
Personification of zeal. Appears as an allegorical character in mayoral shows.Zeale is mentioned in the following documents:
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Meekness
Personification of meekness. Appears as an allegorical character in mayoral shows.Meekness is mentioned in the following documents:
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Integrity
Personification of integrity. Appears as an allegorical character in mayoral shows.Integrity is mentioned in the following documents:
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Sir John Heende
Sir John Heende Sheriff Mayor
Sheriff of London 1381-1382. Mayor 1391-1392 and 1404-1405. Member of the Drapers’ Company. Buried at St. Swithin, London Stone.Sir John Heende is mentioned in the following documents:
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Constancy
Personification of constancy. Appears as an allegorical character in mayoral shows.Constancy is mentioned in the following documents:
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Alexander the Great is mentioned in the following documents:
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Watchfulness
Personification of watchfulness. Appears as an allegorical character in mayoral shows.Watchfulness is mentioned in the following documents:
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Sincerity
Personification of sincerity. Appears as an allegorical character in mayoral shows.Sincerity is mentioned in the following documents:
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Equality
Personification of equality. Appears as an allegorical character in mayoral shows.Equality is mentioned in the following documents:
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Patience
Personification of patience. Appears as an allegorical character in mayoral shows.Patience is mentioned in the following documents:
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Diligence
Personification of diligence. Appears as an allegorical character in mayoral shows.Diligence is mentioned in the following documents:
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Clear Conscience
Personification of clear conscience. Appears as an allegorical character in mayoral shows.Clear Conscience is mentioned in the following documents:
Locations
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London is mentioned in the following documents:
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Westminster is mentioned in the following documents:
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St. Paul’s Churchyard
Surrounding St. Paul’s Cathedral, St. Paul’s Churchyard has had a multi-faceted history in use and function, being the location of burial, crime, public gathering, and celebration. Before its destruction during the civil war, St. Paul’s Cross was located in the middle of the churchyard, providing a place for preaching and the delivery of Papal edicts (Thornbury).St. Paul’s Churchyard is mentioned in the following documents:
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Leadenhall is mentioned in the following documents:
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Parish of St. Laurence (Poultney) is mentioned in the following documents:
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Candlewick Street
Candlewick, Candlewright, or, later, Cannon Street, ran east-west from Walbrook Street in the west to the beginning of Eastcheap at its eastern terminus. Candlewick Street became Eastcheap somewhere around St. Clements Lane, and led into a great meat market (Stow 1:217). Together with streets such as Budge Row, Watling Street, and Tower Street, which all joined into each other, Candlewick Street formed the main east-west road through London between Ludgate and Posterngate.Candlewick Street is mentioned in the following documents:
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St. Swithin (London Stone) is mentioned in the following documents:
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St. Laurence Lane is mentioned in the following documents:
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St. Paul’s Cathedral
St. Paul’s Cathedral was—and remains—an important church in London. In 962, while London was occupied by the Danes, St. Paul’s monastery was burnt and raised anew. The church survived the Norman conquest of 1066, but in 1087 it was burnt again. An ambitious Bishop named Maurice took the opportunity to build a new St. Paul’s, even petitioning the king to offer a piece of land belonging to one of his castles (Times 115). The building Maurice initiated would become the cathedral of St. Paul’s which survived until the Great Fire of London.St. Paul’s Cathedral is mentioned in the following documents:
Organizations
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Drapers’ Company
Worshipful Company of Drapers
The Drapers’ Company was one of the twelve great companies of London. The Drapers were third in the order of precedence established in 1515. The Worshipful Company of Drapers is still active and maintains a website at https://www.thedrapers.co.uk/ that includes a history of the company and bibliography.This organization is mentioned in the following documents:
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Leathersellers’ Company
Worshipful Company of Leathersellers
The Leathersellers’ Company was one of the lesser livery companies of London. The Worshipful Company of Leathersellers is still active and maintains a website at https://leathersellers.co.uk/ that includes a history of the company.This organization is mentioned in the following documents:
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Roles played in the project
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First Encoders
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Transcriber
This organization is mentioned in the following documents:
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