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The audience
- Berry, Ralph. Shakespeare
        and the Awareness of the Audience. London: Macmillan,
        1984.
      
- Bridges,
        Robert Seymour, 1844-1930., et al.. The Influence
        of the Audience on Shakespeare's Drama. --. New York:
        Haskell House, 1966.
      
- Cartwright, Kent.
        Shakespearean Tragedy and Its Double: The Rhythms of
        Audience Response. University Park, Pa: Pennsylvania
        State University Press, 1991.
      
- Cook, Ann Jennalie.
        The Privileged Playgoers of Shakespeare's London,
        1576-1642. Princeton: Princeton University Press,
        1981.
      
- Dawson,
        Anthony B, and Paul Yachnin. The Culture of
        Playgoing in Shakespeare's England: A Collaborative
        Debate. Cambridge; New York: Cambridge University
        Press, 2001.
      
- Dessen, Alan C.
        Elizabethan Drama and the Viewer's Eye. Chapel
        Hill: University of North Carolina Press, 1977.
      
- Gosson, Stephen. Playes
        Confuted in Five Actions. Ed Arthur Freeman. New York:
        Garland Pub, 1972.
      
- Gosson, Stephen. The
        School of Abuse, 1579. Menston: Scolar Press, 1972.
      
- Gosson, Stephen. The
        Schoole of Abuse, Conteining a Plesaunt Inuectiue against
        Poets, Pipers, Plaiers, Iesters, and Such Like Caterpillers
        of a Commonwelth. Amsterdam: Theatrum Orbis Terrarum,
        1972.
      
- Gurr, Andrew. Playgoing in
        Shakespeare's London. Cambridge: Cambridge University
        Press, 1987.
      
- Gurr, Andrew. Playgoing in
        Shakespeare's London. 2nd ed. Cambridge: Cambridge
        University Press, 1996.
      
- Harbage, Alfred. As They
        Liked It. New York: Macmillan, 1947.
      
- Harbage, Alfred.
        Shakespeare and the Rival Traditions. N. Y.:
        Macmillan, 1952.
      
- Harbage, Alfred.
        Shakespeare's Audience. New York: Columbia
        University Press, 1941.
      
- Homan, Sidney.
        Shakespeare's Theater of Presence: Language, Spectacle,
        and the Audience. Cranbury, N.J: Associated University
        Presses, 1986.
      
- Howard, Jean E.
        Shakespeare's Art of Orchestration: Stage Technique and
        Audience Response. Urbana: University of Illinois
        Press, 1984.
      
- Richman, David. Laughter,
        Pain, and Wonder: Shakespeare's Comedies and the Audience
        in the Theater. Newark: University of Delaware Press,
        1990.
      
- Salgado, Gamini.
        Eyewitnesses of Shakespeare: First Hand Accounts of
        Performances 1590-1890. London: Sussex University
        Press, 1975.
      
- Shurgot, Michael W..
        Stages of Play: Shakespeare's Theatrical Energies in
        Elizabethan Performance. Newark: University of
        Delaware Press, 1998.
      
- Weimann, Robert.
        Shakespeare and the Popular Tradition in the
        Theater. Ed Robert Schwartz. Baltimore Md.: Johns
        Hopkins Press, 1978.