LOVES TRIVMPH
THROVGH
CALLIPOLIS.
Performed in a Masque at Court
1630.
By his Maiestie with the Lords,
and Gentlemen assisting.
The Inuentors.
Ben. Ionson.  Jnigo Iones.
Quando magis dignos licuit spectare triumphos?
LONDON
,
Printed by I. N. for Thomas Walkley, and are to be sold at
his shop at the signe of the Eagle and Child
in Brittains-burse . 1630.

To make the Specta-
tors vnderstanders.

WHereas all Repræsentations, especially

those of this nature in court, publique

Spectacles, eyther haue bene, or ought to

be the mirrors of mans life, whose ends, for the

excellence of their exhibiters (as being the dona-

tiues, of great Princes, to their people) ought al-

wayes to carry a mixture of profit, with them, no

lesse then delight; Wee, the Inuentors, being com-

manded from the King, to thinke on some thing

worthy of his Maiesties putting in act, with a sele-

cted company of his Lords, and Gentlemen, cal-

led to the assistance: For the honor of his Court,

and the dignity of that heroique loue, and regall

respect borne by him to his vnmatchable Lady,

and Spouse, the Queenes Maiesty, after some de-

bate of cogitation with our selues, resolued on

this following argument.

First, that a Person, boni ominis, of a good cha-

racter, as Euphemus, sent downe from Heauen to

Callipolis, which is vnderstood the Citty of Beauty

or Goodnes, should come in; and, finding her Ma-

iesty there enthron'd, declare vnto her, that Loue

who was wont to be respected as a speciall Deity

in Court, and Tutelar God of the place, had of late

receiu'd an aduertisement, that in the suburbes,

or skirtes of Callipolis, were crept in certaine

Sectaries, or deprau'd Louers, who neyther knew

the name, or nature of loue rightly, yet boasted

themselues his followers, when they were fitter

to be call'd his Furies: their whole life being a con-

tinew'dvertigo, or rather a torture on the wheele

of Loue, then any motion eyther of order or mea-

sure. When sodainely they leape forth below, a

Mistresse leading them, and with anticke gesticu-

lation, and action, after the manner of the old

Pantomimi, they dance ouer a distracted comœdy

of Loue, expressing their confus'd affections,

in the Scenicall persons, and habits, of the foure

prime European Nations.

A glorious boasting Louer.

A whining ballading Louer.

An aduenturous Romance Louer.

A phantasticke vmbrageous Louer.

A bribing corrupt Louer.

A froward jealous Louer.

A sordid illiberall Louer.

A proud skorne-full Louer.

An angry quarrelling Louer.

A melancholique despairing Louer.

An enuious vnquiet Louer.

A sensuall brute Louer.

All which, in varied, intricate turnes, and involu'd
mazes, exprest, make the Antimasque: and conclude the exit, in a circle.

EVPHEMVS descends singing.

Ioy, ioy to mortals, the reioycing fires

Of gladnes, smile in your dilated hearts!

Whilst Loue presents a world of chast desires,

Which may produce a harmony of parts!

Loue is the right affection of the minde,

The noble appetite of what is best:

Desire of vnion with the thing design'd,

But in fruition of it cannot rest.

The Father plenty is, the Mother want,

Plenty the beauty, which it wanteth, drawes;

Want yeilds it selfe: affording what is scant.

So, both affections are the vnion's cause.

But, rest not here. For Loue bath larger scopes,

New ioyes, new pleasures, of as fresh a date

As are his minutes: and, in him no hopes

Are pure, but those hee can perpetuate.

Here hee goes vp to the State.

To you that are by excellence a Queene!

The top of beauty! but, of such an ayre,

As, onely by the minds eye, may bee seene

Your enter-wouen lines of good, and fayre!

Vouchsafe to grace Loues triumph here, to night,

Through all the streetes of your Callipolis;

Which by the splendor of your rayes made bright

The seate, and region of all beauty is.

Loue, in perfection, longeth to appeare

But prayes, of fauour, he be not call'd on,

Till all the suburbes, and the skirts bee cleare

Of perturbations, and th' infection gon.

Then will he flow forth, like a rich perfume

Into your nostrils! or some sweeter sound

Of melting musique, that shall not consume

Within the eare, but run the mazes round.

Heere the Chorus walke about with their censers.

CHORVS.

Meane time, wee make lustration of the place,

And with our solemne fires, and waters proue

T'haue frighted, hence, the weake diseased race

Of those were tortur'd on the wheele of loue.

1The glorious, 2 whining, 3 the aduenturous foole,

4 Phantastique, 5 bribing, and the 6 iealous asse

1The sordid, 2 scornefull, 3 and the angry mule

4The melancholique, 5 dull, and envious masse,

Chorus

With all the rest, that in the sensuall schoole

Of lust, for their degree of brute may passe.

All which are vapor'd hence.

No loues, but slaues to sense:

Meere cattell, and not men.

Sound, sound, and treble all our ioyes agen,

Who had the power, and vertue to remooue

Such monsters from the labyrinth of loue.

The Triumph is first seene a far of, and led in by Am-
phitrite
, the wife of Oceanus, with foure Sea-
gods attending her.

NEREVS, PROTEVS, GLAVCVS, PALÆMON

It consisteth of fifteene Louers, and as many Cu-

pids, who ranke themselues seauen, and seauen on

a side, with each a Cupid before him, with a ligh-

ted torch, and the middle person(which is his

Maiesty,) placed in the center.

1. The prouident. 2. The iudicious. 3. The secret. 4. The valiant. 5. The witty. 6. The iouiall. 7. The secure. 15. The Heroicall, 8. The substantiall. 9. The modest. 10. The candid. 11. The courteous. 12. The elegant. 13. The rationall. 14. The magnificent.

AMPHITRITE

Heere, stay a while: This! this

The Temple of all Beauty is!

Heere, perfect Louers, you must pay

First-fruits; and on these altars lay

(The Ladies breast's) your ample vowes,

Such, as Loue brings, and Beauty best allowes!

Cho.

For Loue, without his obiect, soone is gone:

Loue must haue answering loue, to looke vpon.

AMPHJTRITE

To you, best Iudge then, of perfection!

EVPHEMVS

The Queene, of what is wonder, in the place!

AMPHITRITE

Pure obiect, of Heroique Loue, alone!

EVPHEMVS

The center of proportion——!

AMPHITRITE

Sweetenesse

EVPHEMVS

Grace.?

AMPHITRITE

Daigne to receiue all lines of loue in one.

EVPHEMVS

And by reflecting of them fill this space.

Cho.

Till it a circle of those glories proue,

Fit to be sought in Beauty, found by Loue.

Semi.cho.

Where Loue is mutuall, still

All things in order moue,

Semi-cho.

The circle of the will

Js the true spheare of Loue.

Cho.

Aduance, you gentler Cupids, then aduance,

And shew your iust perfections in your dauuce.

The Cupids dance their dance.

And the Masquers their entry.

Which done, Euclia, or a faire Glory appeares in

the heauens, singing an applausiue song, or Pœan

of the whole, which shee takes occasion to inge-

minate in the second Chorus, vpon the sight of a

worke of Neptunes, being a hollow rocke, filling

part of the Sea-prospect, whereon the Muses sit.

EVCLIAS Hymne.

So loue, emergent out of Chaos brought
the world to light!

And gently mouing on the waters, wrought
all forme to sight!

Loues appetite

Did beauty first excite:

And left imprinted in the ayre,

Those signatures of good, and faire,

CHO.

Which since haue flow'd, flow'd forth vpon the sense,

To wonder first, and then to excellence,

By vertue of diuine intelligence!

The ingemination.

And Neptune too

Shewes what his waues can doe:

To call the Muses all to play,

And sing the birth of Venus day,

CHO.

Which from the Sea flow'd, forth vpon the sense

To wonder first, and next to excellence,

By vertue of diuine intelligence!

Here follow the Reuels.

Which ended, the Scene changeth to a Garden,

and the heauens opening, there appeare foure new

persons, in forme of a Constellation sitting, or a

new Asterisme, expectng Venus, whom they call

vpon with this song.

IVPITER. IVNO. GENIVS. HYMEN.

IVP.

Hast daughter Venus hast, and come away:

IVN.

All powers, that gouerne mariage, pray

That you will lend your light

GEN.

Vnto the constellation of this night.

HYM.

Hymen

IVN.

And Iuno.

GEN.

And the Genius call,

IVP.

Your father Iupiter,

CHO.

And all

That blesse, or honnor holy nuptiall.

VENVS here appeares in a cloud, and pas-

through the constellation, descendeth to the earth,

when presently the cloud vanisheth, and she is

seene sitting in a throane.

VENVS.

Here, here I present ame

Both in my girdle, and my flame.

Wherein are wouen all the powers

The Graces gaue me, or the Howres

(My nources once) with all the artes

Of gayning, and of holding hearts:

And these with I descend.

But, to your influences, first commend

The vow, I goe to take

On earth, for perfect loue and beauties sake!

Her song ended, and she rising to goe vp to

the Queene, the Throane disappeares: in place of

which, there shooteth vp a Palme tree with an

imperiall crowne on the top, from the roote

whereof, Lillies and Roses, twining together and

imbracing the stem, flourish through the crowne,

which she in the song, with the Chorus describes.

Beauty and Loue, whose story is mysteriall,

In yonder Palme-tree, and the Crowne imperiall,

Doe from the Rose, and Lilly so delicious,

Promise a shade, shall euer be propitious

To both the Kingdomes. But to Brittaines Genius

The snaky rod, and serpents of Cyllenius

Bring not more peace, then these, who so vnited be

By Loue, as with it Earth and Heauen delighted be.

And who this King, and Queene would well historify,

Need onely speake their names: Those them will glorify.

MARY, and CHARLES, CHARLES, with his MARY, na-

(med are

And all the rest of Loues, or Princes famed are.

After this they dance their going out, and end.

The Masquers Names

The King.
  • The Marquesse Hammilton.
  • Earle of Holland.
  • Earle of Newport.
  • Lord Strange.
  • Sir Robert Stanley
  • Master Goring.
  • Maister Dimock.
  • Lord Chamberlaine.
  • Earle of Carnaruan.
  • Vicount Doncaster.
  • Sir William Howard.
  • Sir William Brooke.
  • Maister Ralegh.
  • Maister Abercromy.
Porus and Penia

The prospect | of a | Sea ap-peares.

1. The prouident.
2. The iudicious.
3. The secret.
4. The valiant.
5. The witty.
6. The iouiall.