From Thomas Farnaby’s edition of Juvenal, Persius, and Seneca (1612), Seneca, ‘Commoedias trustalis Plauti mola’ ‘

 [From Thomas Farnaby’s Seneca, 1613 ]

Commoedias trusatilis Plauti   mola

Sermone festivo dedit, quali velint

Ipsae, Latine si velint, musae loqui.

Tragoedias Farnabii   ludi-mola

Latias polivit quas   Camoenae exaudiant, 5

Pronuncient dii, utiliter homines legant,

Postquam lucerna illius his lucem dedit:

Veri   Cleanthis. Namque nocturnus lacus

Exantlat, autores criticaque volumina

Evolvit, ut valeat diurno munere 10

Defungi. Et illo functus has fundit notas

Sagax acutus,   fidus interpres, breuis.

From Thomas Farnaby’s Seneca, 1613 The poem appears in a group of five dedicatory verses printed (unusually) after the index to Farnaby’s Seneca (1613). The volume was entered in the Stationers’ Register 20 Nov. 1612. Jonson’s poem was not reprinted in the edition of 1624. Translation: ‘The handmill of Plautus gave us comedies full of holiday language, of the kind that the muses themselves would have wished to speak, if they had wanted to speak Latin. The toils of Farnaby in the treadmill of the classroom polished the Latin tragedies which the muses should hear, which the gods should declaim, and which men should read to their benefit, once the oil-lamp of Farnaby’s scholarship (worthy of Cleanthes himself!) gave light to these works. For he pumps out lakes of water by night, and pores over classical authors and scholarly works, so he could carry on his paid work by day. And having done that, Farnaby, our wise, accurate, acute, and admirably brief commentator, poured out these notes.’ [Editor: Colin Burrow]
1 mola Titus Maccius Plautus (c. 254–184 bc) was poor when he came to Rome, and is said by Aulus Gellius (3.3.14) to have written three of his comedies while turning a hand-mill (trusatilis) for a baker.
4 ludi-mola A nonce formation: the millstone of elementary school.
5 Camoenae The muses.
8 Cleanthis Cleanthes of Assos (331–232 bc) was a pupil of Zeno, who worked all night drawing water in order to pay his fees.
12 fidus interpres Horace, Art of Poetry, 133–4.